"Padmé's Ruminations" by John Williams, London Symphony Orchestra had its release date on May 3, 2005. The duration of This song is about 3 minutes long, at 3:18. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 15 in the song's album "Star Wars: Revenge of the Sith (Original Motion Picture Soundtrack)". In this album, this song's track order is #8. Furthermore, we believe that the track originated from United States. Padmé's Ruminations is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Padmé's Ruminations by John Williams, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 1/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Seppuku | Ilan Eshkeri | F Major | 3 | 7B | 114 BPM | ||
| Sensing Vader | Natalie Holt | B♭ Minor | 1 | 3A | 80 BPM | ||
| Tsushima Suite: IV. Kodoku | Shigeru Umebayashi | D Major | 2 | 10B | 123 BPM | ||
| Mon Mothma | Nicholas Britell | B Major | 0 | 1B | 66 BPM | ||
| He Is the Chosen One | John Williams, London Symphony Orchestra | F Major | 0 | 7B | 68 BPM | ||
| Earth | Marc Streitenfeld, Ben Foster, Metro Voices, The Bach Choir, Apollo Voices | E Major | 1 | 12B | 87 BPM | ||
| Ahto City/ Manaan | Nathanael Lloyd | E Minor | 0 | 9A | 70 BPM | ||
| Sleep | Rupert Gregson-Williams | F♯ Minor | 0 | 11A | 47 BPM | ||
| The Killing Of Dumbledore | Nicholas Hooper | B♭ Minor | 1 | 3A | 66 BPM | ||
| Destruction of Alderaan | John Williams, London Symphony Orchestra | A♭ Minor | 1 | 1A | 86 BPM | ||
| You Should Have Listened to My Warning | Nick Arundel | D♭ Major | 7 | 3B | 89 BPM | ||
| We Go Together | John Williams | D Minor | 1 | 7A | 73 BPM | ||
| Landspeeder Search/Attack of the Sand People - Medley | London Symphony Orchestra, John Williams | A♭ Major | 3 | 4B | 98 BPM | ||
| Old Town | Declan Seth, Morgan Richards | F♯ Major | 1 | 2B | 105 BPM | ||
| Angel of Verdun (Main Title) | Christophe Beck | G Major | 2 | 9B | 118 BPM | ||
| Journey To The Cave | Nicholas Hooper | D Major | 1 | 10B | 88 BPM | ||
| Kara and Father | Nobuko Toda, Kazuma Jinnouchi | D Minor | 1 | 7A | 81 BPM | ||
| The Story | Ludwig Goransson | D Minor | 0 | 7A | 74 BPM | ||
| It's Over Now | Kevin Kiner | G Major | 4 | 9B | 76 BPM | ||
| Why, Mr. Anderson? | Don Davis | B♭ Minor | 3 | 3A | 81 BPM | ||
| All That Is Good | Tyler Bates, Lisa Papineau | D Major | 10 | 10B | 143 BPM | ||
| Dinotopia Main Theme | Trevor Jones | D Major | 2 | 10B | 116 BPM | ||
| Adagio in D Minor (Orchestra Mix) | John Murphy | G Major | 6 | 9B | 120 BPM | ||
| Still In This Fight | Steven Price | F Minor | 5 | 4A | 130 BPM | ||
| Weyland | Marc Streitenfeld | C Major | 0 | 8B | 64 BPM |