Bijli Rani, Subhash Kumar's 'Tari Awo Ankvar' had a release date set for June 1, 2001. This song is about six minutes long, preciously at 6:27, making this song fairly long compared to other songs. The track order of this song in Bijli Rani, Subhash Kumar's "Holi Geet" album is number 6 out of 9. On top of that, India appears to be the country where this track was created. Tari Awo Ankvar is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Tari Awo Ankvar by Bijli Rani, Subhash Kumar to be Lento (slowly) because the track has a tempo of 58 BPM, a half-time of 29BPM, and a double-time of 116 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Teri Sharan Mein Aa Karke | Hare Madhav Official | E♭ Major | 8 | 5B | 108 BPM | ||
| Gori Gaili Piyava Ke Desh | Madan Rai | E♭ Major | 5 | 5B | 166 BPM | ||
| Kiya Maari Chhe Chovaniya | Dilip Darbhangiya | G Minor | 10 | 6A | 75 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM | ||
| San Kera Aabe Wo | Gorelal Barman, Ratan Sabiha | F Major | 6 | 7B | 77 BPM | ||
| Bhangiya Mein Maja Ka Paie | Kalpana Patowary | B♭ Minor | 5 | 3A | 154 BPM | ||
| Kashi Bhola Ke Rajdhani | Bharat Sharma Vyas | B♭ Minor | 8 | 3A | 132 BPM | ||
| Raja Janak Ji Ke Baag Mein | Santosh Kumar | F♯ Major | 5 | 2B | 141 BPM | ||
| Roje - Roje Aayi Ae Maiya | Bharat Sharma Vyas | A♭ Major | 4 | 4B | 99 BPM | ||
| Vinavo Hoy To Rush | Damyanti Bardai | F♯ Major | 9 | 2B | 122 BPM | ||
| Ek Jholi Me Phool Bhare Hai | Paras Jain | F♯ Major | 8 | 2B | 82 BPM | ||
| Timasail Hitriyaan | Heera Singh Rana | F♯ Major | 6 | 2B | 155 BPM | ||
| Rudal Panjiyar Ka Bhagait Bhag 1 - Maithili | Rudal Panjiyar | G Major | 6 | 9B | 84 BPM | ||
| Piya More Bohot Nadan Baa | Bijli Rani | E Minor | 6 | 9A | 160 BPM | ||
| Rang Do Keshar Ghodi Ri Jhul | Anita Jangid, Mahaveer Sankhala | G Minor | 9 | 6A | 76 BPM | ||
| Aayo Suhagan Ka Teej | Sheetal Chauhan, Sharda Sinha | D♭ Major | 9 | 3B | 102 BPM | ||
| O Tera Ki Lagda Kaali Kamli Wala | Dhiraj Sharma | A♭ Major | 7 | 4B | 175 BPM | ||
| Sat Ke Sandeshiya | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Sawarki Pa Dilwa Aail Hamar | Golu Raja | D♭ Major | 5 | 3B | 83 BPM | ||
| Mor Nav Ke Godana Godale | Ratan Sabiha | F♯ Major | 7 | 2B | 133 BPM | ||
| Darshan De Do Ambay Maiya | Poonam Mishra | C Minor | 8 | 5A | 155 BPM | ||
| Ladike Hiya Badi Chooji Re | Naresh Kumar Yadav, Bijli Rani | B♭ Major | 7 | 6B | 110 BPM | ||
| Chhau Tore Charan Me Pran | Dilip Darbhangiya | F♯ Minor | 9 | 11A | 130 BPM | ||
| Ram Nam Tu Bhaj Le Pradi | Parmod Kumar | D♭ Major | 6 | 3B | 85 BPM | ||
| Mere Banke Bihari Lala | Chitra Vichitra | A♭ Major | 9 | 4B | 160 BPM |