"O Lord, Open Thou Our Lips" by Carl Rütti, Jan Börner, Schweizer Jugendchor, Nicolas Fink had its release date on December 22, 2023. The duration of This song is about 3 minutes long, at 3:03. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 28 in the song's album "Swiss Choral Music". In this album, this song's track order is #19. Furthermore, we believe that the track originated from Germany. O Lord, Open Thou Our Lips is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With O Lord, Open Thou Our Lips by Carl Rütti, Jan Börner, Schweizer Jugendchor, Nicolas Fink having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chichester Psalms: III. Psalm 131, Adonai, Adonai - Psalm 133:1, Hineh mah tov | Leonard Bernstein, Thomas Kelly, Elizabeth Franklin-Kitchen, Victoria Nayler, Jeremy Budd, Paul Charrier, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Marin Alsop | G Major | 0 | 9B | 83 BPM | ||
| グレゴリオ聖歌による4つのモテット作品10よりトータ・プルクラ・エス御身はすべてが美しくあり給う Quatre Motets sur des thémes grégoriens, Op. 10 II. Tota pulchra es | Girl Choristers, Sarah Baldock Conductor, Lay Clerks of Winchester Cathedral | G Minor | 0 | 6A | 64 BPM | ||
| Shakespeare Songs, Book 3: IV. O mistress mine! | Matthew Harris, Phoenix Bach Choir, Charles Bruffy, Robert Comeaux | E♭ Major | 1 | 5B | 127 BPM | ||
| Angel vopiyashe, Op. 22 No. 18 | Pavel Chesnokov, Jessica Kinney, Cambridge University Chamber Choir, Graham Walker, St. John's Voices | D Major | 1 | 10B | 83 BPM | ||
| Regem, cui omnia vivunt – Venite, exsultemus | Cristobal de Morales, De Profundis, Eamonn Dougan | B♭ Major | 1 | 6B | 82 BPM | ||
| Kjell Mørk Karlsen: O Magnum Mysterium | Kjell Mørk Karlsen, Schola Cantorum, Tone Bianca Sparre Dahl | B Minor | 0 | 10A | 130 BPM | ||
| The Bells – A Collaboration | Klaudia Rabiega, Chór Mieszany Katedry Wawelskiej, Andrzej Korzeniowski, Monika Płachta | A♭ Minor | 1 | 1A | 112 BPM | ||
| Concerto for Organ, Strings and Percussion: IV. Variationen, Variations on the carol 'A Patre unigenitus' | Carl Rütti, Martin Heini, Mario Schubiger, Rainer Held, The State Philharmonic Chamber Orchestra of Novosibirsk | D Major | 1 | 10B | 94 BPM | ||
| Otcenáš (Our Father), JW IV/29: Bud vule tvá (Thy will be done) (Revised 1906) | Leoš Janáček, Edward Gardner, Bergen Philharmonic Orchestra, Stuart Skelton, Johannes Wik, Karstein Askeland, Gábor Bretz, Thomas Trotter, Bergen Philharmonic Choir | F Major | 1 | 7B | 80 BPM | ||
| O nata lux de lumine | Thomas Tallis, Alamire, David Skinner | G Minor | 2 | 6A | 76 BPM | ||
| Christus natus est: I. Personent hodie | Cecilia McDowall, Canterbury Chamber Choir, Parmiter's Senior Singers, Orchestra Nova | A Major | 1 | 11B | 139 BPM | ||
| Three carols: III. My dancing day | Carl Rütti, Christopher Duarte | E♭ Major | 2 | 5B | 81 BPM | ||
| How Beautiful Upon the Mountains | John Stainer, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster | D Major | 0 | 10B | 110 BPM | ||
| Stainer: God so loved the world | The Chapel Choir of University College, Hurham, Oliver Bond | D Major | 1 | 10B | 75 BPM | ||
| Michael Praetorius: In dulci jubilo | Lumen Valo | F♯ Major | 2 | 2B | 85 BPM | ||
| The Tyger | Emil Råberg, Erik Westberg Vocal Ensemble, Virve Karen, Erik Westberg | F Minor | 0 | 4A | 143 BPM | ||
| Missa Angelorum: Gloria | Carl Rütti, Lesley-Jane Rogers, Deborah Miles-Johnson, Christopher Hobkirk, Neil MacKenzie, Simon Birchall, BBC Symphony Chorus, Stephen Jackson | F Major | 1 | 7B | 129 BPM | ||
| On Jordan's Bank the Baptist Cry | Roger Wilcock & The London Fox Players | B♭ Major | 2 | 6B | 81 BPM | ||
| Omnes de Saba venient | Jacobus Gallus, Apollo5 | B♭ Major | 3 | 6B | 142 BPM | ||
| I Wonder As I Wonder | arr. John Jacob Niles, Octarium | A Minor | 4 | 8A | 66 BPM | ||
| The Darkness Is No Darkness | Judith Bingham, Hannah Holgersson, Sofia Vokalensemble, Bengt Ollen | F Major | 1 | 7B | 85 BPM | ||
| Chtic aby spal (Sweet Mary Lulls her Babe to Sleep) [arr. P. Fiala for voice, chorus and orchestra] | Adam Václav Michna z Otradovic, Martina Jelínková, Czech Philharmonic Choir, Brno, Czech Chamber Soloists, Brno, Petr Fiala | B♭ Major | 1 | 6B | 80 BPM | ||
| Gloucester Service: II. Nunc dimittis | Herbert Howells, The Choir Of Trinity College, Cambridge, Stephen Layton | C Minor | 2 | 5A | 87 BPM | ||
| Lord, May Your Word Be Dear to Me SHZ 244 | Laestadian Lutheran Church, Liisa Keranen, Viena Kontkanen | B♭ Major | 0 | 6B | 129 BPM | ||
| Psalm 138 "I Will Give Thanks unto the Lord" | Charles Harford Lloyd, Wells Cathedral Choir, Christopher Brayne, Anthony Crossland | A Major | 1 | 11B | 131 BPM |