"Left To Bleed" by Ashborn Records had its release date on December 14, 2025. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. Because this song is the only song in Left To Bleed and no other songs are present in the album, we classify this track as a single. Based on our statistics, Left To Bleed's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Left To Bleed by Ashborn Records to be Allegro (fast, quick, and bright) because the track has a tempo of 151 BPM, a half-time of 76BPM, and a double-time of 302 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, running, can go well with this song. The time signature for this track is 4/4.
E Minor is the music key of this track. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| If You Ever Love Another - Beddua Metal Remix | KrEn, Ashveil | D Minor | 3 | 7A | 148 BPM | ||
| Collide - LIVE at Hamburg | Visions of Atlantis | F Major | 7 | 7B | 132 BPM | ||
| HANK MOODY SAVED MY LIFE | Leon Verres | E Minor | 5 | 9A | 148 BPM | ||
| Echoes of Freedom | Soul`s Cry | A Minor | 6 | 8A | 190 BPM | ||
| Jackpot - New Version | Metalus Prime | D Minor | 9 | 7A | 165 BPM | ||
| The Last of the Line | Tokt | E Minor | 7 | 9A | 121 BPM | ||
| Left To Bleed | Ashborn Records | E Minor | 7 | 9A | 151 BPM | ||
| Forever US | Stefftrix | B♭ Minor | 6 | 3A | 130 BPM | ||
| Ghosts of What We Loved | Veyndral | A Minor | 6 | 8A | 91 BPM | ||
| The Struggle | Souls Divided | B Minor | 5 | 10A | 102 BPM | ||
| Honor | M.O.C.C.C.A | E♭ Minor | 7 | 2A | 116 BPM | ||
| We Are One | LadyAn | C Major | 5 | 8B | 82 BPM | ||
| Advantage On The Kill | underworld vibes | E♭ Minor | 9 | 2A | 125 BPM | ||
| Northern Veins | Fleshbeat Factory | E Minor | 7 | 9A | 169 BPM | ||
| The Eclipse of Crows | DollWave | C Minor | 7 | 5A | 100 BPM | ||
| Basilissa: Queen of the Sacred Rite | Beat Nomads | D♭ Major | 7 | 3B | 88 BPM | ||
| His Name in Death (Bonus Truck) | Inferisborn | A♭ Minor | 8 | 1A | 156 BPM | ||
| Hunting Trolls and Orcs | Gravely Hellwhips | C Major | 6 | 8B | 100 BPM | ||
| Hall of Two Truths (v2) | Romek Addams | F♯ Major | 7 | 2B | 97 BPM | ||
| Vandella | DullaX | A♭ Minor | 7 | 1A | 136 BPM | ||
| Blue Dreams - Acoustic | Tales of Tomorrow | B Minor | 5 | 10A | 78 BPM | ||
| Beneath the Halo | Ashborn Records | A♭ Minor | 5 | 1A | 75 BPM | ||
| Moving Forward | Hale Horse | A♭ Major | 7 | 4B | 91 BPM | ||
| Walk Close to Me | Walk in Darkness | C Major | 8 | 8B | 124 BPM | ||
| Dracula | Sonara | F Minor | 8 | 4A | 162 BPM |