Warsaw Concerto (1941) by Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones Song Details

"Warsaw Concerto (1941)" by Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones had its release date on January 1, 1997. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia's "Music of Richard Addinsell including Warsaw Concerto" album is number 1 out of 17. On top of that, United Kingdom appears to be the country where this track was created. Warsaw Concerto (1941) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Warsaw Concerto (1941) by Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia, Martin Jones to be Andante (at a walking pace) because the track has a tempo of 88 BPM, a half-time of 44BPM, and a double-time of 176 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 1%
Loudness: -19.213 dB
Acousticness: 97%
Danceability: 18%
Energy: 12%
Instrumentalness: 88%
Liveness: 7%
Loudness: 68%
Speechiness: 4%
Valence: 4%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Carmen, WD 31 / Act 1: "L'amour est un oiseau rebelle" (Habanera)	Georges Bizet, BBC Concert Orchestra, Barry Wordsworth	D Major	1	10B	127 BPM
Scheherazade, Op. 35: The Young Prince and the Young Princess	Nikolai Rimsky-Korsakov, Royal Concertgebouw Orchestra, Herman Krebbers, Kirill Kondrashin	G Major	0	9B	134 BPM
12 Études, Op. 10: No. 3 in E Major "Tristesse"	Frédéric Chopin, Vladimir Ashkenazy	D♭ Minor	1	12A	168 BPM
A Downland Suite (Arr. for String Orchestra): III. Minuet. Allegretto grazioso	John Ireland, Richard Hickox, City of London Sinfonia	A Minor	1	8A	138 BPM
Suite from "The Victorian Kitchen Garden": I. Prelude. Andante pastorale	Paul Reade, Michael Collins, Michael McHale	B♭ Major	0	6B	67 BPM
Piano Concerto No. 2 in A Minor, Op. 85: II. Larghetto	Johann Nepomuk Hummel, Stephen Hough, English Chamber Orchestra, Bryden Thomson	F Major	1	7B	127 BPM
Pelléas et Mélisande Suite, Op. 80: III. Sicilienne	Gabriel Fauré, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	E♭ Major	0	5B	94 BPM
The Black Rose: Main Titles and Opening Scene	Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra	D Major	2	10B	87 BPM
Salut d'amour, Op. 12 (version for orchestra)	Edward Elgar, Slovak Radio Symphony Orchestra, Adrian Leaper	B♭ Major	1	6B	82 BPM
The Girl from Corsica	Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny	G Minor	1	6A	68 BPM
Elgar: Introduction and Allegro, Op. 47: I. Moderato	Edward Elgar, Sir John Barbirolli, Allegri String Quartet, Sinfonia Of London	G Major	6	9B	100 BPM
Slavonic Dance No.2	London Philharmonic Orchestra	D Minor	5	7A	152 BPM
The Black Rose: The Black Rose Theme	Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra	D Major	2	10B	87 BPM
Debussy: La plus que lente, L. 121	Claude Debussy, San Francisco Symphony, Michael Tilson Thomas	G Major	0	9B	133 BPM
The Lion Has Wings (1939) - Cavalry of the Clouds: March	Richard Addinsell, Kenneth Alwyn, Royal Ballet Sinfonia	G Minor	3	6A	114 BPM
Suite: Ring Round the Moon: III. Invitation Waltz	Richard Addinsell, BBC Concert Orchestra	D Major	2	10B	138 BPM
By The Sleepy Lagoon	Eric Coates, East of England Orchestra, Malcolm Nabarro	A Minor	1	8A	73 BPM
Le carnaval des animaux, R. 125: Le cygne	Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra	C Major	0	8B	83 BPM
Spartacus, Act II: Parting of Spartacus and Phrygia (arr. Y. Grigorovich) [1968 Bolshoi Version]	Aram Khachaturian, RIAS Kammerchor, Deutsches Symphonie-Orchester Berlin, Michail Jurowski	E Major	2	12B	123 BPM
Shostakovich / Arr. Atovmyan: Suite from the Gadfly, Op. 97a: VIII. Romance	Dmitri Shostakovich, Sir Neville Marriner, Academy of St. Martin in the Fields	D♭ Major	0	3B	97 BPM
The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity	Gustav Holst, Los Angeles Philharmonic, Zubin Mehta	F Major	4	7B	89 BPM
Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk	Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam	B♭ Major	0	6B	103 BPM
Three American Sketches: II. Old Boston	George Martin, Berlin Music Ensemble, Craig Leon	B Minor	1	10A	91 BPM
The André Charlot Show of 1926	Richard Addinsell, Noel Gay, Mansel Thomas, Royal Ballet Sinfonia, BBC Concert Orchestra	D Major	2	10B	67 BPM
Cradle Song	Gordon Jacob, RTE Concert Orchestra, Ernest Tomlinson	F Major	0	7B	72 BPM