"The Wasps, Act I: No. 5, Chorus "When We Buzz ..."" by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé had its release date on March 6, 2006. With This song being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. This song is part of Vaughan Williams: The Wasps by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé. The song's track number on the album is #7 out of 28 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. In terms of popularity, The Wasps, Act I: No. 5, Chorus "When We Buzz ..." is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Since The Wasps, Act I: No. 5, Chorus "When We Buzz ..." by Ralph Vaughan Williams, Henry Goodman, Sir Mark Elder, Hallé has a tempo of 109 beats per a minute, the tempo markings of this song would be Moderato (at a moderate speed). With The Wasps, Act I: No. 5, Chorus "When We Buzz ..." being at 109 BPM, the half-time would be 54 BPM with a double-time of 218 BPM.In addition, we consider the tempo speed to be pretty moderate for this song. The time signature for this track is 1/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Bells across the Meadows | Albert Ketèlbey, New Symphony Orchestra, Robert Sharples | E♭ Major | 2 | 5B | 59 BPM | ||
| Song For Athene | John Tavener, Nicola Benedetti, London Philharmonic Orchestra, Andrew Litton | B♭ Major | 0 | 6B | 97 BPM | ||
| Etudes symphoniques (Symphonic Etudes), Op. 13, Adagio and Allegro brillante: Variation 11 [arr. P.I. Tchaikovsky for orchestra] | Robert Schumann, Seattle Symphony Orchestra, Gerard Schwarz | A Minor | 0 | 8A | 104 BPM | ||
| Vaughan Williams: The Lark Ascending (Excerpt) | Ralph Vaughan Williams, Sir Adrian Boult, Hugh Bean, New Philharmonia Orchestra | B Minor | 1 | 10A | 132 BPM | ||
| Fantasia on British Sea Songs (excerpts): II. Tom Bowling | Sir Henry Wood, Leeds Festival Chorus, English Northern Philharmonia, Paul Daniel | C Major | 0 | 8B | 93 BPM | ||
| Piano Concerto No. 2 Op. 102 in F Major: II. Andante | Dmitri Shostakovich, Alexander Melnikov, Mahler Chamber Orchestra, Teodor Currentzis | C Minor | 0 | 5A | 78 BPM | ||
| Candide: Overture | Leonard Bernstein, New York Philharmonic | E♭ Major | 4 | 5B | 82 BPM | ||
| Divertimento: II. Waltz. Allegretto, con grazia | Leonard Bernstein, Bournemouth Symphony Orchestra, Marin Alsop | D Minor | 7 | 7A | 148 BPM | ||
| The Victorian Kitchen Garden - Suite: Prelude | Paul Reade, Emma Johnson, Skaila Kanga | B♭ Major | 0 | 6B | 67 BPM | ||
| 3 Chorales, P. 167: No. 3, Andante (After J.S. Bach's BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 84 BPM | ||
| Sadko: Hindu Song (arr. N. Mercz): Hindu Song from the Opera 'Sadko' | Nora Mercz, Nikolai Rimsky-Korsakov, Janos Balint | F Major | 0 | 7B | 65 BPM | ||
| Two English Idylls | George Butterworth, Academy of St. Martin in the Fields, Sir Neville Marriner | C Major | 1 | 8B | 89 BPM | ||
| The Planets Suite, Op. 32: IV. Jupiter | Gustav Holst, Vladimir Jurowski, London Philharmonic Choir, London Philharmonic Orchestra, Neville Creed | G Minor | 3 | 6A | 151 BPM | ||
| English Suite: Jaunt | Paul Lewis, Royal Northern Sinfonia, David Lloyd-Jones | C Major | 2 | 8B | 125 BPM | ||
| Mendelssohn: Violin Concerto in E Minor, Op. 64, MWV O14: II. Andante | Felix Mendelssohn, Maxim Vengerov, Kurt Masur, Gewandhausorchester | C Major | 1 | 8B | 96 BPM | ||
| An Irish Symphony: In the Antrim Hills | Hamilton Harty, RTÉ National Symphony Orchestra, Proinnsias O'Duinn | F Major | 0 | 7B | 79 BPM | ||
| Adagio in G Minor | Tomaso Albinoni, City of London Sinfonia, Andrew Watkinson, Ian Watson | C Minor | 1 | 5A | 89 BPM | ||
| Suite No. 1, P. 109: I. Balletto Detto 'Il Conte Orlando': Allegretto Moderato | Ottorino Respighi, RTÉ National Symphony Orchestra | D Major | 0 | 10B | 127 BPM | ||
| Rhapsody Under A High Sky | Archibald James Potter, RTE Sinfonietta, Proinnsias O'Duinn | C Major | 1 | 8B | 106 BPM | ||
| Carmen Suite No. 1 (Arr. E. Guiraud): IV. Séguedille | Georges Bizet, Orquestra Simfònica de Barcelona i Nacional de Catalunya, Pablo González | G Minor | 0 | 6A | 66 BPM | ||
| Coastal Command Suite: Taking Off At Night | RTE Concert Orchestra, Ralph Vaughan Williams | B♭ Major | 0 | 6B | 138 BPM | ||
| Holst: The Planets, Op. 32: IV. Jupiter, the Bringer of Jollity | Gustav Holst, Sir Adrian Boult, London Philharmonic Orchestra | G Minor | 3 | 6A | 133 BPM | ||
| Two Songs Without Words, Op. 22: I. Country Song | Gustav Holst, Richard Hickox, City of London Sinfonia | G Major | 0 | 9B | 82 BPM | ||
| The Music Makers, Op. 69: II. We Are the music makers | Edward Elgar, Sarah Connolly, Greg Beardsell, Bournemouth Symphony Chorus, Bournemouth Symphony Orchestra, Simon Wright | B♭ Minor | 0 | 3A | 79 BPM | ||
| Othello, Op. 79: II. Children's Intermezzo | Samuel Coleridge-Taylor, RTE Concert Orchestra, Adrian Leaper | F Major | 0 | 7B | 113 BPM |