Mathis Der Maler, 1st Tableau, Scene 2: Aufmachen! Helft uns! (Scwalb/Regina/Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra Song Details

"Mathis Der Maler, 1st Tableau, Scene 2: Aufmachen! Helft uns! (Scwalb/Regina/Mathis)" by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra had its release date on April 1, 1995. With This song being less than two minutes long, at 1:54, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Paul Hindemith, Rafael Kubelik's "Hindemith: Mathis der Maler" album is number 4 out of 61. Based on our statistics, Mathis Der Maler, 1st Tableau, Scene 2: Aufmachen! Helft uns! (Scwalb/Regina/Mathis)'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

BPM and Tempo

We consider the tempo marking of Mathis Der Maler, 1st Tableau, Scene 2: Aufmachen! Helft uns! (Scwalb/Regina/Mathis) by Paul Hindemith, Rafael Kubelik, Bayerischer Rundfunk, Bavarian Radio Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 124 BPM, a half-time of 62BPM, and a double-time of 248 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Music Key

This song has a musical key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 2%
Loudness: -19.103 dB
Acousticness: 98%
Danceability: 44%
Energy: 16%
Instrumentalness: 0%
Liveness: 28%
Loudness: 68%
Speechiness: 11%
Valence: 16%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Copland: Symphony No. 3: III. Andantino quasi allegretto -	Aaron Copland, San Francisco Symphony, Michael Tilson Thomas	E Minor	0	9A	71 BPM
Franck: Violin Sonata in A Major, FWV 8: I. Allegretto ben moderato	César Franck, Guido de Neve, Jan Michiels	D Major	0	10B	104 BPM
Pelléas et Mélisande, Op. 80: 1. Prélude. Quasi Adagio	Gabriel Fauré, Boston Symphony Orchestra, Seiji Ozawa	F Major	2	7B	98 BPM
Bach, CPE: Duet for Clarinets in C Major, Wq. 142: I. Adagio e sostenuto	Carl Philipp Emanuel Bach, Sabine Meyer, Wolfgang Meyer	C Major	0	8B	74 BPM
Nielsen: Wind Quintet, Op. 43: I. Allegro ben moderato	Carl Nielsen, Emmanuel Pahud, Sabine Meyer, Jonathan Kelly, Stefan Schweigert, Radek Baborák	B Minor	0	10A	90 BPM
Symphony No. 6 in D Major, Op. 104: IV. Allegro molto - Allegro assai - Doppio più lento	Jean Sibelius, Santtu-Matias Rouvali, Gothenburg Symphony Orchestra	G Major	3	9B	110 BPM
Martinu: Piano Quartet No. 1, H. 287: II. Adagio	Bohuslav Martinů, Domus	D Minor	1	7A	85 BPM
Shostakovich: Concerto for Piano, Trumpet and String Orchestra No. 1 in C Minor, Op. 35: II. Lento (Live)	Dmitri Shostakovich, Martha Argerich, Sergei Nakariakov, Alexander Verdernikov, Orchestra della Svizzera Italiana	C Major	1	8B	81 BPM
Marchenbilder (Fairy Tales), Op. 113: III. Rasch	Robert Schumann, Tabea Zimmermann, Hartmut Höll	F Major	1	7B	82 BPM
Fantasia & Fugue in C Minor, Op. 86 (After J.S. Bach's BWV 537): Fantasia	Edward Elgar, Seattle Symphony Orchestra, Gerard Schwarz	F Minor	1	4A	143 BPM
Violin Sonata, Op. 31, No. 2, "Es ist so schönes Wetter draussen": IV. 5 Variationen uber deas lied "Komm, lieber Mai"	Paul Hindemith, Frank Peter Zimmermann	E Minor	1	9A	101 BPM
Ligeti : Romanian Concerto : III Adagio, ma non troppo	György Ligeti, Jonathan Nott, Berliner Philharmoniker	F Major	0	7B	73 BPM
Caplet: Quintet for Piano & Winds, Op. 8: II. Adagio	André Caplet, Les Vents Français	F♯ Minor	1	11A	131 BPM
Piano Concerto in B-Flat Minor, Op. 37: III. Furiosa	Kurt Atterberg, Love Derwinger, NDR Radiophilharmonie, Ari Rasilainen	B♭ Minor	2	3A	118 BPM
Poulenc: Sextet for Piano and Winds, FP 100: III. Finale. Prestissimo	Francis Poulenc, Les Vents Français	C Major	1	8B	112 BPM
Schoenberg: Verklärte Nacht, Op. 4: II. Molto rallentando (1943 Version)	Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra	E Major	2	12B	76 BPM
Piano Quartet No. 1 in C Minor, Op. 15: III. Adagio	Gabriel Fauré, Trio Wanderer, Antoine Tamestit	B♭ Major	2	6B	104 BPM
Violin Concerto, Op. 14: I. Allegro	Samuel Barber, Hilary Hahn, Hugh Wolff, Saint Paul Chamber Orchestra	C Major	1	8B	95 BPM
3 Romanzen, Op. 94: III. Nicht schnell	Robert Schumann, Céline Moinet, Florian Uhlig	D Major	0	10B	169 BPM
Stille Musik: I. Walzer des Augenblicks	Valentin Silvestrov, Munich Chamber Orchestra	A Minor	0	8A	60 BPM
Concerto for Oboe and Small Orchestra in D Major, Op. 144: III. Vivace - Allegro	Richard Strauss, François Leleux, Swedish Radio Symphony Orchestra, Daniel Harding	D Major	2	10B	126 BPM
Concerto For Oboe And Strings: 2. Minuet & Musette	Ralph Vaughan Williams, Neil Black, English Chamber Orchestra, Daniel Barenboim	G Minor	2	6A	88 BPM
Sinfonietta, FP 141: I. Allegro con fuoco	Francis Poulenc, RTÉ National Symphony Orchestra, Jean-Luc Tingaud	G Major	0	9B	111 BPM
I'll bid my heart be still	Rebecca Clarke, Philip Dukes, Sophia Rahman	D Minor	0	7A	83 BPM
Weber: Clarinet Concerto No. 1 in F Minor, Op. 73, J. 114: I. Allegro	Carl Maria von Weber, Sabine Meyer, Staatskapelle Dresden, Herbert Blomstedt	F Minor	1	4A	128 BPM