"The Banshee" by Henry Cowell, Cheryl Seltzer, Continuum had its release date on February 1, 2005. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Banshee's duration is considered a little bit shorter than the average duration of a typical track. The song is number 10 out of 23 in Cowell: Homage To Iran / Piano Pieces / Set of Five / Six Casual Developments / Two Songs by Henry Cowell. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. The popularity of The Banshee is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of The Banshee by Henry Cowell, Cheryl Seltzer, Continuum is Vivace (lively and fast), since this song has a tempo of 174 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 5/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Arcadiana, Op. 12: VI. O Albion | Thomas Adès, Danish String Quartet | E♭ Major | 0 | 5B | 77 BPM | ||
| Ligeti : Requiem : I Introitus | György Ligeti, Jonathan Nott, Berliner Philharmoniker | D♭ Major | 0 | 3B | 85 BPM | ||
| Jonchaies | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | B Minor | 7 | 10A | 118 BPM | ||
| Into the Bridge | Isobell Makkar | F Minor | 0 | 4A | 67 BPM | ||
| Renovation of the Whole | Chicco Birds | B♭ Minor | 0 | 3A | 147 BPM | ||
| Hallowe'en: Hallowe’en | Charles Ives, Eva Gruesser, Mia Wu, Rachel Evans, Beverly Lauridsen, Cheryl Seltzer, Joel Sachs, Continuum | B♭ Minor | 1 | 3A | 129 BPM | ||
| Quartet for Flute, Oboe, Cello & Harp: II. Lento | Henry Cowell, Musicians Accord | F Minor | 0 | 4A | 97 BPM | ||
| Messiaen: Le Merle noir | Olivier Messiaen, Emmanuel Pahud, Eric Le Sage | D♭ Major | 0 | 3B | 93 BPM | ||
| Celtic Set: Caoine | Henry Cowell, Stacey Barelos | D♭ Major | 0 | 3B | 65 BPM | ||
| Extended Circular Music No. 1 | Jürg Frey, Mondrian Ensemble | D♭ Major | 0 | 3B | 69 BPM | ||
| Daphne of the Dunes | Harry Partch, Danlee Mitchell, Frank Berberich, Gary Coleman, Dean Drummond, Richard Lapore, John McAllister, Robert McCormick, Todd Miller, Emil Richards, Michael Ranta, Linda Schell | B♭ Major | 3 | 6B | 92 BPM | ||
| Faust Suite: Prolog i Himlen | Else Marie Pade | A Minor | 3 | 8A | 82 BPM | ||
| Classique: Bidule et un | Pierre Henry, Pierre Schaeffer | D Major | 4 | 10B | 81 BPM | ||
| I. Thème. Modéré | Olivier Messiaen, Benjamin Frith, Lucy Gould | C Minor | 0 | 5A | 84 BPM | ||
| Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1, Leicht, zart | Arnold Schoenberg, Daniel Barenboim | A Minor | 0 | 8A | 69 BPM | ||
| Pithoprakta | Iannis Xenakis, Luxembourg Philharmonic Orchestra, Arturo Tamayo | D Minor | 4 | 7A | 101 BPM | ||
| The Banshee | Henry Cowell | E♭ Major | 1 | 5B | 128 BPM | ||
| D'un matin de printemps | Lili Boulanger, Yan Pascal Tortelier, BBC Philharmonic | C Major | 1 | 8B | 130 BPM | ||
| Lost Highway (2002/03): Scene 1.1 | Olga Neuwirth, Constance Hauman, Johannes Kalitzke, Klangforum Wien, Vincent Crowly | D Major | 1 | 10B | 80 BPM | ||
| The Rite of Spring, Part 1: IV. Spring Rounds | Igor Stravinsky, Public Domain, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Minor | 0 | 3A | 90 BPM | ||
| Persepolis #6 | Iannis Xenakis | F♯ Minor | 9 | 11A | 168 BPM | ||
| Violin Concerto “Distant light” (1996/7): Cadenza III | Pēteris Vasks, Daniel Rowland, Maja Bogdanovic, Stift Festival Orchestra | G Major | 2 | 9B | 76 BPM | ||
| Symphonie Fantastique, Op. 14, V. Dream of a Witches' Sabbath | Hector Berlioz, Frankfurt Radio Symphony Orchestra, Eliahu Inbal | C Major | 1 | 8B | 120 BPM | ||
| Gong Station Chimes | The Conet Project | A♭ Minor | 4 | 1A | 99 BPM | ||
| Quatuor pour la fin du Temps: VI. Danse de la fureur, pour les sept trompettes | Olivier Messiaen, Martin Fröst | D♭ Major | 2 | 3B | 107 BPM |