Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян's 'Увертюра к опере "Сорока-воровка"' had a release date set for July 29, 2010. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There is only one song in Россини, so we believe that "Увертюра к опере "Сорока-воровка"" is a single. Based on our statistics, Увертюра к опере "Сорока-воровка"'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Увертюра к опере "Сорока-воровка" by Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян is Allegro (fast, quick, and bright), since this song has a tempo of 134 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 12 Danzas espanolas (Spanish Dances), Op. 37 (arr. R. Ferrer): No. 3. Fandango (Zarabando) | Rafael Ferrer, Enrique Granados, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Salvador Brotons | D Major | 0 | 10B | 92 BPM | ||
| Otello - Fire of Rejoicing | Giuseppe Verdi, Chor der Deutschen Staatsoper Berlin, Staatskapelle Berlin, Otmar Suitner, Ernst Stoy | B♭ Major | 1 | 6B | 139 BPM | ||
| Bizet: Carmen, WD 31, Act 3, Scene 1: "Quant au douanier, c'est notre affaire !" (Frasquita, Mercedes, Carmen, Chœur, Le Remendado, Le Dancaïre) | Georges Bizet, Giuseppe Sinopoli, Chor der Bayerischen Staatsoper, Jan Zinkler, Jennifer Larmore, Natascha Petrinsky, Nathalie Boissy, Ulrich Ress, Bavarian State Orchestra | F♯ Major | 1 | 2B | 118 BPM | ||
| Увертюра к опере "Сорока-воровка" | Джоаккино Антонио Россини, Московский камерный оркестр, Константин Орбелян | D♭ Major | 3 | 3B | 134 BPM | ||
| Scherzo | Giacomo Puccini, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Chailly | F Major | 1 | 7B | 77 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
| Marienbader Polka | Frantisek Matej Hilmar, R. Glembotzki, WDR Rundfunkorchester Köln, Alfred Walter | A Major | 1 | 11B | 79 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Tales of Beatrix Potter: The Tale of Squirrel Nutkin | John Lanchbery, Orchestra of the Royal Opera House, Covent Garden, Orch.Of Royal Opera House Covent Garden | G Major | 2 | 9B | 113 BPM | ||
| La Damnation de Faust, Op. 24, H 111 / Pt. 1: Ronde des Paysans. "Les bergers quittent leurs troupeaux" | Hector Berlioz, Kenneth Riegel, Chicago Symphony Chorus, Chicago Symphony Orchestra, Sir Georg Solti | G Major | 3 | 9B | 118 BPM | ||
| Tchaikovsky: Symphony No. 6 in B Minor, Op. 74 "Pathétique": IV. Finale. Adagio lamentoso | Pyotr Ilyich Tchaikovsky, Herbert von Karajan, Philharmonia Orchestra | A Major | 6 | 11B | 113 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 9, Village Girls | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | A Major | 2 | 11B | 75 BPM | ||
| Chabrier: Le roi malgré lui, Act 2: Fête polonaise | Emmanuel Chabrier, Michel Plasson, Orchestre Du Capitole De Toulouse | F Major | 1 | 7B | 61 BPM | ||
| Carmen, Act IV: Qu'avez-vous fait de la Carmencita? – March & Chorus. Les voici! les voici! | Georges Bizet, Jean-Noel Sissia, Isabelle Karajan, David Clair, Claudine Coster, Berliner Philharmoniker, Herbert von Karajan, Schöneberger Sängerknaben, Choeur de l'Opéra de Paris, Walter Hagen-Groll | F Minor | 1 | 4A | 95 BPM | ||
| Armida: Overture | Gioachino Rossini, Donato Renzetti, Orchestra Filarmonica Gioachino Rossini | D Major | 1 | 10B | 81 BPM | ||
| Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream) | Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky | F Major | 1 | 7B | 90 BPM | ||
| Il Barbiere di Siviglia: Overture - Highlights | Gioachino Rossini, Riccardo Chailly, Marilyn Horne, Leo Nucci, Samuel Ramey, Enzo Dara, Paolo Barbacini, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano | F Major | 3 | 7B | 88 BPM | ||
| La fille mal gardée (Rev. Lanchbery), Act I: No. 4a, Colas' Solo | Ferdinand Hérold, Orchestra of the Royal Opera House, Covent Garden, John Lanchbery | D Major | 1 | 10B | 115 BPM | ||
| 21 Hungarian Dances, WoO 1: No. 12 in D Minor (Arr. for Orchestra by Albert Parlow) | Johannes Brahms, Munich Radio Orchestra, Roberto Abbado | E Major | 4 | 12B | 121 BPM | ||
| Berlioz: Harold en Italie, Op. 16, H. 68: III. Allegro assai - Allegretto (Sérénade d'un montagnard des Abruzzes à sa maîtresse) | Hector Berlioz, Leonard Bernstein, Orchestre National De France | C Major | 1 | 8B | 85 BPM | ||
| Egmont, complete incidental music, Op. 84: viii. Klärchens Tod: Larghetto (The Death of Clärchen) | Beethoven, Maurice Abravanel, Walther Reyer, Utah Symphony Orchestra, Netania Davrath | E Minor | 2 | 9A | 82 BPM | ||
| Evening Party | Shanghai Philharmonic Orchestra | A Minor | 1 | 8A | 110 BPM | ||
| Britten: Soirées musicales, Op. 9: III. Tirolese | Benjamin Britten, English Chamber Orchestra, Alexander Gibson | C Major | 2 | 8B | 173 BPM | ||
| Symphony No. 1, GMW 11: IIa. Kräftig bewegt, doch nicht zu schnel | Gustav Mahler, Tonhalle-Orchester Zürich, Paavo Järvi | B Minor | 1 | 10A | 68 BPM |