"Khamaj" by Shamim Ahmed had its release date on January 1, 1991. This song appears to be safe for all ages as it is not explicit. The track order of this song in Shamim Ahmed's "India's Great Shamim Ahmed: Three Ragas" album is number 3 out of 3. On top of that, United States appears to be the country where this track was created. Based on our statistics, Khamaj's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Khamaj by Shamim Ahmed to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Kamod | Buddhadev DasGupta | F Major | 5 | 7B | 168 BPM | ||
| Pink | Talvin Singh, Niladri Kumar | D Major | 1 | 10B | 76 BPM | ||
| Rajasthan | Maya Nancy | E♭ Major | 3 | 5B | 82 BPM | ||
| Yaman - Ustad Bismillah Khan | Ustad Bismillahkhan | E♭ Major | 5 | 5B | 178 BPM | ||
| Kṛiti by Saint Tyāgarāja - Rāgam: Bilaharị | L. Subramaniam, Viji Subramaniam, T. H. Subashchandran, Poovalur V. Srinivasan | B Major | 1 | 1B | 133 BPM | ||
| Aaye Gaye Raghunandan | Rudraa | D♭ Major | 8 | 3B | 147 BPM | ||
| Haseen | Niladri Kumar | F Major | 4 | 7B | 89 BPM | ||
| Vilambit laya: Medium Tempo: Amad, Peshkar, Qaida & Chakradhar | Traditional, Alla Rakha, Zakir Hussain | D♭ Minor | 6 | 12A | 91 BPM | ||
| Raga Bihag Alap | Terry Riley, Brooklyn Raga Massive | C Major | 1 | 8B | 87 BPM | ||
| Amaturi | Aziz Herawi | D Major | 3 | 10B | 149 BPM | ||
| Theeratha Vilayattu Pillai (Instrumental) | Peri Thyagaraju | F Minor | 4 | 4A | 145 BPM | ||
| Double Dayan | Traditional, Zakir Hussain | D Major | 4 | 10B | 100 BPM | ||
| Bhaj Man Nit Harko Naam | Amir Khan | B Major | 3 | 1B | 70 BPM | ||
| Raga Hemant - Main Part | Bidyut Khan Band, Lucyan | D♭ Major | 8 | 3B | 93 BPM | ||
| Meditation Ragas | Hamnawa | G Major | 1 | 9B | 75 BPM | ||
| Raga Bhairavi - Ustad Amjad Ali Khan | Ustad Amjad Ali Khan | F Major | 6 | 7B | 107 BPM | ||
| Basant | Hariprasad Chaurasia | B Major | 2 | 1B | 95 BPM | ||
| Jaijaivanti | Buddhadev DasGupta | C Major | 5 | 8B | 123 BPM | ||
| Kriti: "śri Mahāgaṇapati" / Colkaṭṭu Svara | Ranganayaki Rajagopalan, Raja Rao | A♭ Major | 6 | 4B | 152 BPM | ||
| Khayal Aaye Tera | Khushboo Jain | A Minor | 4 | 8A | 120 BPM | ||
| Santoor Yaman | Bapu Padmanabha | F♯ Minor | 1 | 11A | 137 BPM | ||
| Kaakkai Siraginile | Rajhesh Vaidhya | D Minor | 3 | 7A | 110 BPM | ||
| Raga Jaijaivanti: Alap | Asad Ali Khan, Mohan Shyam Sharma, Zaki Haiper | C Major | 0 | 8B | 123 BPM | ||
| Rooh Le Gaya | Shujaat Khan | F♯ Major | 5 | 2B | 79 BPM | ||
| Teen Taal, Peshkars, Quidas,Tukdas, Tipalli & Relas | Zakir Hussain | C Major | 4 | 8B | 83 BPM |