Cheryl Frances-Hoad, Rozenn Le Trionnaire, Francesca Barritt, Sholto Kynoch's 'Cloud Movements: IV. Vivace' had a release date set for November 12, 2020. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 5 out of 17 in Cheryl Frances-Hoad: The Whole Earth Dances by Cheryl Frances-Hoad, Various Artists. The popularity of Cloud Movements: IV. Vivace is currently unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Cloud Movements: IV. Vivace by Cheryl Frances-Hoad, Rozenn Le Trionnaire, Francesca Barritt, Sholto Kynoch is Vivace (lively and fast), since this song has a tempo of 167 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 3/4.
A Major is the music key of this track. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| When they saw the Star | Chloe May Evans, Ǣfendrēama | E♭ Major | 3 | 5B | 137 BPM | ||
| The Bronze Horseman (Arr. J. Lenehan): II. Andante | Helen Habershon, Andrew Fuller, John Lenehan | A Minor | 1 | 8A | 89 BPM | ||
| Woodforde-Finden: 4 Indian Love Lyrics: No. 4, Till I Wake (Arr. Hough for Piano) | Amy Woodforde-Finden, Martin James Bartlett | B Minor | 0 | 10A | 172 BPM | ||
| Circumdederunt me | Cristobal de Morales, De Profundis, Eamonn Dougan | F Major | 1 | 7B | 80 BPM | ||
| Symphony No. 5, Op. 64: IVc. Missa brevis. Credo in unum Deum | Ruth Gipps, BBC Philharmonic, Rumon Gamba | F♯ Minor | 1 | 11A | 81 BPM | ||
| All-Night Vigil, Op. 37: III. Blessed is the man | Sergei Rachmaninoff, Phoenix Chorale, Kansas City Chorale, Charles Bruffy, Toby Vaughn Kidd | D♭ Minor | 0 | 12A | 76 BPM | ||
| Lohdutus, Op. 32: Nro. 1, Consolation | Taneli Kuusisto, SRK Musiikki | A Minor | 0 | 8A | 82 BPM | ||
| Bach, JS: Matthäus-Passion, BWV 244: Arie. "Erbarme dich" (Instrumental Version) | Johann Sebastian Bach, Lucienne Renaudin Vary, Deborah Nemtanu, Sascha Goetzel, Orchestre de chambre de Paris | B Minor | 1 | 10A | 105 BPM | ||
| Castillo Interior: Adagio | Pēteris Vasks, Kristīne Balanas, Margarita Balanas | D Major | 0 | 10B | 90 BPM | ||
| Fantasia in G Minor, Z.734 | Henry Purcell, Trio Sypniewski | B Minor | 0 | 10A | 172 BPM | ||
| Petite messe solennelle: VIII. Gloria. Qui tollis | Gioachino Rossini, Giulio Prandi, Sandrine Piau, José Maria Lo Monaco, Francesco Corti, Deniel Perer | A Minor | 1 | 8A | 83 BPM | ||
| Viel Lärmen um Nichts, Op. 11, Act III Scene 1: Intermezzo | Erich Wolfgang Korngold, Holst Sinfonietta, Klaus Simon | C Major | 0 | 8B | 96 BPM | ||
| Hashir Hashem Luchem | Jay Anthony Gach, Kühn Choir Of Prague, Jakub Pikla | G Major | 1 | 9B | 132 BPM | ||
| Symphony in 3 Movements, K073: II. Andante Interlude | Igor Stravinsky, Orchestre National Bordeaux Aquitaine, Bar Avni | B Minor | 0 | 10A | 172 BPM | ||
| Mass for Double Choir: V. Agnus dei | Frank Martin, Westminster Choir, Joe Miller | D Major | 1 | 10B | 83 BPM | ||
| Bartók: 44 Duos for Two Violins, Sz. 98: No. 11, Cradle Song | Béla Bartók, Andrew Watkinson, Ralph De Souza | E♭ Major | 0 | 5B | 67 BPM | ||
| Stranger | Yuri Alexandrovich Falik, Latvijas Radio koris, Sigvards Kļava | A Minor | 1 | 8A | 111 BPM | ||
| The Tempest Suite No. 1, Op. 109, No. 2: I. The Oak Tree | Jean Sibelius, Lahti Symphony Orchestra, Okko Kamu | B♭ Major | 0 | 6B | 86 BPM | ||
| Poor Hymnal: No. 5, The Least of Us | David Lang, The Crossing, Donald Nally | F Minor | 1 | 4A | 139 BPM | ||
| Soir - Matin, Op. 76: I. Soir. Andante cantabile | Mel Bonis, Trio Wanderer | B Minor | 0 | 10A | 172 BPM | ||
| Canzoni a quattro voci, Op. 1: No. 2, La Lusignuola | Tarquinio Merula, InAlto, Lambert Colson | B♭ Minor | 1 | 3A | 133 BPM | ||
| Violin Sonata in A Minor: III. Minuetto | Sergei Taneyev, Boris Brovtsyn, Eldar Nebolsin | C Major | 0 | 8B | 58 BPM | ||
| Die Dreigroschenoper: Overture (Arr. for Double Bass, Piano & Accordion by Murray Grainger, Marianne Schofield & William Vann) | Kurt Weill, William Vann, Murray Grainger, Marianne Schofield | B Minor | 0 | 10A | 172 BPM | ||
| 4 Motets sur des thèmes grégoriens, Op. 10: No. 4, Tantum Ergo | Maurice Duruflé, Westminster Williamson Voices, James Jordan | C Minor | 1 | 5A | 88 BPM | ||
| Media Vita | Kerensa Briggs, Anna Lapwood, The Chapel Choir of Pembroke College, Cambridge | B Minor | 1 | 10A | 143 BPM |