Brighten's 'Worth It' had a release date set for March 3, 2017. With this song being around four minutes long, at 3:33, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 3 out of 10 in Brighten by Brighten. Going off of the ISRC code of this track, we detected that the origin of this track is from Turks and Caicos Islands. Worth It is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Worth It by Brighten is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Back to California | Sugarcult | F♯ Minor | 6 | 11A | 115 BPM | ||
| Walking Downtown | Copeland | A Major | 7 | 11B | 166 BPM | ||
| Entertain The Pain | My Favorite Highway | E Major | 9 | 12B | 94 BPM | ||
| Beauty In A Car Crash - Acoustic | Flight 409 | B Major | 3 | 1B | 138 BPM | ||
| Here's to Whatever Comes Next | Sincerely, Me | D Major | 3 | 10B | 144 BPM | ||
| Plans | Plug In Stereo | A♭ Major | 4 | 4B | 106 BPM | ||
| Tired Eyes | Rival Summers | E♭ Major | 6 | 5B | 76 BPM | ||
| The Only Thing That Matters | Spitalfield | G Major | 9 | 9B | 152 BPM | ||
| White Lies | Number One Gun | B♭ Major | 7 | 6B | 112 BPM | ||
| Light It Up | Sing It Loud | D Major | 8 | 10B | 102 BPM | ||
| Around the World and Back | State Champs, Jule Vera | A♭ Major | 7 | 4B | 142 BPM | ||
| Some Things Never Change | The Forecast | G Major | 5 | 9B | 79 BPM | ||
| Middle of the Night | Sherwood | B Minor | 9 | 10A | 142 BPM | ||
| Spinning Out | Valencia | A♭ Major | 9 | 4B | 110 BPM | ||
| This Is For Keeps | The Spill Canvas | A♭ Major | 6 | 4B | 140 BPM | ||
| A Farewell to a Friendship | A Change of Pace | D Major | 3 | 10B | 97 BPM | ||
| Counting The Stars | Waking Ashland | E♭ Major | 8 | 5B | 146 BPM | ||
| Clocks And Time Pieces | Search The City | C Minor | 9 | 5A | 160 BPM | ||
| It's Gonna Be Hard | The Audition | G Minor | 7 | 6A | 82 BPM | ||
| The Things You Were | Deas Vail | D Major | 7 | 10B | 139 BPM | ||
| Existentialism On Prom Night | Straylight Run | A Major | 8 | 11B | 133 BPM | ||
| Mile After Mile | Straylight Run | G Major | 4 | 9B | 79 BPM | ||
| I'm Alive | A Change of Pace | D Major | 10 | 10B | 178 BPM | ||
| Safe and Sound in Phone Lines | A Change of Pace | E Minor | 5 | 9A | 135 BPM | ||
| Beauty In The Breakdown | The Scene Aesthetic | C Major | 9 | 8B | 164 BPM |