VII. Introduction (Prelude)
Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar
Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite
6:18 January 20, 1997
BPM
78
Key
D Minor
Camelot
7A

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VII. Introduction (Prelude) by Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar Song Details

"VII. Introduction (Prelude)" by Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar had its release date on January 20, 1997. This song is about six minutes long, preciously at 6:18, making this song fairly long compared to other songs. There are a total of 17 in the song's album "Shostakovich: Gadfly Suite (The) / Five Days-Five Nights Suite". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Hong Kong. VII. Introduction (Prelude) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With VII. Introduction (Prelude) by Dmitri Shostakovich, Ukraine National Symphony Orchestra, Theodore Kuchar having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.

Music Key

D Minor is the music key of this track. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity
Loudness
-16.1 dB
Acousticness
69%
Danceability
22%
Energy
31%
Instrumentalness
55%
Liveness
71%
Loudness
73%
Speechiness
6%
Valence
9%

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ISRC
HKI199617107
Label
L-M Records/RCA Records