On January 1, 1991, the song "Perpetuum Mobile" was released by Comedian Harmonists. The duration of This song is about two minutes long, specifically at 2:39. This song does not appear to have any foul language. Perpetuum Mobile's duration is considered a little bit shorter than the average duration of a typical track. The song is number 7 out of 17 in Die Grossen Erfolge II by Comedian Harmonists. The popularity of Perpetuum Mobile is currently not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Perpetuum Mobile by Comedian Harmonists is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When Hollywood Goes Black and Tan | Cleo Brown | G Minor | 3 | 6A | 121 BPM | ||
| Sommer, See und Sonnenschein | Erhard Bauschke Tanz-Orchester | B♭ Major | 3 | 6B | 203 BPM | ||
| Du Und Ich Im Mondenschein | Ilse Werner | G Major | 3 | 9B | 181 BPM | ||
| Sag mir bloss, was ist los mit der Lilly (Is It True What They Say About Dixie) | Erhard Bauschke | D♭ Major | 5 | 3B | 98 BPM | ||
| Leben Ohne Liebe Kannst Du Nicht | Marlene Dietrich | D Major | 1 | 10B | 79 BPM | ||
| Der General | Georg Kreisler | A♭ Major | 6 | 4B | 86 BPM | ||
| Morgens bin ich immer müde | Trude Herr | D Minor | 4 | 7A | 140 BPM | ||
| Mir ist so nach dir | Mischa Spoliansky, Jazz Symphony Orchestra | C Major | 4 | 8B | 79 BPM | ||
| The Third Man Theme - Later Version | Anton Karas | D♭ Major | 3 | 3B | 178 BPM | ||
| Das Meer | Götz Alsmann | C Minor | 3 | 5A | 150 BPM | ||
| Der lachende Vagabund (Gambler's Guitar) | Fred Bertelmann | C Major | 6 | 8B | 120 BPM | ||
| Morgens bin ich immer müde | Trude Herr | D Minor | 6 | 7A | 142 BPM | ||
| In meiner Badewanne bin ich Kapitan | Otto Berco, Peter Igelhoff, Kleines Ensemble | G Major | 3 | 9B | 92 BPM | ||
| Lily Marlen | Lale Andersen | E Major | 4 | 12B | 100 BPM | ||
| Ein neuer Frühling wird in die Heimat kommen | Comedian Harmonists | E♭ Major | 1 | 5B | 109 BPM | ||
| Der Überzieher - Original 1925 Remastered | Otto Reutter | E♭ Major | 3 | 5B | 84 BPM | ||
| The Third Man Theme | Anton Karas | G Major | 3 | 9B | 130 BPM | ||
| Die Dreigroschenoper: Ouvertüre ("Sie werden jetzt eine Oper für Bettler hören") | Kurt Weill, Wolfgang Neuss, Wilhelm Brückner-Rüggeberg | A Minor | 1 | 8A | 101 BPM | ||
| Blutrote Rosen | Austin Egen, Marek Weber & Sein Orchester | E Minor | 3 | 9A | 108 BPM | ||
| Die Dreigroschenoper: Seeräuberjenny | Kurt Weill, René Kollo, Ute Lemper, Rias-Sinfonietta Berlin, John Mauceri | D Minor | 1 | 7A | 78 BPM | ||
| Am 30. Mai ist der Weltuntergang | Golgowsky Quartett, Kurt-Adolf Thelen, Sunshine-Quartett | C Major | 4 | 8B | 117 BPM | ||
| Blitzo | Pirron und Knapp | G Major | 2 | 9B | 81 BPM | ||
| Er Heißt Waldemar | Zarah Leander | F Minor | 4 | 4A | 136 BPM | ||
| Ein Freund, ein guter Freund | Willy Fritsch, Heinz Rühmann | E♭ Minor | 6 | 2A | 129 BPM | ||
| Es klopft mein Herz bum-bum | Willy Berking | G Major | 3 | 9B | 178 BPM |