John Walker, Scott Walker's 'Lottin Dottin Da Da' had a release date set for July 1, 1966. The duration of This song is about two minutes long, specifically at 2:01. This song does not appear to have any foul language. Lottin Dottin Da Da's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in John Walker, Scott Walker's "I Only Came To Dance With You" album is number 9 out of 10. On top of that, United States appears to be the country where this track was created. Based on our statistics, Lottin Dottin Da Da's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lottin Dottin Da Da by John Walker, Scott Walker to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Debussy: Children's Corner, L. 119: VI. Golliwog's Cake-walk (Orch. Caplet) | Claude Debussy, André Cluytens, Orchestre National Radiodiffusion Française | E Major | 0 | 12B | 70 BPM | ||
| Shakespeare Pictures: II. The Winter's Tale. The Statue | Nigel Hess, Central Band Of The Royal Air Force | G Minor | 1 | 6A | 86 BPM | ||
| Amahl and the Night Visitors: Prelude / Opening | David Syrus, The Royal Opera House Orchestra, Ben Turner | F Major | 2 | 7B | 119 BPM | ||
| Irish Isles Suite: I. Achill Island | Ailbhe McDonagh, RTE Concert Orchestra, David Brophy | A Minor | 1 | 8A | 72 BPM | ||
| Solo de concert | Gabriel Pierné, Marc Trenel, Pascal Godart | F Major | 1 | 7B | 66 BPM | ||
| New World Suite (Reconstructed by A. Walker): IX. Berceuse | Ignatz Waghalter, State Symphony Orchestra "Novaya Rossiya", Alexander Walker | E♭ Major | 1 | 5B | 130 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| Miniature Dance Suite, Op. 124: Jig | Cecil Armstrong Gibbs, Royal Ballet Sinfonia, David Lloyd-Jones | G Major | 1 | 9B | 71 BPM | ||
| Kleine Dreigroschenmusik: III. Anstatt-dass Song | Kurt Weill, Munich Radio Orchestra, Gerd Müller-Lorenz | B Major | 0 | 1B | 102 BPM | ||
| Hungarian Dance No. 1 | Johannes Brahms, Michael Collins, Michael McHale | G Minor | 2 | 6A | 73 BPM | ||
| Trombone Concerto: II. Quasi una leggenda: Andante grave (1st Version) | Launy Grøndahl, Jesper Juul Sorensen, Danish National Symphony Orchestra, Thomas Dausgaard | D♭ Major | 0 | 3B | 120 BPM | ||
| Come Back To My Arms | John Walker | D Major | 5 | 10B | 206 BPM | ||
| Like the Murmur of the Dove's Song (Arr. D. Starr for Choir, Organ & Alto Saxophone) | Peter Cutts, Sarah Lincoln, Elizabeth Ann Keen, Choir of Shadyside Presbyterian Church, Pittsburgh, Pennsylvania, John Walker | A Major | 2 | 11B | 83 BPM | ||
| Poulenc: Clarinet Sonata, FP 184: II. Romanza | Francis Poulenc, Sabine Meyer | G Minor | 0 | 6A | 67 BPM | ||
| Scaramouche, Op. 165: III. Brazileira | Darius Milhaud, Ludmila Peterková, Irina Kondratenko | C Major | 2 | 8B | 175 BPM | ||
| Double Concerto for Clarinet, Viola and Orchestra in E Minor, Op. 88: II. Allegro moderato | Max Bruch, Alfred Scholz, Sinfonie Orchester Des Sudwestfunks Baden-Baden | G Major | 1 | 9B | 100 BPM | ||
| Violin Concerto in D Major, Op. 35: I. Moderato nobile | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | D Major | 1 | 10B | 88 BPM | ||
| Take The "A" Train | Annunzio Paolo Mantovani | E♭ Major | 3 | 5B | 133 BPM | ||
| Clarinet Sonata in E-Flat Major, Op. 167, R. 147: III. Lento | Camille Saint-Saëns, Kimball Sykes, Stephane Lemelin | D Major | 1 | 10B | 83 BPM | ||
| Broken Legged Dog | John Walker | C Major | 9 | 8B | 106 BPM | ||
| Carmen Fantasy, Op. 25 (Arr. for Marimba by Thibault Lepri): I. Moderato | Pablo de Sarasate, Adélaïde Ferrière, Orchestre Dijon Bourgogne, Joseph Bastian | E Major | 0 | 12B | 70 BPM | ||
| Sortie in E-Flat Major | Louis James Alfred Lefébure-Wély, John Walker | B Major | 1 | 1B | 73 BPM | ||
| Thirsty for Love | John Walker | G Major | 6 | 9B | 112 BPM | ||
| Wachet auf, ruft uns die Stimme, Op. 65 No. 33 | Sigfrid Karg-Elert, John Walker | D Major | 1 | 10B | 138 BPM | ||
| Concertino for Flute and Orchestra, Op. 107 | Cécile Chaminade, Susan Milan, Richard Hickox, City of London Sinfonia | D Major | 1 | 10B | 116 BPM |