"Grande Messe des Morts: XXII. Pie Jesu: Largo" by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis had its release date on March 8, 2001. With this song being around four minutes long, at 3:59, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Francois-Joseph Gossec's "Gossec: Grande Messe Des Morts / Symphonie A 17 Parties" album is number 5 out of 28. On top of that, Hong Kong appears to be the country where this track was created. Based on our statistics, Grande Messe des Morts: XXII. Pie Jesu: Largo's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Grande Messe des Morts: XXII. Pie Jesu: Largo by Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis to be Allegro (fast, quick, and bright) because the track has a tempo of 136 BPM, a half-time of 68BPM, and a double-time of 272 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 3/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Orfeo ed Euridice: Act III, Scene 3, Coro, Orfeo, Amore ed Euridice: Trionfi Amore, e il mondo intiero | Christoph Willibald Gluck, René Jacobs, Bernarda Fink, Maria Cristina Kiehr, RIAS Kammerchor, Freiburger Barockorchester, Veronica Cangemi | F♯ Minor | 1 | 11A | 125 BPM | ||
| Begräbnisgesang, Op. 13 | Johannes Brahms, Gächinger Kantorei Stuttgart, Bach-Collegium Stuttgart, Helmuth Rilling | E♭ Major | 0 | 5B | 63 BPM | ||
| Grande Messe des Morts: VI. Graduale: Fuga - Et lux perpetua | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | C Minor | 2 | 5A | 109 BPM | ||
| Mass No. 3 in F Minor, WAB 28: I. Kyrie - Live | Anton Bruckner, Pablo Heras-Casado, SWR Symphonieorchester, Erika Baikoff, Wiebke Lehmkuhl, Sebastian Kohlhepp, Matthew Rose | C Major | 2 | 8B | 118 BPM | ||
| Die Jahreszeiten, Hob. XXI:3: Der Sommer: 9. Rezitativ und Arie: Willkommen jetzt o drunkler Hain (Hanne) | Joseph Haydn, Gottfried van Swieten, Jordi Savall, Lina Johnson, Le Concert Des Nations | C Major | 3 | 8B | 105 BPM | ||
| Das Sühnopfer des neuen Bundes, Pt. 1: No. 3, Da nun Jesus war zu Bethanien | Carl Loewe, Monika Mauch, L'Arpa Festante Baroque Orchestra, Thomas Gropper | E♭ Major | 1 | 5B | 168 BPM | ||
| Missa In Angustiis "Nelson Mass", Hob. XXII:11 In D Minor: Gloria: Gloria in excelsis Deo | Franz Joseph Haydn, Felicity Lott, Carolyn Watkinson, Maldwyn Davies, David Wilson-Johnson, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | D Major | 3 | 10B | 126 BPM | ||
| Die sieben letzten Worte unseres Erlösers am Kreuze, Hob. XX:2: IX. In deine Händ', o Herr, empfehl ich meinen Geist. Largo | Franz Joseph Haydn, Anna-Lena Elbert, Sophie Harmsen, Florian Sievers, Sebastian Noack, Kammerchor Stuttgart, Hofkapelle Stuttgart, Frieder Bernius | E Minor | 4 | 9A | 81 BPM | ||
| Mass No. 1 in D Minor, WAB 26: I. Kyrie | Anton Bruckner, Luba Orgonasova, Bernarda Fink, Christoph Prégardien, The Monteverdi Choir, Wiener Philharmoniker, John Eliot Gardiner | D Minor | 0 | 7A | 124 BPM | ||
| Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | ||
| Grande Messe des Morts: III. Introitus: Te decet hymnus - Allegro moderato | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | E♭ Major | 2 | 5B | 104 BPM | ||
| Vinci: Artaserse: I. Allegro | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 5 | 3B | 137 BPM | ||
| Messe de Requiem, Op. 54: V. Hostias | Camille Saint-Saëns, Diego Fasolis, Orchestra della Svizzera Italiana, Marie-Paule Dotti, Guillemette Laurens, Luca Lombardo, Nicolas Teste, Francesco Cera, Swiss Radio Choir | E♭ Major | 0 | 5B | 84 BPM | ||
| Requiem in C Minor: Sanctus | Antonio Salieri, Lawrence Foster, Orquestra Gulbenkian, Coro Gulbenkian, Adam Zdunikowski, Luis Rodrigues | C Major | 2 | 8B | 84 BPM | ||
| Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Sequentia: Dies irae | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | C Minor | 2 | 5A | 129 BPM | ||
| Stabat Mater: VIII. Virgo virginum | Antonio Caldara, Diego Fasolis, Swiss Radio Choir, Aura Musicale Ensemble, Rene Clemencic | E♭ Minor | 1 | 2A | 71 BPM | ||
| Gluck: Orfeo ed Euridice, Wq. 30, Act 2: "Deh placatevi con me" (Orfeo, Chorus) | Christoph Willibald Gluck, Philippe Jaroussky, Diego Fasolis, I Barocchisti | E Major | 1 | 12B | 77 BPM | ||
| Messe solennelle de Sainte Cécile: Kyrie | Charles Gounod, Angela Maria Blasi, Christian Elsner, Dietrich Henschel, Munich Motet Choir, Münchner Symphoniker, Hans Rudolf Zöbeley | F Major | 2 | 7B | 96 BPM | ||
| Mass in C Minor, K. 427 "Grosse Messe" (Rev. and Reconstr. A. Schmitt & E. Gardiner): 3a. Credo: Credo | Wolfgang Amadeus Mozart, Sylvia McNair, Diana Montague, Anthony Rolfe Johnson, Cornelius Hauptmann, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D Major | 2 | 10B | 82 BPM | ||
| Pergolesi: Laudate pueri Dominum: V. Suscitans a terra | Giovanni Battista Pergolesi, Philippe Jaroussky, Coro della Radiotelevisione Svizzera Italiana, I Barocchisti, Julia Lezhneva, Diego Fasolis | B Major | 3 | 1B | 130 BPM | ||
| Requiem in C Minor: III. Dies irae | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | C Minor | 1 | 5A | 85 BPM | ||
| Grande Messe des Morts: XIII. Sequentia: Confutatis - Allegro molto | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | G Minor | 2 | 6A | 84 BPM | ||
| Schubert: Deutsche Messe, D. 872: No. 3, Zum Evangelium und Credo | Franz Schubert, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Wolfgang Sawallisch, Elmar Schloter | E Minor | 0 | 9A | 124 BPM | ||
| Beethoven: 25 Scottish Songs, Op. 108: No. 1, Music, Love and Wine | Ludwig van Beethoven, Jean-Pierre Armengaud, Juliette Allen, John Bernard, Jean-François Rouchon, Alessandro Fagiuoli, Andrea Musto | D Major | 1 | 10B | 84 BPM | ||
| Stabat Mater: Fac me plagis vulnerary | Agostino Steffani, Coro della Radiotelevisione Svizzera, I Barocchisti, Diego Fasolis | B♭ Major | 2 | 6B | 66 BPM |