- BPM
- 169
- Key
- C Major
- Camelot
- 8B
Seven Profiles: II. — by Les Thimmig, The Composers String Quartet Song Details
"Seven Profiles: II. —" by Les Thimmig, The Composers String Quartet had its release date on September 15, 2010. With This song being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 15 in the song's album "Thimmig, Edwards, Pollock & Griffith: Works for String Quartet". In this album, this song's track order is #2. Furthermore, we believe that the track originated from United States. The popularity of Seven Profiles: II. — is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
BPM and Tempo
With Seven Profiles: II. — by Les Thimmig, The Composers String Quartet having a BPM of 169 with a half-time of 84 BPM and a double-time of 338 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
Music Key
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
- Popularity
- 0%
- Loudness
- -19.877 dB
- Acousticness
- 94%
- Danceability
- 23%
- Energy
- 5%
- Instrumentalness
- 48%
- Liveness
- 34%
- Loudness
- 67%
- Speechiness
- 5%
- Valence
- 4%
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | La boîte à joujoux, L. 128: Épilogue | Claude Debussy, London Symphony Orchestra, Michael Tilson Thomas | F Minor | 0 | 4A | 91 BPM | |
 | Sextet for Wind Quintet & Piano, FP 100: I. Allegro vivace: Tres vite et emporte | Francis Poulenc, Philippe Bernold, Olivier Doise, Ronald Van Spaendonck, Laurent Lefèvre, Hervé Joulain, Alexandre Tharaud | A Minor | 1 | 8A | 140 BPM | |
 | Bartók: String Quartet No. 4 in C Major, Sz. 91: IV. Allegretto pizzicato | Béla Bartók, Belcea Quartet | F♯ Major | 1 | 2B | 89 BPM | |
 | String Quartet No. 8 in C Minor, Op. 110 (Arr. for Wind Ensemble by David Walter): I. Largo | Dmitri Shostakovich, Ensemble Ouranos | A Major | 2 | 11B | 75 BPM | |
 | Car Cleveland | John Lurie | G Major | 0 | 9B | 51 BPM | |
 | 12 Nocturnes: No. 9, Sigrids Wiegenlied | Bent Sørensen, Katrine Gislinge | A Major | 2 | 11B | 75 BPM | |
 | Bachianas brasileiras No. 6: II. Fantasia | Heitor Villa-Lobos, Erik Gratton, Cynthia Estill | D Minor | 2 | 7A | 109 BPM | |
 | Symphony No. 3 in C Major, Op. 52: II. Andantino con moto, quasi allegretto - Un pocchettino con moto - Tempo primo | Jean Sibelius, Berliner Philharmoniker, Sir Simon Rattle | A♭ Minor | 0 | 1A | 136 BPM | |
 | Nature Boy (Arr. for Trumpet & Piano by Roland Pöntinen) | Eden Ahbez, Håkan Hardenberger, Roland Pöntinen | B Minor | 0 | 10A | 132 BPM | |
 | Buenos Aires hora cero | Gidon Kremer | D Major | 1 | 10B | 82 BPM | |
 | The Perilous Night: I. Crotchet = 176 | John Cage, Marc-André Hamelin | F♯ Major | 0 | 2B | 66 BPM | |
 | Ave Maria | Johann Sebastian Bach, Charles Gounod, Yo-Yo Ma, Bobby McFerrin | A Major | 3 | 11B | 81 BPM | |
 | Ciudades: I. Córdoba | Guillermo Lago, Fukio Ensemble | E Minor | 6 | 9A | 130 BPM | |
 | String Quartet No. 1 in C Major, Op. 37: II. Andantino semplice. In modo d’una canzone | Karol Szymanowski, Belcea Quartet | F♯ Minor | 1 | 11A | 83 BPM | |
 | Turangalîla Symphonie: 2. Chant d'amour 1 | Olivier Messiaen, Yvonne Loriod, Jeanne Loriod, Orchestre de l'Opéra National de Paris, Myung-Whun Chung | D♭ Major | 2 | 3B | 153 BPM | |
 | Insequi | Mark Snow | D♭ Major | 9 | 3B | 160 BPM | |
 | The Firebird's Lullaby | Igor Stravinsky, Idil Biret | A♭ Minor | 0 | 1A | 69 BPM | |
 | Var. 6, Adagio | Pyotr Ilyich Tchaikovsky, Li-wei Qin, Czech Philharmonic Chamber Orchestra, Michael Halasz | D Minor | 0 | 7A | 80 BPM | |
 | Nursery rhyme: One More Good Day | Shiuan Chang, Evan Wong | C Minor | 2 | 5A | 73 BPM | |
 | The Rite of Spring, K15, Pt. 2: XIII. Ritual of the Ancestors | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | C Minor | 0 | 5A | 118 BPM | |
 | Martinu: Piano Quartet No. 1, H. 287: II. Adagio | Bohuslav Martinů, Domus | D Minor | 1 | 7A | 85 BPM | |
 | Galactic Silence | Astrid Voix | A Major | 2 | 11B | 75 BPM | |
 | MKWAJU 1981-2009 | Joe Hisaishi, London Symphony Orchestra | A Major | 4 | 11B | 110 BPM | |
| Ciudades: III. Addis Ababa | Guillermo Lago, Fukio Ensemble | B♭ Minor | 8 | 3A | 140 BPM | |
 | 1 - 16 | Cello Octet Amsterdam | F Major | 0 | 7B | 124 BPM |
- ISRC
- USZC71126502
- Label
- L-M Records/RCA Records