Bud Shank, Carmell Jones's 'Well, You Needn't' had a release date set for January 1, 1961. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 6 in the song's album "New Groove". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United States. Based on our statistics, Well, You Needn't's popularity is not that popular right now. Although the overall vibe is very danceable, it does project more negative sounds.
With Well, You Needn't by Bud Shank, Carmell Jones having a BPM of 136 with a half-time of 68 BPM and a double-time of 272 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sometime Ago | Bob Brookmeyer | C Major | 5 | 8B | 80 BPM | ||
| 'Round About Midnight | Dizzy Reece | B♭ Minor | 2 | 3A | 55 BPM | ||
| Coffee After Midnight | Diner Express | D Minor | 2 | 7A | 128 BPM | ||
| Willow Weep For Me | Sonny Criss | G Major | 2 | 9B | 77 BPM | ||
| Susie's Blues | Serge Chaloff | C Major | 4 | 8B | 107 BPM | ||
| Talk Of The Town | Buddy Tate, Paul Quinchette, Cliff Smalls, Major Holley, Jackie Williams | A Minor | 1 | 8A | 65 BPM | ||
| The Surf and I | Bud Shank, Billy Bean, Gary Peacock, Chuck Flores | A♭ Major | 1 | 4B | 129 BPM | ||
| Quintessence | Warne Marsh | C Minor | 2 | 5A | 77 BPM | ||
| My Heart Stood Still | Nat Adderley | F Major | 1 | 7B | 135 BPM | ||
| Silk Shadows on Riverside | Amber Jazz Trio | G Major | 3 | 9B | 129 BPM | ||
| Night And Day | Billy Taylor | A♭ Major | 3 | 4B | 112 BPM | ||
| 朝日のようにさわやかに | The Great Jazz Trio | A♭ Major | 3 | 4B | 84 BPM | ||
| Delarna | Tommy Flanagan Trio | G Major | 3 | 9B | 129 BPM | ||
| In The Wee Small Hours Of The Morning | Gerry Mulligan Sextet | G Major | 0 | 9B | 115 BPM | ||
| I've Got The World On A String | Serge Chaloff | F Minor | 2 | 4A | 119 BPM | ||
| I'm In the Mood for Love | James Moody | C Minor | 2 | 5A | 140 BPM | ||
| Bewitched | Art Pepper | C Minor | 1 | 5A | 66 BPM | ||
| Trictatism (12) | Oscar Pettiford | D♭ Major | 2 | 3B | 181 BPM | ||
| Flying | Bud Shank | C Major | 4 | 8B | 78 BPM | ||
| Love Roots | Mary Lou Williams | C Major | 3 | 8B | 75 BPM | ||
| Groove Waltz | McCoy Tyner | F Major | 3 | 7B | 91 BPM | ||
| Maid In Mexico | Chet Baker Quartet | E♭ Major | 3 | 5B | 94 BPM | ||
| Wonder Why | Cedar Walton | F Major | 1 | 7B | 75 BPM | ||
| Lover Man | Warne Marsh | C Major | 1 | 8B | 116 BPM | ||
| By Myself | The Art Farmer Quartet | G Minor | 2 | 6A | 143 BPM |