亜波根綾乃's ' "砂の海" was released on its scheduled release date, September 22, 1999. This song is about six minutes long, preciously at 5:47, making this song fairly long compared to other songs. There are a total of 10 in the song's album "Re・Birth". In this album, this song's track order is #5. Furthermore, we believe that the track originated from Japan. The popularity of 砂の海 is currently unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With 砂の海 by 亜波根綾乃 having a BPM of 164 with a half-time of 82 BPM and a double-time of 328 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| 朝凪 | Yoshiko Hanzaki | F Major | 1 | 7B | 144 BPM | ||
| 君住む街角 | Keizo Nakanishi | C Major | 6 | 8B | 174 BPM | ||
| True Romance | 中山美穂 | B Minor | 9 | 10A | 99 BPM | ||
| ありのままでそばにいて | Hiromi Go | G Major | 3 | 9B | 107 BPM | ||
| t.4.2.(Live 30周年記念祭@日本武道館) | The Gospellers | A Major | 5 | 11B | 75 BPM | ||
| さよなら櫻 | 辰巳ゆうと | B Minor | 9 | 10A | 123 BPM | ||
| 心のカ・タ・チ | Leo Ieiri | A♭ Minor | 9 | 1A | 127 BPM | ||
| Endless Snow (Still Snowing Mix) | Fumiya Fujii | E Major | 5 | 12B | 91 BPM | ||
| 虹色ステップ | nalitar | F Major | 5 | 7B | 171 BPM | ||
| YES-YES-YES | Ms.OOJA | F♯ Minor | 4 | 11A | 127 BPM | ||
| INSPIRED FROM RED & BLUE - (ORIGINAL MIX) | globe | G Major | 5 | 9B | 126 BPM | ||
| 遙かなわたしたちへ~eternal ribbon in the air~ | 亜波根綾乃 | D♭ Major | 7 | 3B | 79 BPM | ||
| Oh、ムーンライト | Mariko Nagai | F Major | 7 | 7B | 78 BPM | ||
| Hello ! | Mai Kuraki | G Major | 6 | 9B | 86 BPM | ||
| 詩篇23編 | Vineyard Christian Fellowship Japan | B♭ Major | 5 | 6B | 144 BPM | ||
| bless you | Seiko Matsuda | C Major | 4 | 8B | 130 BPM | ||
| 風を感じたい | Satoko Ishimine | F♯ Major | 4 | 2B | 90 BPM | ||
| 今だけを きみだけを | Yumi Matsutoya | G Major | 5 | 9B | 135 BPM | ||
| どうして泣きたいくらい好きなんだろう | 辰巳ゆうと | A Major | 3 | 11B | 80 BPM | ||
| Maze | Hitomi Yaida | E Major | 5 | 12B | 76 BPM | ||
| いつか思い出になるまで | 澤田知可子 | E Major | 2 | 12B | 90 BPM | ||
| あなたがいた季節(Live at THEATER MILANO-Za 2024.11.3) | Kyoko Koizumi | F Major | 5 | 7B | 171 BPM | ||
| Happy Ever After | Keizo Nakanishi | A♭ Minor | 9 | 1A | 105 BPM | ||
| 愛すべき者たち | From Next Door | C Major | 7 | 8B | 131 BPM | ||
| Treasure | 中山美穂 | B♭ Minor | 8 | 3A | 80 BPM |