On December 12, 2018, the song "Nazre Mila Ke Mujhse" was released by Sanjay Mittal. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 6 out of 9 in Aasra by Sanjay Mittal. Going off of the ISRC code of this track, we detected that the origin of this track is from India. In terms of popularity, Nazre Mila Ke Mujhse is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
The tempo marking of Nazre Mila Ke Mujhse by Sanjay Mittal is Andante (at a walking pace), since this song has a tempo of 100 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of A Minor. Because this track belongs in the A Minor key, the camelot key is 8A. So, the perfect camelot match for 8A would be either 8A or 7B. While, a low energy boost can consist of either 8B or 9A. For moderate energy boost, you would use 5A and a high energy boost can either be 10A or 3A. However, if you are looking for a low energy drop, finding a song with a camelot key of 7A would be a great choice. Where 11A would give you a moderate drop, and 6A or 1A would be a high energy drop. Lastly, 11B allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sathi Hamara Kaun Banega | Sanjay Pareek | A♭ Major | 7 | 4B | 87 BPM | ||
| Dwar Pe Thado Langooriya | Gyanendra Sharma | A♭ Major | 7 | 4B | 78 BPM | ||
| Maja Barsat Ka Chaho | Vinod Agarwal | F♯ Major | 7 | 2B | 92 BPM | ||
| Jo Ram Naam Gud Gayega | Parmod Kumar | B♭ Major | 6 | 6B | 90 BPM | ||
| Hare Ka Sahara Aa Gaya | Ram Kumar Lakkha | F♯ Minor | 7 | 11A | 126 BPM | ||
| Sai Ji Teri Badi Kripa Hai | Puneet Khurana | B♭ Minor | 9 | 3A | 88 BPM | ||
| Kanak Bhawan Darwaje Khade Raho | Devendra Pathak | B♭ Major | 9 | 6B | 159 BPM | ||
| Hari ne Bhajta | NARAYANSWAMI | F Minor | 7 | 4A | 131 BPM | ||
| Jab Neele Neele Ambar Par | Vinod Agarwal | A♭ Major | 5 | 4B | 154 BPM | ||
| Darshan Pyasi Bai Sugna - Original | Navratansinh Raval, Kushal Barath | F Minor | 9 | 4A | 83 BPM | ||
| Chhote Chhote Ghunghroo | Manish Tiwari | D♭ Major | 5 | 3B | 98 BPM | ||
| AsuwanDhar | Sanjay Mittal | B Major | 4 | 1B | 112 BPM | ||
| Mujhe Tumne Data Sab Kuch Dia Hai Tera Shukriya Hai | Mridul Krishan Shastri | A♭ Minor | 8 | 1A | 86 BPM | ||
| Khatu Dham Charo Dham | Shyam Singh Chouhan | E Major | 7 | 12B | 75 BPM | ||
| Radha Rani Tum Ho | Shridhay Shri Mridul krishna shastri ji maharaj | A♭ Major | 7 | 4B | 147 BPM | ||
| Mai Samar ke laane aai ho | Rakesh Tiwari | A♭ Major | 5 | 4B | 142 BPM | ||
| Hamse Parda Karo Na Murari | Pardeep Pannu | B Minor | 6 | 10A | 120 BPM | ||
| Kirat Ju Ke Aangan Mein | Sadhvi Purnima Ji | D Major | 9 | 10B | 100 BPM | ||
| Tera Assra Jo Liye Jaa Rahe Hain | Vinod Gandrav, Preet Nihal | G Major | 4 | 9B | 127 BPM | ||
| Swarg Se Sundar | Vaibhav Bagmar Balotra | F Minor | 7 | 4A | 110 BPM | ||
| Baba Tere Bharose Mera Pariwar Hai | Manoj | C Major | 7 | 8B | 145 BPM | ||
| Aman Ka Jhanda | Arvind Kumar, Nirdhan Kirtapur | E♭ Minor | 5 | 2A | 92 BPM | ||
| Teri Banki Aada Ne O Sanware | Deepa Didi | E♭ Major | 9 | 5B | 120 BPM | ||
| Mera Koi Na Sahara Bin Tere | Aniruddhacharya Ji Maharaj | F♯ Major | 6 | 2B | 120 BPM | ||
| Tere Dar Ko Main Chhod Kahaan Jaun | Ram Kumar Lakkha | C Minor | 9 | 5A | 95 BPM |