Franz Schmidt, Rainer Keuschnig, Josef Hell, Peter Wächter, Peter Pecha, Gerhard Iberer's 'Piano Quintet No. 1 in G Major: III. Sehr ruhig' had a release date set for January 1, 2016. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 7 in the song's album "Schmidt: Piano Quintets Nos. 1 & 2". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Germany. In terms of popularity, Piano Quintet No. 1 in G Major: III. Sehr ruhig is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Piano Quintet No. 1 in G Major: III. Sehr ruhig by Franz Schmidt, Rainer Keuschnig, Josef Hell, Peter Wächter, Peter Pecha, Gerhard Iberer having a BPM of 108 with a half-time of 54 BPM and a double-time of 216 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adriana Lecouvreur, Act 2: Intermezzo | Francesco Cilea, Opera Australia Orchestra, Andrea Molino | F Major | 0 | 7B | 124 BPM | ||
| Haydn: Symphony No. 100 in G Major, Hob. I:100 "Military": I. (a) Adagio | Joseph Haydn, English Chamber Orchestra, Jeffrey Tate | C Minor | 4 | 5A | 130 BPM | ||
| A Fugal Concerto, Op. 40, No. 2: II. Adagio | Gustav Holst, Janos Balint, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 0 | 10B | 125 BPM | ||
| Symphony No.2 in E flat, Op.63: 3. Rondo. Presto | Edward Elgar, Staatskapelle Berlin, Daniel Barenboim | G Major | 2 | 9B | 138 BPM | ||
| Das Buch mit sieben Siegeln (The Book with Seven Seals) – Pt. I: Nun sah ich und siehe | Franz Schmidt, Peter Schreier, Sylvia Greenberg, Carolyn Watkinson, Thomas Moser, Kurt Rydl, Vienna State Opera Chorus, ORF Radiosymphonieorchester, Lothar Zagrosek | G Major | 1 | 9B | 84 BPM | ||
| Symphony No. 1 in E Minor, Op. 39: II. Andante (ma non troppo lento) | Jean Sibelius, Oslo Philharmonic Orchestra, Klaus Mäkelä | F♯ Minor | 1 | 11A | 66 BPM | ||
| A Midsummer Night's Dream, Incidental Music, Op.61, MWV M 13: No.7 Notturno | Felix Mendelssohn, Judi Dench, Boston Symphony Orchestra, Seiji Ozawa | E Major | 0 | 12B | 67 BPM | ||
| Konzertante Variationen über ein Thema von Beethoven: I. Langsam | Franz Schmidt, Markus Becker, North German Radio Symphony, Hannover, Eiji Oue | D♭ Major | 0 | 3B | 174 BPM | ||
| Symphony No. 5 in E Minor, Op. 64, TH. 29: II. Andante cantabile, con alcuna licenza - Moderato con anima | Pyotr Ilyich Tchaikovsky, Leningrad Philharmonic Orchestra, Evgeny Mravinsky | D Major | 1 | 10B | 84 BPM | ||
| Symphony No. 4 "Autochthonous": III. Moderately fast | William Grant Still, Philadelphia Orchestra, Yannick Nézet-Séguin | G Minor | 1 | 6A | 106 BPM | ||
| Miroirs, M. 43: IV. Alborada del gracioso, M. 43c | Maurice Ravel, Sherman Walt, Boston Symphony Orchestra, Seiji Ozawa | D Major | 1 | 10B | 118 BPM | ||
| Schubert / Orch. Mahler: String Quartet No. 14 in D Minor, D. 810 "Death and the Maiden": II. Andante con moto | Franz Schreker, Camerata Academica Salzburg/Franz Welser-Möst, Franz Welser-Möst, Camerata Salzburg | A Major | 0 | 11B | 80 BPM | ||
| Pirogov Suite, Op. 76a (Arr. L. Atovmyan for Orchestra): V. Finale | Dmitri Shostakovich, Bolshoi Theatre Orchestra, Maxim Shostakovich | E♭ Major | 2 | 5B | 107 BPM | ||
| Symphony in E Minor, Op. 32, "Gaelic Symphony": II. Alla siciliana - Allegro vivace - Andante | Amy Beach, Nashville Symphony Orchestra, Kenneth Schermerhorn | F Major | 0 | 7B | 122 BPM | ||
| Die erste Walpurgisnacht, Op. 60: Ouverture: Der Ubergang zum Fruhling | Felix Mendelssohn, Kurt Masur, Leipzig Gewandhaus Orchestra | E♭ Major | 0 | 5B | 58 BPM | ||
| Symphony No. 1 in E Major, Op. 26: I. Lento | Alexander Scriabin, Danish National Symphony Orchestra, Fabio Luisi | B♭ Minor | 2 | 3A | 86 BPM | ||
| Lekeu: Adagio pour quatuor d'orchestre, Op. 3 | Guillaume Lekeu, Armin Jordan, Orchestre Philharmonique de Monte-Carlo | C Major | 3 | 8B | 123 BPM | ||
| Symphony No. 1 in E-Flat Major: 3. Andante | Alexander Borodin, Royal Philharmonic Orchestra, Vladimir Ashkenazy | D Major | 0 | 10B | 82 BPM | ||
| Symphony No. 3 in G Minor, Op. 36: I. Adagio - Allegro | Louise Farrenc, North German Radio Symphony, Hannover, Johannes Goritzki | G Minor | 1 | 6A | 99 BPM | ||
| Roumanian Folk Dances for Orchestra, BB 76 (Sz. 68): 4. Horn Dance (from Bisztra) | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D Major | 1 | 10B | 170 BPM | ||
| Fra Holbergs tid, Op. 40: III. Gavotte (From Holberg's Time) [Version for Orchestra] | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | G Major | 1 | 9B | 122 BPM | ||
| The Bat, Overture (Die Fledermaus) | Ljubljana Symphony Orchestra, Anton Nanut | D Major | 2 | 10B | 85 BPM | ||
| Serenade, Op. 2: IV. Finale. Allegretto non troppo | Mieczysław Karłowicz, Warsaw Philharmonic Orchestra, Antoni Wit | F Minor | 1 | 4A | 88 BPM | ||
| Violin Concerto in D Major, Op. 35: III. Finale. Allegro assai vivace | Erich Wolfgang Korngold, Vadim Gluzman, Hague Residentie Orchestra, Neeme Järvi | G Major | 2 | 9B | 75 BPM | ||
| Manfred Symphony, Op. 58, TH.28: 3. Andante con moto | Pyotr Ilyich Tchaikovsky, Czech Philharmonic, Semyon Bychkov | F Major | 1 | 7B | 114 BPM |