"All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore"" by Luca Marenzio, Ensemble Pygmalion, Raphael Pichon had its release date on May 19, 2017. The duration of This song is about two minutes long, specifically at 2:56. This song does not appear to have any foul language. All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore"'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 37 in the song's album "Stravaganza d'Amore! The Birth of Opera at the Medici Court". In this album, this song's track order is #10. Furthermore, we believe that the track originated from France. All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With All'imperio d'Amore: 10. Donne le celeste lume a 9 "Stravaganza d'Amore" by Luca Marenzio, Ensemble Pygmalion, Raphael Pichon having a BPM of 79 with a half-time of 40 BPM and a double-time of 158 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Qual vive salamandra in fiamma ardente | Luca Marenzio, Capella De La Torre, Katharina Bauml | B♭ Major | 2 | 6B | 136 BPM | ||
| Ouverture in E Minor: III. Menuets I & II | Johann Bernhard Bach, L'Achéron, François Joubert-Caillet | F Major | 1 | 7B | 179 BPM | ||
| S'io sedo a l'ombra, Amor | Marchetto Cara, Carolyn Sampson, Robert Meunier | C Major | 0 | 8B | 50 BPM | ||
| Can she excuse my wrongs? | John Dowland, Ruby Hughes, Jonas Nordberg | F Major | 0 | 7B | 79 BPM | ||
| Fuggito è 'l sonno | Luca Marenzio, Rosso Porpora, Walter Testolin | B♭ Minor | 0 | 3A | 74 BPM | ||
| Trattado de glosas: Quinta Pars | Diego Ortiz, Bettina Hoffmann, Modo Antiquo | G Minor | 1 | 6A | 84 BPM | ||
| Zefiro torna e di soavi accenti, SV 251 | Claudio Monteverdi, Bellot Ensemble, Lucine Musaelian, Kieran White, Olivia Petryszak | F♯ Major | 2 | 2B | 101 BPM | ||
| Madrigali Erotici E Spirituali: Qui Laudes | Consort Of Musicke, Gabriele Micheli, Mary Nichols, Claudio Monteverdi, Andrew King, Joseph Cornwell, Emma Kirkby, Evelyn Tubb, Simon Grant | G Minor | 1 | 6A | 65 BPM | ||
| Lasciatemi | Francesca Caccini, Shannon Mercer, Luc Beauséjour, Sylvain Bergeron, Amanda Keesmaat | D Minor | 0 | 7A | 54 BPM | ||
| Pavana Philippi | Jan Pieterszoon Sweelinck, Harmonia Recorder Ensemble | C Major | 0 | 8B | 81 BPM | ||
| The Trisagion Hymn | Alexander Pierce Hill, Apollo5 | F Major | 0 | 7B | 79 BPM | ||
| Madrigali, Op. 1, Book I: No. 1, Sonetto proemio dell'opera "Mercé di voi, mia fortunata stella" | Barbara Strozzi, Dorothee Mields, Hana Blaziková, Hathor Consort, Romina Lischka | F♯ Major | 1 | 2B | 106 BPM | ||
| Il bianco e dolce cigno: Il bianco e dolce cigno | Jacques Arcadelt, Laudantes Consort, Guy Janssens | G Major | 1 | 9B | 47 BPM | ||
| Lamentations Ieremiae Prophetae: Ierusalem | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 0 | 10A | 92 BPM | ||
| Canzoni da suonare, Op. 17: No. 18, La Cavagliera | Tarquinio Merula, InAlto, Lambert Colson | F♯ Major | 1 | 2B | 54 BPM | ||
| Facultad organica: No. 13, Tiento de primero tono, FO 13 - Version for Consort of 4 Viols | Francisco Correa de Arauxo, Philippe Pierlot, Myriam Rignol, Anna Lachegyi, Lucile Boulanger | A♭ Minor | 1 | 1A | 119 BPM | ||
| Stabat Mater pour dix voix et basse continue: VI. Fac me vere tecum flere | Domenico Scarlatti, Vox Luminis, Lionel Meunier | E♭ Minor | 0 | 2A | 74 BPM | ||
| Most Holy mother of God | Ars Poliphonica | F Major | 0 | 7B | 79 BPM | ||
| Regna terrae | Orazio Benevoli, Le Concert Spirituel, Herve Niquet | C Major | 1 | 8B | 128 BPM | ||
| Antiphon: In mandatis eius | Sixt Dietrich, Amarcord | B Minor | 1 | 10A | 75 BPM | ||
| Luzzaschi: Il secondo libro de madrigali: No. 18, Quivi sospiri pianti | Luzzasco Luzzaschi, Joel Cohen, Boston Camerata | D Minor | 0 | 7A | 81 BPM | ||
| O mors inevitabili | Jheronimus Vinders, Obsidienne Vocal Ensemble, Emmanuel Bonnardot | G Major | 2 | 9B | 91 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Veni in hortum meum à 6 | Orlande de Lassus, Chœur De Chambre De Namur, Clematis, Leonardo García-Alarcón | G Minor | 1 | 6A | 103 BPM | ||
| Leçons de ténèbres: IIa. Vau. Et egressus est a filia Sion | François Couperin, Jonathan Cohen, Anna Dennis, Arcangelo | C Major | 1 | 8B | 74 BPM |