"Sri Kantimateem: Tanam" by N. Ravikiran, Mysore Manjunath, Guruvayoor Dorai had its release date on January 1, 2001. With this song being around four minutes long, at 3:34, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in N. Ravikiran, Mysore Manjunath, Guruvayoor Dorai's "Music from Madras" album is number 7 out of 10. Based on our statistics, Sri Kantimateem: Tanam's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Sri Kantimateem: Tanam by N. Ravikiran, Mysore Manjunath, Guruvayoor Dorai to be Moderato (at a moderate speed) because the track has a tempo of 120 BPM, a half-time of 60BPM, and a double-time of 240 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kriti: "Mīnākṣi Me Mudam" / Pallavi | Ranganayaki Rajagopalan, Raja Rao | G Minor | 3 | 6A | 145 BPM | ||
| Raga Marwa - Drut Tintal Jhala | Kushal Das | E Major | 9 | 12B | 106 BPM | ||
| Chat Section 04 - N Ravikiran Live Session | Radio M, N. Ravikiran | E Major | 1 | 12B | 96 BPM | ||
| Bhimpalasri Alap | Nikhil Banerjee | C Major | 0 | 8B | 106 BPM | ||
| Raga Tilak Kamod | Shahid Parvez | D♭ Major | 3 | 3B | 171 BPM | ||
| Cenizas del Tiempo | Ciruu | C Minor | 6 | 5A | 137 BPM | ||
| Brochevarevarurar | A. Kanyakumari | C Major | 5 | 8B | 79 BPM | ||
| Vara Vallabha: Hamsadhwani - Aadi - G.N.Balasubramaniam | G. N. Balasubramaniam, N. Ramani | E♭ Major | 3 | 5B | 106 BPM | ||
| Pullanguzhal | Kalaimamani Prabhavathi Ganesan | B♭ Minor | 6 | 3A | 91 BPM | ||
| Tillana - Behag - Adi (Tisra) | Lalgudi G. Jayaraman, Palghat Mani Iyer, T.R. Rajamani, Srimathi Brahmanandam | E♭ Major | 8 | 5B | 115 BPM | ||
| Meevalla | E. Gayathri | B Minor | 8 | 10A | 180 BPM | ||
| Yaaro Ivar Yaaro - Mandolin | U. Srinivas | C Minor | 5 | 5A | 148 BPM | ||
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Raga Sumaneesha Ranjani - Madhukauns | A. Kanyakumari, Janardan Mitta | C Major | 5 | 8B | 75 BPM | ||
| Sri Ganapathi | A. Kanyakumari | F Major | 8 | 7B | 107 BPM | ||
| Baro Krishnayya (Instrumental) | Phani Narayana | D♭ Major | 4 | 3B | 107 BPM | ||
| Khamas Raga | V.S.Narasimhan | E Minor | 1 | 9A | 130 BPM | ||
| Magic of Sitar | Sage Mode | F Major | 2 | 7B | 105 BPM | ||
| Nache Panduranga | Sivasri Skandaprasad | D Major | 5 | 10B | 108 BPM | ||
| Varnam: Navaragamalika - Aadi - Patnam Subramanya Iyer | N. Ravikiran | A Minor | 5 | 8A | 137 BPM | ||
| Raga Bhairavi Alap | Shahid Parvez | A♭ Minor | 1 | 1A | 136 BPM | ||
| Raga kirvani : Tânam | L. Subramaniam | E Major | 2 | 12B | 87 BPM | ||
| Raga Aberi Track 02 | L. Shankar | A♭ Major | 5 | 4B | 83 BPM | ||
| Vallabha Nayakasya - Raga Begada | N. Ravikiran | C Minor | 5 | 5A | 162 BPM | ||
| Fast tintal | Manilal Nag | G Major | 4 | 9B | 143 BPM |