Shelly Manne's ' "Sweets" was released on its scheduled release date, June 6, 2006. The duration of This song is about two minutes long, specifically at 2:50. This song does not appear to have any foul language. Sweets's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 12 in the song's album "Timeless Tempos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sweets is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sweets by Shelly Manne having a BPM of 114 with a half-time of 57 BPM and a double-time of 228 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Pale Blue | Mary Lou Williams, Buster Williams, Mickey Roker | A♭ Minor | 2 | 1A | 139 BPM | ||
| Tangerine | André Previn, Shelly Manne, Leroy Vinnegar | G Minor | 5 | 6A | 149 BPM | ||
| Satin Doll | McCoy Tyner | C Major | 2 | 8B | 120 BPM | ||
| Jordu | Barney Kessel, Ray Brown, Shelly Manne | A♭ Major | 1 | 4B | 124 BPM | ||
| Love Roots | Mary Lou Williams | C Major | 3 | 8B | 75 BPM | ||
| Cool | André Previn, Shelly Manne, Red Mitchell | F Major | 0 | 7B | 88 BPM | ||
| Ghost of a Chance | Lennie Tristano | C Major | 0 | 8B | 81 BPM | ||
| Fantastic, That's You | Earl Hines | C Major | 1 | 8B | 68 BPM | ||
| Gigi | André Previn, Shelly Manne, Red Mitchell | C Major | 0 | 8B | 125 BPM | ||
| Prelude To A Kiss | Bobby Timmons | A Minor | 1 | 8A | 75 BPM | ||
| Tones For Joan's Bones - Rudy Van Gelder 24-Bit Mastering/2003 Remaster | Blue Mitchell, Chick Corea | D Major | 3 | 10B | 139 BPM | ||
| My Foolish Heart | Johnny Smith | A Major | 0 | 11B | 60 BPM | ||
| Danny Boy | Bill Evans, Shelly Manne | D Minor | 0 | 7A | 97 BPM | ||
| Crazy He Calls Me | Wynton Kelly | C Major | 1 | 8B | 65 BPM | ||
| La Mesha | Joe Henderson | B Major | 2 | 1B | 112 BPM | ||
| 35th St. Blues | The John Wright Trio | F Minor | 1 | 4A | 147 BPM | ||
| Azure Te | Junior Mance | F Minor | 1 | 4A | 73 BPM | ||
| Not Really the Blues - From Vol. 1, "Hollywood, March 1, 1955" | Shorty Rogers, Jimmy Giuffre, Pete Jolly, Curtis Counce, Shelly Manne | E♭ Major | 4 | 5B | 142 BPM | ||
| Softly As In A Morning Sunrise | Wynton Kelly | F Minor | 1 | 4A | 127 BPM | ||
| Born To Be Blue | Tommy Flanagan Trio | D Minor | 1 | 7A | 115 BPM | ||
| Avalon | Shelly Manne | F Major | 6 | 7B | 128 BPM | ||
| Easy Living | Art Farmer & Benny Golson Jazztet | F Minor | 1 | 4A | 130 BPM | ||
| Doxy - Longer Version | Shelly Manne | E♭ Major | 6 | 5B | 157 BPM | ||
| The Chrysanthemum (Arr. J.S. Ritter for Chamber Ensemble) | Scott Joplin, Jean-Pierre Rampal, John Steele Ritter, Shelly Manne, Tommy Johnson | F Major | 2 | 7B | 124 BPM | ||
| Blue Riff | Stanley Turrentine | E♭ Major | 6 | 5B | 157 BPM |