"The Black Rose: Main Titles and Opening Scene" by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra had its release date on February 1, 2003. The duration of This song is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. The Black Rose: Main Titles and Opening Scene's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 18 in the song's album "The Film Music of Richard Addinsell". In this album, this song's track order is #11. Furthermore, we believe that the track originated from United Kingdom. The Black Rose: Main Titles and Opening Scene is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Black Rose: Main Titles and Opening Scene by Richard Addinsell, Rumon Gamba, BBC Philharmonic Orchestra having a BPM of 87 with a half-time of 44 BPM and a double-time of 174 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| VII. Introduction (Prelude) | Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar | D Minor | 3 | 7A | 78 BPM | ||
| La bohème: Quando me'n vo' | Giacomo Puccini, Andre Kostelanetz, Andre Kostelanetz & His Orchestra, André Kostelanetz Orchestra | A Minor | 3 | 8A | 77 BPM | ||
| Main Title - Beau Brummell, 1954 | Stewart Granger, Richard Addinsell | E Major | 5 | 12B | 170 BPM | ||
| Suite: Cinque Port: I. Prelude (Daybreak over the Harbour) | Carey Blyton, Noel Gay, Richard Addinsell, Mansel Thomas, John Fox, David Morgan, Philip lane, Alun Hoddinott, Anthony Hedges, Royal Ballet Sinfonia | E Major | 1 | 12B | 110 BPM | ||
| Danzas fantásticas, Op. 22: I. Exaltación | Joaquín Turina, Juanjo Mena, BBC Philharmonic | E Minor | 0 | 9A | 129 BPM | ||
| Scottish Rhapsody | Ronald Binge, Slovak Radio Symphony Orchestra, Ernest Tomlinson | D♭ Major | 2 | 3B | 142 BPM | ||
| 8 Slavonic Dances, Op. 72, B. 147: No. 2 in E Minor (Allegretto grazioso) | Antonín Dvořák, Budapest Festival Orchestra, Iván Fischer | B♭ Major | 1 | 6B | 60 BPM | ||
| Forgotten Dreams (Arr. R. Hayman) | Leroy Anderson, Richard Hayman Symphony Orchestra, Richard Hayman | A Major | 2 | 11B | 112 BPM | ||
| The Girl from Corsica | Trevor Duncan, Slovak Radio Symphony Orchestra, Andrew Penny | G Minor | 1 | 6A | 68 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Det første møte (First Encounter). Lento | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | D Minor | 0 | 7A | 100 BPM | ||
| Soirées musicales, Op. 9: IV. Bolero | Benjamin Britten, Helsingborg Symphony Orchestra, Okko Kamu | G Minor | 1 | 6A | 79 BPM | ||
| España - Rhapsody For Orchestra | Emmanuel Chabrier, Wiener Philharmoniker, John Eliot Gardiner | F Major | 3 | 7B | 129 BPM | ||
| Slavonic Dance No.2 | London Philharmonic Orchestra | D Minor | 5 | 7A | 152 BPM | ||
| Romance, Op. 11 | Gerald Finzi, London Philharmonic Orchestra, Sir Adrian Boult | A♭ Major | 1 | 4B | 82 BPM | ||
| Suite bergamasque, L. 75 (Arr. for Orchestra): I. Prélude | Claude Debussy, フランス国立リヨン管弦楽団, 準・メルクル | F Major | 1 | 7B | 90 BPM | ||
| Children's Corner (arr. A. Caplet for orchestra): Golliwogg's Cake-walk | Andre Caplet, Claude Debussy, Rheinland-Pfalz State Philharmonic Orchestra, Leif Segerstam | B♭ Major | 0 | 6B | 103 BPM | ||
| The Prince and The Showgirl (Selection) | Richard Addinsell, BBC Concert Orchestra, Kenneth Alwyn | B♭ Major | 2 | 6B | 126 BPM | ||
| Polovetsian Dances from Prince Igor: Moderato alla breve | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 2 | 11B | 108 BPM | ||
| The Isle of Apples | Richard Addinsell, BBC Concert Orchestra, Kenneth Alwyn | E Minor | 0 | 9A | 132 BPM | ||
| Romeo and Juliet, Op. 64, Act I: Dance of the Knights | Sergei Prokofiev, Vasily Petrenko, Oslo Philharmonic Orchestra | C Major | 0 | 8B | 104 BPM | ||
| By The Sleepy Lagoon: By the Sleepy Lagoon | Eric Coates, Slovak Radio Symphony Orchestra, Andrew Penny | C Major | 2 | 8B | 134 BPM | ||
| When I Find Peace of Mind | Shiro SAGISU, Raphaela Gromes, NDR Radiophilharmonie, Michael England | F Major | 1 | 7B | 83 BPM | ||
| The Seasons, Op. 67: VII. Scene 2, Le Printemps | Alexander Glazunov, Neeme Järvi, Royal Scottish National Orchestra | E Major | 1 | 12B | 81 BPM | ||
| Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia | Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz | F Minor | 1 | 4A | 143 BPM | ||
| Scheherazade: The Young Prince | Nikolai Rimsky-Korsakov, Lars Hjalmar Joakim | G Major | 1 | 9B | 91 BPM |