Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's ' "Pièces de Viole, Suite No. 4 in D Major: VI. Menuet I" was released on its scheduled release date, 2012. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The track order of this song in Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder's "Marais: Pièces de Viole, Book 5" album is number 47 out of 110. On top of that, Netherlands appears to be the country where this track was created. The popularity of Pièces de Viole, Suite No. 4 in D Major: VI. Menuet I is currently unknown right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Pièces de Viole, Suite No. 4 in D Major: VI. Menuet I by Marin Marais, Rainer Zipperling, Ghislaine Wauters, Pieter-Jan Belder to be Vivace (lively and fast) because the track has a tempo of 174 BPM, a half-time of 87BPM, and a double-time of 348 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Il primo libro delle canzoni: Toccata (2) | Girolamo Frescobaldi, Ensemble ConSerto Musico, Roberto Loreggian | F♯ Minor | 3 | 11A | 112 BPM | ||
| Chamber Sonata No. 4 in G Minor: I. Grave | Élisabeth Jacquet de La Guerre, Musica Fiorita | D♭ Minor | 2 | 12A | 84 BPM | ||
| Trio Sonata in G Minor: I. Adagio | Giovanni Battista Draghi, La Rêveuse, Florence Bolton, Benjamin Perrot | A♭ Minor | 2 | 1A | 110 BPM | ||
| Harmonia Artificioso Ariosa, Partia V in G Minor, C. 66: Passacaglia | Heinrich Ignaz Franz von Biber, Lautten Compagney, Wolfgang Katschner | F♯ Minor | 1 | 11A | 94 BPM | ||
| Concerto in D Minor; Op. 6 No. 5: III. Moderato | Charles Avison, Café Zimmermann | D♭ Minor | 0 | 12A | 102 BPM | ||
| Dido and Aeneas, Z. 626: When I am Laid in Earth - Arr. for Solo Cello | Henry Purcell, Christian-Pierre La Marca | F♯ Minor | 1 | 11A | 58 BPM | ||
| Fantaisie en Mi mineur (Arrangement Jordi Savall d'après Mr. de Sainte Colombe le fils) | Mr. de Sainte-Colombe le Fils, Public Domain, Jordi Savall | E♭ Minor | 0 | 2A | 61 BPM | ||
| Sonata No. 1 in F Major: I. Largo | Benedetto Marcello, Roberto Loreggian, Francesco Galligioni, Rolando Moro | F Major | 0 | 7B | 143 BPM | ||
| Paysanos | Rolf Lislevand, Santiago De Murcia | F♯ Minor | 0 | 11A | 93 BPM | ||
| Pièces de viole, Livre V: No. 46, Prélude en harpégement | Marin Marais, L'Achéron, François Joubert-Caillet | E Major | 0 | 12B | 81 BPM | ||
| Sinfonia in D Minor, Fk. 65: I. Adagio | Wilhelm Friedemann Bach, Il Pomo D'oro, Francesco Corti | D♭ Minor | 0 | 12A | 86 BPM | ||
| Le Concert: Premier air | Mademoiselle Laurant, Sophie de Bardonnèche, Louise Ayrton, Marta Paramo, Clément Batrel-Genin, Hanna Salzenstein, Justin Taylor | F♯ Minor | 1 | 11A | 92 BPM | ||
| Concerto grosso No. 3 in D Minor: IV. Allegro (After D. Scarlatti) | Charles Avison, Avison Ensemble, Pavlo Beznosiuk | F Major | 1 | 7B | 74 BPM | ||
| Dowland: Frog Galliard, P. 23 | John Dowland, Jupiter, Thomas Dunford | F♯ Major | 1 | 2B | 77 BPM | ||
| Violin Sonata in G Major, Op. 5, No. 12: III. Largo | Jean-Marie Leclair, Trio Settecento | D Minor | 1 | 7A | 105 BPM | ||
| La Novellina | Gioseffo Guami, Liuwe Tamminga, Maria Christina Cleary, Claudia Pasetto, Leonardo Bortolotto, Alberto Rasi, Bruce Dickey | F♯ Major | 2 | 2B | 74 BPM | ||
| Toccata arpeggiata | Giovanni Girolamo Kapsberger, Jonas Nordberg | F Major | 0 | 7B | 115 BPM | ||
| Concerto a violono e viola da gamba in C Minor, GraunWV A:XIII:3: III. Allegro | Johann Gottlieb Graun, Ensemble Baroque De Limoges, Christophe Coin, Gilles Colliard | B Minor | 2 | 10A | 120 BPM | ||
| Flute Sonata in E Minor: I. Grave | Frederick the Great, Berliner Barock Compagney | E♭ Minor | 0 | 2A | 83 BPM | ||
| Diferencias sobre la Gallarda Milanesa (Arr. For instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | D♭ Minor | 0 | 12A | 42 BPM | ||
| The Mad Lover Suite: Ground. Aire III | John Eccles, Théotime Langlois de Swarte, Thomas Dunford | E Major | 0 | 12B | 127 BPM | ||
| Zelenka: Laetatus sum, ZWV 90: V. Gloria. Adagio | Jan Dismas Zelenka, Jakub Józef Orliński, Fatma Said, Francesco Corti, Il Pomo D'oro | B♭ Minor | 3 | 3A | 66 BPM | ||
| Suite No. 2 in D Minor: II. Gagliarda à 5 | Johann Hermann Schein, Lautten Compagney, Wolfgang Katschner | C Major | 3 | 8B | 70 BPM | ||
| Overture For Viola D'amore & Orchestra in D Minor, GWV 426: VI. Menuets 1 Et 2 (Alternativement) | Christoph Graupner, Les idées heureuses, Hélène Plouffe, Geneviève Soly | D♭ Minor | 1 | 12A | 168 BPM | ||
| La Suave Melodia | Andrea Falconieri, Musica Sequenza, BURAK | F♯ Minor | 1 | 11A | 75 BPM |