"Young and Foolish Dragon" by Chris Benstead had its release date on December 20, 2019. With This song being less than two minutes long, at 1:31, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 17 in the song's album "The Gentlemen (Original Motion Picture Soundtrack)". In this album, this song's track order is #7. In terms of popularity, Young and Foolish Dragon is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Young and Foolish Dragon by Chris Benstead having a BPM of 90 with a half-time of 45 BPM and a double-time of 180 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Deadwood Main Title Theme | David Schwartz | D Major | 3 | 10B | 124 BPM | ||
| Scars | Daniel Pemberton | D Major | 4 | 10B | 120 BPM | ||
| Barely Hanging On | Dickon Hinchliffe | G Major | 2 | 9B | 134 BPM | ||
| Don't Open It | Dan Romer | D Minor | 2 | 7A | 139 BPM | ||
| Leaving Nome | Mark Isham | A Major | 1 | 11B | 142 BPM | ||
| Confrontation with the Common Man - Bonus Track | Daniel Pemberton | E Major | 0 | 12B | 87 BPM | ||
| You Moved! | David Hirschfelder | B♭ Major | 2 | 6B | 92 BPM | ||
| Prawnkus | Clinton Shorter | A♭ Major | 1 | 4B | 130 BPM | ||
| Taking the Court | Rob Simonsen | C Minor | 1 | 5A | 180 BPM | ||
| Let's Have Some Life | Antony Genn, Martin Slattery | C Major | 1 | 8B | 95 BPM | ||
| Bombings | Alexandre Desplat | E♭ Major | 0 | 5B | 79 BPM | ||
| Icarus Ending | Adam Peters | C Minor | 4 | 5A | 106 BPM | ||
| The Man Who Gets No Rest | Chris Benstead | G Major | 0 | 9B | 166 BPM | ||
| The First Goodbye | Christopher Spelman | D♭ Minor | 1 | 12A | 76 BPM | ||
| Dead End | Alexandre Desplat | F Major | 0 | 7B | 131 BPM | ||
| We Are All Stardust | Clint Mansell | D Minor | 4 | 7A | 79 BPM | ||
| Inumon | Daniel L.K. Caldwell | C Major | 1 | 8B | 99 BPM | ||
| Lebensborn | Dominic Lewis | F Minor | 1 | 4A | 130 BPM | ||
| Precious Ornaments | Chris Benstead | D Minor | 0 | 7A | 86 BPM | ||
| Prologue / Medieval Waters (From "In Bruges") | Brussells Philharmonic, Dirk Brossé | C Minor | 1 | 5A | 123 BPM | ||
| Ballad Of Polly Gray - From 'Peaky Blinders' Original Soundtrack / Series 4 | Antony Genn, Martin Slattery | C Minor | 1 | 5A | 115 BPM | ||
| Tell the Parole Board | Jason Hill | G Minor | 0 | 6A | 72 BPM | ||
| Her Face | Nathan Johnson | C Major | 1 | 8B | 68 BPM | ||
| Ueli Dies | Marco Beltrami | A Minor | 1 | 8A | 167 BPM | ||
| Tilden | Danny Bensi, Saunder Jurriaans | F Major | 1 | 7B | 103 BPM |