Traditional, Zakir Hussain's 'Double Dayan' had a release date set for 2006. With this song being around four minutes long, at 4:14, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Rhythmic Impressions of Ustad Zakir Hussain". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. In terms of popularity, Double Dayan is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Double Dayan by Traditional, Zakir Hussain having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Toni | Zakir Hussain | D♭ Major | 0 | 3B | 58 BPM | ||
| Raga Marwa, Jor | Shivkumar Sharma & Zakir Hussain | F♯ Minor | 2 | 11A | 100 BPM | ||
| Tilak Kamod | Shruti Sadolikar | A♭ Major | 3 | 4B | 156 BPM | ||
| Kriti: "śri Mahāgaṇapati" / Colkaṭṭu Svara | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 6 | 4B | 152 BPM | ||
| The Great Indian Desert | Zakir Hussain | B Minor | 3 | 10A | 135 BPM | ||
| Khamaj | Shamim Ahmed | A♭ Major | 1 | 4B | 135 BPM | ||
| Meditation Ragas | Hamnawa | G Major | 1 | 9B | 75 BPM | ||
| Tani Avartanam | Traditional, Alla Rakha, Zakir Hussain | F Minor | 4 | 4A | 139 BPM | ||
| Together On A Musical Journey | Shivkumar Sharma, Rahul Sharma, Zakir Hussain | D Major | 5 | 10B | 93 BPM | ||
| Taal Pancham Sawari In 15 Beats / Raga Asha Mand (Naghma) On Sarangi - Instrumental | Zakir Hussain, Fazal Qureshi, Sultan Khan | B Major | 7 | 1B | 111 BPM | ||
| Raga Marwa - Drut Tintal Jhala | Kushal Das | E Major | 9 | 12B | 106 BPM | ||
| Joy of Jaipur | Subhankar Banerjee | D Major | 7 | 10B | 94 BPM | ||
| Herat | Pejman Tadayon | B♭ Minor | 9 | 3A | 144 BPM | ||
| Call 4 P | Om Hellenkamp | B Major | 1 | 1B | 114 BPM | ||
| Raga Kirwani Gat | Shahid Parvez | B Major | 6 | 1B | 158 BPM | ||
| Raga Kedar, Gat In Ektaal | Shivkumar Sharma & Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| India Blue (Dhani) | Ali Akbar Khan | F Minor | 4 | 4A | 156 BPM | ||
| Namah Shivaya [East Greets East] | Ravi Shankar, Hozan Yamamoto, Alla Rakha | C Major | 1 | 8B | 92 BPM | ||
| Raag Yaman (Aalap, Jod & Jhala) | Shahid Parvez | F♯ Minor | 1 | 11A | 122 BPM | ||
| After a Hot Day | Surajit Das, Lucyan | D♭ Major | 5 | 3B | 113 BPM | ||
| Raga Rageshwari Fast Gat in Tintal | Amjad Ali Khan, Zakir Hussain | E♭ Major | 3 | 5B | 99 BPM | ||
| Lotus Feet | John McLaughlin, Zakir Hussain, U. Srinivas, V. Selvaganesh | E Minor | 1 | 9A | 108 BPM | ||
| Messenger | Alam Khan, Del Sol Quartet | C Minor | 2 | 5A | 170 BPM | ||
| Eternal Return: Solitude | Hafez Nazeri, Shahram Nazeri, Paul Neubauer, Zakir Hussain, Glen Velez, Rumi Symphony Chorus, James Bagwell | G Minor | 1 | 6A | 104 BPM | ||
| Raga Bhairavi Drut | Shahid Parvez | B Major | 4 | 1B | 141 BPM |