"Madrigals, Book 1: Amor, ben mi credevo" by Cipriano de Rore, Profeti Della Quinta had its release date on January 18, 2019. The duration of This song is about 3 minutes long, at 3:11. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 6 out of 16 in Amor, fortuna e morte: Madrigali by Profeti Della Quinta. Going off of the ISRC code of this track, we detected that the origin of this track is from Switzerland. The popularity of Madrigals, Book 1: Amor, ben mi credevo is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Madrigals, Book 1: Amor, ben mi credevo by Cipriano de Rore, Profeti Della Quinta is Vivace (lively and fast), since this song has a tempo of 168 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
F♯ Major is the music key of this track. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Ouverture in E Minor: II. Air (1) | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | D Minor | 0 | 7A | 96 BPM | ||
| Introit: Puer natus est | Currentes | A♭ Major | 0 | 4B | 129 BPM | ||
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| MISA IN TE DOMINE SPERAVI: Gloria | Francisco Guerrero, A5 Vocal Ensemble | G Minor | 1 | 6A | 85 BPM | ||
| Salve primer tono por de la sol re - Version for Consort of 4 Viols | Sebastián Aguilera de Heredia, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | N/A | N/A | N/A | 0 BPM | ||
| All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | C Major | 2 | 8B | 79 BPM | ||
| Missa pro Quadragesima, MH 551: Agnus Dei | Michael Haydn, Purcell Choir, Orfeo Orchestra, Gyorgy Vashegyi | B Major | 1 | 1B | 93 BPM | ||
| Au joly boys | Hilaire Penet, Into the Winds | B♭ Minor | 0 | 3A | 82 BPM | ||
| Missa pro defunctis: I. Introitus | Johann Caspar Kerll, Vox Luminis, Lionel Meunier, L'Achéron | F Major | 1 | 7B | 63 BPM | ||
| Tenebrae Responsories, Feria quinta: III. Ecce vidimus eum | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | A Minor | 2 | 8A | 130 BPM | ||
| Anchor che col Partire | Cipriano de Rore, Riccardo Rognoni, Palisander | D Minor | 0 | 7A | 115 BPM | ||
| Reges Tharsis | John Sheppard, Choir of Clare College, Cambridge, Graham Ross, Alexander Porteous | A Minor | 1 | 8A | 69 BPM | ||
| Magnificat in D Major, BWV 243: XI. Chorus "Sicut locutus" | Johann Sebastian Bach, Vox Luminis, Lionel Meunier, Daniel Elgersma | A♭ Major | 3 | 4B | 97 BPM | ||
| Messe Cum Jubilo, Op. 11: I. Kyrie eléison | Maurice Duruflé, Maîtrise de Saint-Christophe de Javel, Yves Castagnet, Henri Chalet | D Minor | 1 | 7A | 120 BPM | ||
| Amicus meus | Tomás Luis de Victoria, Ensemble Corund, Stephen Smith | F♯ Minor | 1 | 11A | 102 BPM | ||
| Libera nos, salva nos I & II | John Sheppard, VOCES8 | D Major | 0 | 10B | 76 BPM | ||
| Missa super Susanne un jour à 5: I. Kyrie | Orlande de Lassus, Chœur De Chambre De Namur, Leonardo García-Alarcón, Lieselot De Wilde, Amélie Renglet, Valerio Contaldo | B♭ Major | 1 | 6B | 134 BPM | ||
| Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Annunciation of the Procession | Komitas, Latvian Radio Choir, Sigvards Kļava | D♭ Major | 1 | 3B | 82 BPM | ||
| Facultad organica: No. 23, Tiento sobre la primera parte de la "Batalla de Morales", FO 23 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | E Major | 1 | 12B | 113 BPM | ||
| Luz y norte musical: Pabanas | Lucas Ruiz de Ribayaz, Piffaro | D♭ Major | 0 | 3B | 92 BPM | ||
| Hacomplaynt: Salve Regina: III. O clemens, o pia, o dulcis | Robert Hacomplaynt, Choir of King's College, Cambridge, Stephen Cleobury | E♭ Minor | 1 | 2A | 68 BPM | ||
| In manus tuas I: In manus tuas I | John Sheppard, Stile Antico | C Major | 0 | 8B | 79 BPM | ||
| Prima die Lectio prima: VIII. Daleth | Emilio de' Cavalieri, Le Poème Harmonique, Vincent Dumestre | A♭ Minor | 1 | 1A | 72 BPM | ||
| The Lamentations of Jeremiah the Prophet. Lamentations for Holy Wednesday, ZWV 203: No. 3, Lamentatio III. Gregorian Chant | Jan Dismas Zelenka, Tomáš Král, Collegium Marianum | D♭ Major | 0 | 3B | 131 BPM |