Suite No. 6 in F-Sharp Minor, HWV 431: I. Prélude by George Frideric Handel, Dina Ugorskaja Song Details

George Frideric Handel, Dina Ugorskaja's 'Suite No. 6 in F-Sharp Minor, HWV 431: I. Prélude' had a release date set for November 4, 2009. The duration of This song is about two minutes long, specifically at 2:32. This song does not appear to have any foul language. Suite No. 6 in F-Sharp Minor, HWV 431: I. Prélude's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Dina Ugorskaja's "Handel: 8 Great Suites Nos. 2-6" album is number 5 out of 23. On top of that, Germany appears to be the country where this track was created. In terms of popularity, Suite No. 6 in F-Sharp Minor, HWV 431: I. Prélude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Suite No. 6 in F-Sharp Minor, HWV 431: I. Prélude by George Frideric Handel, Dina Ugorskaja to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

This song is in the music key of F♯ Minor. This also means that this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -23.356 dB
Acousticness: 99%
Danceability: 37%
Energy: 8%
Instrumentalness: 93%
Liveness: 11%
Loudness: 61%
Speechiness: 5%
Valence: 35%

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