Litaney (Arr. R. Allwood) by Franz Schubert, Boston Trinity Church Choir, Brian Jones, Michael Kleinschmidt Song Details

"Litaney (Arr. R. Allwood)" by Franz Schubert, Boston Trinity Church Choir, Brian Jones, Michael Kleinschmidt had its release date on August 1, 2010. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 17 in the song's album "Sounds of Light". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United States. Based on our statistics, Litaney (Arr. R. Allwood)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

With Litaney (Arr. R. Allwood) by Franz Schubert, Boston Trinity Church Choir, Brian Jones, Michael Kleinschmidt having a BPM of 126 with a half-time of 63 BPM and a double-time of 252 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

Music Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 0%
Loudness: -20.841 dB
Acousticness: 79%
Danceability: 17%
Energy: 16%
Instrumentalness: 58%
Liveness: 32%
Loudness: 65%
Speechiness: 4%
Valence: 3%

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