Goodbye, Mr Chips: In the Mountains by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra, Chethams Chamber Choir, Manchester Cathedral Choir Song Details

"Goodbye, Mr Chips: In the Mountains" by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra, Chethams Chamber Choir, Manchester Cathedral Choir had its release date on February 1, 2003. This song is about six minutes long, preciously at 5:34, making this song fairly long compared to other songs. There are a total of 18 in the song's album "The Film Music of Richard Addinsell". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Goodbye, Mr Chips: In the Mountains's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Goodbye, Mr Chips: In the Mountains by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra, Chethams Chamber Choir, Manchester Cathedral Choir having a BPM of 138 with a half-time of 69 BPM and a double-time of 276 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

This song has a musical key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -31.08 dB
Acousticness: 95%
Danceability: 15%
Energy: 2%
Instrumentalness: 74%
Liveness: 7%
Loudness: 48%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Suite bergamasque: Clair de lune	Andre Caplet, Claude Debussy, Gustave Cloez, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	D♭ Major	0	3B	68 BPM
Lohengrin, WWV 75: Prelude To Act III	Richard Wagner, Wiener Philharmoniker, Karl Böhm	G Major	3	9B	120 BPM
Suite: Cinque Port: I. Prelude (Daybreak over the Harbour)	Carey Blyton, Noel Gay, Richard Addinsell, Mansel Thomas, John Fox, David Morgan, Philip lane, Alun Hoddinott, Anthony Hedges, Royal Ballet Sinfonia	E Major	1	12B	110 BPM
Slavonic Dances, Op. 72, B. 147: No. 2, Dumka	Antonín Dvořák, George Szell, The Cleveland Orchestra	C Major	2	8B	101 BPM
Scheherazade, Op. 35: III. Andantino quasi allegretto "The Young Prince and The Young Princess"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	G Major	1	9B	97 BPM
Scheherazade, Op. 35: I. Largo e maestoso - Allegro non troppo "The Sea and Sinbad's Ship"	Nikolai Rimsky-Korsakov, New York Philharmonic, Alan Gilbert, Lawrence Rock	E Major	1	12B	79 BPM
España	Emmanuel Chabrier, Monte-Carlo Philharmonic Orchestra, Hervé Niquet	F Major	3	7B	117 BPM
The Gadfly Suite, Op. 97a: Romance	Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	D♭ Major	1	3B	135 BPM
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity	Gustav Holst, Los Angeles Philharmonic, Zubin Mehta	G Minor	3	6A	135 BPM
Sibelius: Valse triste, Op. 44	Jean Sibelius, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	102 BPM
8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso)	Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer	B♭ Major	1	6B	60 BPM
Pavane, Op. 50 (Arr. for Saxophone and Orchestra)	Amy Dickson, Gabriel Fauré, London Session Orchestra, Chris Walden	F♯ Minor	1	11A	117 BPM
2 Pieces for Small Orchestra: No. 1, On Hearing the First Cuckoo in Spring	Frederick Delius, Royal Scottish National Orchestra, David Lloyd-Jones	E Minor	0	9A	79 BPM
Suite from The Victorian Kitchen Garden: I. Prelude	Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra	B♭ Major	0	6B	93 BPM
Manon Lescaut / Act 1: "Donna non vidi mai"	Giacomo Puccini, BBC Concert Orchestra, Barry Wordsworth	B♭ Major	3	6B	175 BPM
Ballet Suite No. 1 (arr. L. Atovmyan): Romance (The Limpid Stream)	Lev Atovmyan, Dmitri Shostakovich, Russian Philharmonic Orchestra, Dmitry Yablonsky	F Major	1	7B	90 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
Two English Idylls	George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner	C Major	1	8B	89 BPM
The Tender Land Suite: I. Introduction and Love Music	Aaron Copland, Elgin Symphony Orchestra, Robert Hanson	D Major	3	10B	73 BPM
Otto e mezzo	Orchestre de la Suisse Romande	G Major	1	9B	75 BPM
Concerto de Varsovie - From "Dangerous Moonlight"	Richard Addinsell	E Major	1	12B	68 BPM
Piano Trio No. 1 in D Minor, Op. 32: III. Elegie: Adagio	Anton Arensky, The Rembrandt Trio	G Minor	0	6A	76 BPM
Cuban Overture	New Zealand Symphony Orchestra, George Gershwin	E Minor	2	9A	94 BPM
Thaïs: Méditation	Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster	D Major	0	10B	91 BPM
Warsaw Concerto (1941)	Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones	B Major	1	1B	88 BPM