- BPM
- 128
- Key
- E♭ Major
- Camelot
- 5B
The Banshee by Henry Cowell Song Details
"The Banshee" by Henry Cowell had its release date on May 1, 1993. The duration of This song is about two minutes long, specifically at 2:35. This song does not appear to have any foul language. The Banshee's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 20 in the song's album "Piano Music". In this album, this song's track order is #9. Based on our statistics, The Banshee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With The Banshee by Henry Cowell having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
Music Key
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 2%
- Loudness
- -29.716 dB
- Acousticness
- 29%
- Danceability
- 21%
- Energy
- 7%
- Instrumentalness
- 2%
- Liveness
- 15%
- Loudness
- 50%
- Speechiness
- 6%
- Valence
- 13%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | The Miraculous Mandarin, Op. 19, Sz. 73: V. Dance of the girl | Béla Bartók, Toronto Symphony Orchestra, Gustavo Gimeno | G Major | 1 | 9B | 100 BPM | |
 | Summer Music, Op. 31: IV. Tempo Primo, Joyous and Flowing | Samuel Barber, Ensemble Ouranos | G Major | 1 | 9B | 100 BPM | |
 | For Bunita Marcus (1985): page 4 | Morton Feldman, Marc-André Hamelin | E♭ Major | 0 | 5B | 73 BPM | |
 | The Banshee | Henry Cowell | E♭ Major | 1 | 5B | 128 BPM | |
 | Choralgesänge: No. 91, Es ist genug; so nimm, Herr, meinen Geist (O Ewigkeit, du Donnerwort), BWV 60 | Johann Sebastian Bach, Alessandro Simonetto | G Major | 1 | 9B | 100 BPM | |
 | Lyric Suite: III. Allegro misterioso - Trio estatico | Alban Berg, Leonkoro Quartet | G Major | 1 | 9B | 100 BPM | |
 | Whisk and Whirl | Estoria | G Major | 1 | 9B | 100 BPM | |
 | Barcarolle No. 12, Op. 106 bis | Gabriel Fauré, Louis Lortie | E♭ Major | 0 | 5B | 107 BPM | |
 | Gentle Waves | Rylandiaa | F Minor | 5 | 4A | 104 BPM | |
 | Cello Sonata in E Major, Op. 121: I. Allegro espressivo e appassionato | Ignaz Moscheles, Steven Isserlis, Connie Shih | G Major | 1 | 9B | 100 BPM | |
 | Falla: Noches en los jardines de España: III. En los jardines de la sierra de Córdoba | Manuel de Falla, Sir Neville Marriner, Academy of St. Martin in the Fields, Tzimon Barto | G Major | 1 | 9B | 100 BPM | |
 | String Quartet, M. 35: II. Assez vif, très rythmé | Maurice Ravel, Ayako Tanaka, Hungwei Huang, Svetlin Roussev, Woongwhee Moon | F Major | 1 | 7B | 150 BPM | |
 | Quatuor pour la fin du Temps: IV. Intermède | Olivier Messiaen, Martin Fröst | F♯ Major | 2 | 2B | 96 BPM | |
 | Variations on Thirds: I. Maestoso sostenuto | Henry Cowell, Eileen Swanson, Ruth Sereque, Northwest Chamber Orchestra Seattle, Alun Francis | F Major | 1 | 7B | 85 BPM | |
 | Galactic Silence | Astrid Voix | G Major | 1 | 9B | 100 BPM | |
 | Schoenberg: 3 Piano Pieces, Op. 11: No. 2, Mässige Achtel | Arnold Schoenberg, Daniel Barenboim | B♭ Major | 0 | 6B | 134 BPM | |
 | 7 Haikus: II. Assai mosso | Benet Casablancas, Ensemble New Babylon, Lorenzo Ferrándiz Carillo | D♭ Major | 0 | 3B | 75 BPM | |
 | The Unanswered Question | Charles Ives, Royal Northern Sinfonia, James Sinclair | C Major | 0 | 8B | 63 BPM | |
 | The Exterminating Angel Symphony: I. Entrances | Thomas Adès, Minnesota Orchestra, Thomas Søndergård | C Major | 2 | 8B | 88 BPM | |
 | Ligeti : Romanian Concerto : III Adagio, ma non troppo | György Ligeti, Jonathan Nott, Berliner Philharmoniker | F Major | 0 | 7B | 73 BPM | |
 | 24 Preludes & Fugues, Op. 87: Prelude no.1 in C major. Moderato | Dmitri Shostakovich, Alexander Melnikov | B♭ Major | 0 | 6B | 82 BPM | |
 | Concerto for Clarinet and Saxophone, "Laurentian Reflections": III. Laurentian Rapids | Maya Badian, Iurie Frotovcean, Alexei Litvin, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | E♭ Major | 2 | 5B | 89 BPM | |
 | Piano Concerto No. 1, Op. 45: I. Con grandezza | Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu | G Major | 1 | 9B | 70 BPM | |
 | Rhythm Studies: II. A Bit Drunk | Brecht Valckenaers | G Major | 1 | 9B | 100 BPM | |
 | 3 Latin Prayers for Solo Voice: Ave Maria for Cello Solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records