Alfonso Ferrabosco, Richard Boothby's 'Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17)' had a release date set for June 2, 2023. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Alfonso Ferrabosco, Richard Boothby, Asako Morikawa's "Music to Hear... Alfonso Ferrabosco: Music for Lyra Viol from 1609" album is number 2 out of 13. On top of that, United Kingdom appears to be the country where this track was created. Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lessons for 1, 2 & 3 Viols: Almaine – Coranto I (Page 17) by Alfonso Ferrabosco, Richard Boothby to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Sonata & Suite in D-Dur: Sonata & Suite in D-Dur: I. Adagio | Dietrich Becker, La Rêveuse, Florence Bolton, Sébastien Wonner, Benjamin Perrot | D♭ Major | 1 | 3B | 90 BPM | ||
| Sonata No. 103 in B-Flat Major: II. Allemande | Silvius Leopold Weiss, Evangelina Mascardi | A Major | 1 | 11B | 141 BPM | ||
| Sonates sans basse: Sonata No. 5 in B Minor, TWV 40:105: Gratioso | Georg Philipp Telemann, Mindy Rosenfeld, Stephen Schultz, American Baroque | E♭ Major | 0 | 5B | 129 BPM | ||
| Ancor che col partire | Antonio de Cabezón, Yoann Moulin | A Minor | 1 | 8A | 135 BPM | ||
| Questi ch'indizio fan del mio tormento | Alfonso Ferrabosco, La Compagnia del Madrigale | D Major | 1 | 10B | 71 BPM | ||
| Les castagnettes: Canaries | Jacques Gallot, Simone Vallerotonda | B♭ Major | 1 | 6B | 148 BPM | ||
| Couperin, L: Simphonie par Mr. Couperin en ré mineur | Louis Couperin, Jean Rondeau, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | A Minor | 2 | 8A | 143 BPM | ||
| Four Note Pavan (Hear Me O God) | Alfonso Ferrabosco, VUENV, Sharon Carty | G Minor | 0 | 6A | 100 BPM | ||
| Recercadas del Trattado de Glosas: Recercada terçera para violone sola | Diego Ortiz, Bruno Cocset, Guido Balestracci, Les Basses Réunies | C Major | 0 | 8B | 55 BPM | ||
| Pavan | Alfonso Ferrabosco, Gerald English | B♭ Major | 2 | 6B | 64 BPM | ||
| Toccata Seconda | Domenico Pellegrini, Albane Imbs | F♯ Major | 2 | 2B | 113 BPM | ||
| 5e livre de viole: Chaconne | Marin Marais, Sophie Watillon, Friederike Heumann, Xavier Diaz-Latorre, Luca Guglielmi | D Major | 0 | 10B | 98 BPM | ||
| Membra Jesu Nostri, BuxWV 75, Ad pedes: Aria "Clavos pedum, plagas duras" | Dietrich Buxtehude, Ricercar Consort, Philippe Pierlot, Hanna Bayodi | C Minor | 2 | 5A | 90 BPM | ||
| Suite in A Minor: I. Prélude | Monsieur de Sainte-Colombe, François Joubert-Caillet, L'Achéron | A♭ Major | 1 | 4B | 47 BPM | ||
| Requiem in F Minor, C 8: Ib. Kyrie | Heinrich Ignaz Franz von Biber, Vox Luminis, Freiburger BarockConsort, Lionel Meunier | F Minor | 1 | 4A | 85 BPM | ||
| Hit in the Middle | Tobias Hume, Labyrinto, Paolo Pandolfo | E Major | 0 | 12B | 101 BPM | ||
| The First Part of Ayres, French, Pollish and Others: No. 72. A Meditation | Tobias Hume, Philippe Pierlot | B Major | 0 | 1B | 143 BPM | ||
| La Guitarre Royalle: Sarabande 'La Dauphine' | Francesco Corbetta, Eric Bellocq, Massimo Moscardo | D♭ Minor | 0 | 12A | 79 BPM | ||
| Couperin, L: Suite en fa: III. Courante, G. 69 (Transcr. Pierlot) | Louis Couperin, Philippe Pierlot, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Thibaut Roussel | E♭ Major | 2 | 5B | 135 BPM | ||
| Couperin, L: Suite en fa: IV. Sarabande, G. 74 (Transcr. Pierlot) | Louis Couperin, Jean Rondeau, Anna Lachegyi, Lucile Boulanger, Myriam Rignol, Philippe Pierlot, Thibaut Roussel | C Minor | 2 | 5A | 138 BPM | ||
| Lute Sonata in E-Flat Major, Op. 1, No. 2: III. Vivace | Adam Falckenhagen, Andrew Maginley | D♭ Minor | 2 | 12A | 91 BPM | ||
| Passa Galli: Passa Galli | Giovanni Battista Vitali, Les Kapsber'girls, Albane Imbs | E Major | 0 | 12B | 107 BPM | ||
| Byrd: Miserere a 4 | William Byrd, Fretwork | B♭ Major | 0 | 6B | 90 BPM | ||
| The False Consonances of Musick, Aria II | Nicola Matteis, Gli Incogniti, Amandine Beyer | A♭ Minor | 2 | 1A | 95 BPM | ||
| Aria della Fulia variata (con parti variati) | Giovanni Paolo Foscarini, Stephen Stubbs, Maxine Eilander, Erin Headley, Milos Valent | D♭ Minor | 0 | 12A | 190 BPM |