"チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第1楽章 「冬の旅の夢想」 アレグロ・トランクィロ" by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ had its release date on February 16, 2022. This song appears to be safe for all ages as it is not explicit. There is only one song in チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」, so we believe that "チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第1楽章 「冬の旅の夢想」 アレグロ・トランクィロ" is a single. チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第1楽章 「冬の旅の夢想」 アレグロ・トランクィロ is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of チャイコフスキー:交響曲第1番 ト短調 作品13「冬の日の幻想」;第1楽章 「冬の旅の夢想」 アレグロ・トランクィロ by ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Serenade for Strings in C, Op. 48: 4. Finale (Tema russo): Andante - Allegro con spirito | Pyotr Ilyich Tchaikovsky, Berliner Philharmoniker, Semyon Bychkov | B♭ Minor | 0 | 3A | 66 BPM | ||
| Symphony No. 5 in E Minor, Op. 64: III. Valse. Allegro moderato | Pyotr Ilyich Tchaikovsky, Boston Symphony Orchestra, Seiji Ozawa | A Major | 1 | 11B | 133 BPM | ||
| Symphony n.9 Op.95 'From the new world' in E minor | Armonie Symphony Orchestra | E Minor | 1 | 9A | 71 BPM | ||
| Schubert: Symphony No. 6 in C Major, D. 589: I. Adagio - Allegro | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | D Major | 0 | 10B | 82 BPM | ||
| Saint-Saëns: Samson et Dalila, Op. 47, Act 3: Bacchanale | Camille Saint-Saëns, Georges Prêtre, Orchestre du Théâtre National de l'Opéra de Paris | B♭ Minor | 3 | 3A | 105 BPM | ||
| Raymonda, Act I: Coda | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | F Major | 2 | 7B | 80 BPM | ||
| Symphony No. 7 in D Minor, Op. 70, B. 141: IV. Finale. Allegro | Antonín Dvořák, Czech Philharmonic, Semyon Bychkov | F Major | 0 | 7B | 85 BPM | ||
| Empty Abyss | Orithia | A Minor | 0 | 8A | 76 BPM | ||
| Sibelius: King Christian II Suite, Op. 27: V. Ballade | Jean Sibelius, Scottish National Orchestra/Sir Alexander Gibson, Alexander Gibson, Scottish National Orchestra | E Minor | 1 | 9A | 77 BPM | ||
| Finale - From "The Adventures Of Huckleberry Finn" | Jerome Moross, The City of Prague Philharmonic Orchestra | D Major | 0 | 10B | 82 BPM | ||
| 組曲 展覧会の絵, 6. サミュエル・ゴールデンベルクとシュミュイレ (金持ちのユダヤ人と貧しいユダヤ人) | Modest Mussorgsky, Maurice Ravel, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | F♯ Minor | 4 | 11A | 79 BPM | ||
| Bruckner: Symphony No. 8 in C Minor, WAB108: II. Scherzo. Allegro moderato | Anton Bruckner, Royal Concertgebouw Orchestra, Zubin Mehta | A♭ Major | 1 | 4B | 120 BPM | ||
| チャイコフスキー:交響曲第6番 ロ短調 作品74「悲愴」;第4楽章 終曲 アダージョ・ラメントーソ | ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ | B Minor | 1 | 10A | 89 BPM | ||
| Schubert: Symphony No. 3 in D Major, D. 200: III. Menuetto. Vivace - Trio | Franz Schubert, Herbert von Karajan, Berliner Philharmoniker | D Major | 0 | 10B | 82 BPM | ||
| 交響曲第3番ヘ長調作品90 第4楽章:アレグロ | Berliner Philharmoniker | C Major | 3 | 8B | 120 BPM | ||
| Symphony No. 4, Op. 29 "The Inextinguishable": III. Poco adagio quasi andante | Carl Nielsen, Danish National Symphony Orchestra, Fabio Luisi | D♭ Major | 3 | 3B | 95 BPM | ||
| Svanevit Suite, Op. 54: III. Tärnorna med rosor | Jean Sibelius, Finnish Radio Symphony Orchestra, Nicholas Collon | C Major | 1 | 8B | 85 BPM | ||
| L'Arlésienne Suite No. 2: No. 4, Farandole (Arr. for Solo Violin & String Orchestra by Asahi Matsuoka) - Live at Muza Kawasaki Symphony Hall / Aug. 19, 2022 | Georges Bizet, 石田泰尚, 石田組 | D Major | 5 | 10B | 108 BPM | ||
| チャイコフスキー:交響曲第5番 ホ短調 作品64;第4楽章 アンダンテ・マエストーソ-アレグロ・ヴィヴァーチェ | ソビエト国立交響楽団, エフゲニ・スヴェトラーノフ | A Major | 4 | 11B | 81 BPM | ||
| Polovtsian Dances from Prince Igor: VI. Moderato alla breve | Alexander Borodin, Chicago Symphony Orchestra, Daniel Barenboim | A Major | 4 | 11B | 184 BPM | ||
| Symphony No. 8 in E-Flat Major "Symphony of a Thousand", Pt. 2: II. Più mosso. Allegro moderato - Live at Concertgebouw, Amsterdam, May 2025 | Gustav Mahler, Netherlands Radio Choir, Choeur de l'Orchestre de Paris, Laurens Symfonisch, Royal Concertgebouw Orchestra, Klaus Mäkelä | F Minor | 3 | 4A | 83 BPM | ||
| Concertstück in F Major, Op. 86: II. Romanze. Ziemlich langsam | Robert Schumann, Robert Bonnevie, Mark Robbins, David C. Knapp, Scott Wilson, Seattle Symphony Orchestra, Gerard Schwarz | B♭ Major | 0 | 6B | 60 BPM | ||
| Glazunov: Suite from Raymonda, Op. 57a: XI. Grand pas d'action. Grand adagio | Alexander Glazunov, José Serebrier, Royal Scottish National Orchestra | A Major | 2 | 11B | 90 BPM | ||
| Der Fischer und das Milchmädchen: Overture | Giacomo Meyerbeer, Czech Philharmonic Chamber Orchestra, Dario Salvi | A Major | 1 | 11B | 83 BPM | ||
| Cinderella, Op. 87: Act I: No. 1. Introduction: Andante dolce | Sergei Prokofiev, Gennady Rozhdestvensky, Moscow RTV Symphony Orchestra | D♭ Major | 1 | 3B | 114 BPM |