Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti Song Details

Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti's 'Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits' had a release date set for 1982. The duration of This song is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Christoph Willibald Gluck, Riccardo Muti's "Gluck: Orfeo ed Euridice" album is number 16 out of 35. On top of that, United Kingdom appears to be the country where this track was created. Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

BPM and Tempo

We consider the tempo marking of Orfeo ed Euridice (Viennese version, 1762) (1997 Digital Remaster), Scene 2: Dance of the Blessed Spirits by Christoph Willibald Gluck, Philharmonia Orchestra, Riccardo Muti to be Larghetto (rather broadly) because the track has a tempo of 65 BPM, a half-time of 32BPM, and a double-time of 130 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Music Key

C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!

Popularity: 18%
Loudness: -35.075 dB
Acousticness: 98%
Danceability: 7%
Energy: 2%
Instrumentalness: 81%
Liveness: 7%
Loudness: 42%
Speechiness: 5%
Valence: 21%

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
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Dvořák: Rusalka, Op. 114, B. 203, Act 1: Song to the Moon (Instrumental Version)	Antonín Dvořák, Gautier Capuçon, Adrien Perruchon, Orchestre de chambre de Paris	F♯ Major	1	2B	89 BPM
Concerto in D minor, S. Z799: 1. Andante e spiccato	Alessandro Marcello, Håkan Hardenberger, I Musici	D Minor	2	7A	78 BPM
Bruch: Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio (Excerpt)	Max Bruch, Yehudi Menuhin, Philharmonia Orchestra, Walter Susskind	E♭ Major	1	5B	105 BPM
Serse, HWV 40: Largo "Ombra mai fu"	George Frideric Handel, Eugene Ormandy, Philadelphia Orchestra	G Major	1	9B	82 BPM
Miniatures, Op. 75a, B. 149: No. 1 in B-Flat Major, Cavatina. Moderato	Antonín Dvořák, Josef Suk, Miroslav Ambroš, Karel Untermüller	D Major	3	10B	85 BPM
Brahms: Symphony No. 3 in F Major, Op. 90: III. Poco allegretto	Johannes Brahms, Nikolaus Harnoncourt, Berliner Philharmoniker	C Minor	0	5A	175 BPM
Oboe Concerto in A Major (arr. J. Barbirolli): I. Preludio	Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward	F Major	0	7B	82 BPM
Peer Gynt, Op. 23, Act IV: No. 13, Prelude. Morning Mood	Edvard Grieg, Edward Gardner, Bergen Philharmonic Orchestra	E Major	0	12B	62 BPM
II. Largo from Concerto for Lute (Guitar), two Violins and Basso continuo in D Major, RV 93	John Williams	D Major	1	10B	70 BPM
Orphée et Eurydice, Wq. 30: Dance of the Blessed Spirits (Arr. W. Kempff for Piano)	Christoph Willibald Gluck, Idil Biret	F Major	0	7B	89 BPM
String Quintet in E Major, G. 275: III. Minuetto - Trio	Luigi Boccherini, Cuarteto Casals, Eckart Runge	A Major	0	11B	127 BPM
Konzert für Oboe c-Moll (nach D. Cimarosa): I. Introduzione. Larghetto	Arthur Benjamin, Lajos Lencsés, Stuttgart Arcata Chamber Orchestra, Patrick Strub	D Major	4	10B	134 BPM
Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum	Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France	G Major	1	9B	85 BPM
Le Carnaval des Animaux, R.125: Le Cygne	Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov	G Major	1	9B	114 BPM
String Quintet in C Major, G. 324 "La musica notturna delle strade di Madrid": II. Minuetto. Allegretto "Tanz der Blinden"	Luigi Boccherini, Berliner Philharmoniker, Herbert von Karajan	B♭ Major	1	6B	137 BPM
Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod (Adagio)	Edward Elgar, BBC Concert Orchestra, Barry Wordsworth	E♭ Major	1	5B	80 BPM
Thaïs: Meditation	Jules Massenet, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan	E Minor	1	9A	95 BPM
Larghetto in G Major, Op. 11: I. Larghetto espressivo	Louis Ferdinand Von Preußen, Trio Parnassus, Thomas Selditz, Stanislau Anishchanka	B Major	2	1B	100 BPM
String Quintet in A major, Op. 11/5, G 275: Minuetto	The Smithsonian Chamber Players	A♭ Major	0	4B	184 BPM
Peer Gynt Suite No. 1, Op. 46. Incidental music to Peer Gynt by Ibsen: I. Morning Mood	Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland	B♭ Major	0	6B	68 BPM
Adagio For Strings And Organ	The Regency House Orchestra	C Minor	2	5A	81 BPM
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Dance of the Blessed Spirits (Transcr. Kreisler & Moreau for Cello and Piano)	Christoph Willibald Gluck, Edgar Moreau, Pierre-Yves Hodique	B Major	0	1B	64 BPM
Violin Concerto No. 1 in G Minor, Op. 26: II. Adagio	Max Bruch, Arabella Steinbacher, Orquestra Gulbenkian, Lawrence Foster	E♭ Major	0	5B	100 BPM
Tannhäuser - Paris version / Act III: O du, mein holder Abendstern	Richard Wagner, Andreas Schmidt, Philharmonia Orchestra, Giuseppe Sinopoli	G Major	0	9B	71 BPM