N. Ravikiran's 'Anandamritavarshini - Raga Amritavarshini' had a release date set for January 1, 1992. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 6 in Dikshitar Masterpieces by N. Ravikiran. The popularity of Anandamritavarshini - Raga Amritavarshini is currently not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Anandamritavarshini - Raga Amritavarshini by N. Ravikiran is Presto (very, very fast), since this song has a tempo of 180 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
This song has a musical key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kaakkai Siraginile | Rajhesh Vaidhya | D Minor | 3 | 7A | 110 BPM | ||
| Chitta Chora Yashoda Ke Bal | Sri Sathya Sai Bhajans | D Major | 5 | 10B | 119 BPM | ||
| Bilaskhani Todi: Tabla tarparan | Nikhil Banerjee | E♭ Major | 5 | 5B | 112 BPM | ||
| Raga yaman kalyan : Alap | Imrat Khan | A♭ Major | 1 | 4B | 173 BPM | ||
| Nocturne | Mukta | G Major | 4 | 9B | 85 BPM | ||
| Raga: Pahari | Shujaat Khan | G Major | 4 | 9B | 119 BPM | ||
| Raghuvamsa Sudha - Kathana Kuthukalam | N. Ravikiran | A♭ Major | 3 | 4B | 100 BPM | ||
| Bhagyada Lakshmi Baaramma - Madhyamavati - Adi Tala | Kadri Gopalnath, Pravin Godkhindi | B♭ Minor | 9 | 3A | 82 BPM | ||
| Ratadli - Live | Rajasthan, Shakoor Mohmmad, Bali Mohammad, Sufi Sindhi Artists | F♯ Major | 8 | 2B | 119 BPM | ||
| Bruhi Mukundethi | N. Ravikiran | D Minor | 3 | 7A | 74 BPM | ||
| Raga Khammaj | Ulhas Kashalkar | F♯ Major | 5 | 2B | 107 BPM | ||
| Raga Aberi Track 07 | L. Shankar | B♭ Minor | 6 | 3A | 92 BPM | ||
| Joy | G.S. Sachdev | F Major | 0 | 7B | 89 BPM | ||
| Hiranmayim - Lalitha - Rupakam | Semmangudi Srinivasa Iyer, M. S. Subbulakshmi, K.S.Narayanaswamy | F♯ Minor | 2 | 11A | 133 BPM | ||
| Hier matin | Mukta | G Minor | 4 | 6A | 101 BPM | ||
| ANHUR | Mulhorandian | D Minor | 3 | 7A | 114 BPM | ||
| Maha Ganapatim - Nata | T. N. Krishnan | A Major | 3 | 11B | 122 BPM | ||
| Sri Kantimateem: Tanam | N. Ravikiran, Mysore Manjunath, Guruvayoor Dorai | A♭ Major | 0 | 4B | 120 BPM | ||
| Gat in medium Teental (16 beats) | Ken Zuckerman | C Major | 3 | 8B | 151 BPM | ||
| Hamir | Buddhadev DasGupta | C Major | 5 | 8B | 105 BPM | ||
| Flor de Retama y Dolor | Flor Huaracina | G Minor | 7 | 6A | 165 BPM | ||
| Bantu Reethi (Flute) | Tyagaraja, Sikkil Sisters | C Major | 4 | 8B | 76 BPM | ||
| Shankara Jeevan Varada | Rajan & Sajan Mishra & Shruti Sadolikar | D♭ Major | 5 | 3B | 158 BPM | ||
| Ennappan Allava | Kunnakudi Vaidyanathan | F♯ Minor | 5 | 11A | 149 BPM | ||
| Thatwamariya - Reeti Gowla - Adi | Papanasam Sivan | B♭ Minor | 7 | 3A | 101 BPM |