"Le Carnaval des Animaux, R.125: Le Cygne" by Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov had its release date on January 27, 2023. With this song being around four minutes long, at 3:50, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 1 out of 35 in Camille Saint-Saëns & Maurice Ravel: Orchestre de Paris by Camille Saint-Saëns, Orchestre de Paris, Maurice Ravel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. In terms of popularity, Le Carnaval des Animaux, R.125: Le Cygne is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Le Carnaval des Animaux, R.125: Le Cygne by Camille Saint-Saëns, Mischa Maisky, Orchestre de Paris, Semyon Bychkov is Moderato (at a moderate speed), since this song has a tempo of 114 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Symphony No. 5 In C Sharp Minor: 4. Adagietto (Sehr langsam) | Gustav Mahler, Gyeonggi Philharmonic Orchestra, Shi-Yeon Sung | F Major | 0 | 7B | 82 BPM | ||
| Piano Concerto No. 21 in C Major, K.467: 2. Andante | Wolfgang Amadeus Mozart, András Schiff, Sándor Végh, Camerata Salzburg | F Major | 0 | 7B | 64 BPM | ||
| Suite in D Minor, HWV 437: III. Saraband | George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw | D Minor | 1 | 7A | 60 BPM | ||
| Carmen Suite No.2: 5. Danse bohème | Georges Bizet, Orchestre de Paris, Semyon Bychkov | E Major | 1 | 12B | 142 BPM | ||
| Beau Soir, L. 6 | Claude Debussy, Janine Jansen, Itamar Golan | F♯ Minor | 0 | 11A | 88 BPM | ||
| Clarinet Concerto in A Major, K. 622: II. Adagio | Wolfgang Amadeus Mozart, Martin Fröst, Amsterdam Sinfonietta, Peter Oundjian | D Major | 0 | 10B | 94 BPM | ||
| Tu mancavi a tormentarmi, crudelissima speranza (Arr. L. Stokowski) | Antonio Cesti, Brussels Philharmonic, Richard Egarr | E Major | 1 | 12B | 87 BPM | ||
| 3 Liebesträume, S. 541/3: No. 3, O lieb, so lang du lieben kannst (Arr. for Harp by Nora von Marschall) | Franz Liszt, Nora von Marschall | B♭ Major | 0 | 6B | 85 BPM | ||
| Delibes: Coppélia, Act I: No. 1, Valse | Léo Delibes, Jean-Baptiste Mari, Orchestre de l'Opéra National de Paris | E♭ Major | 1 | 5B | 143 BPM | ||
| Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
| 3 Chorales, P. 167: No. 1, Lento assai (After J.S. Bach's BWV 659) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | C Major | 0 | 8B | 65 BPM | ||
| Piano Concerto No. 6 in C Major, H. 49: II. Larghetto | John Field, Miceal O'Rourke, Matthias Bamert, London Mozart Players | E Major | 0 | 12B | 79 BPM | ||
| St. Matthew Passion, BWV 244 / Part Two: No. 39 Aria: "Erbarme dich" (Arr. For Oboe d’amore, Violin, Strings And Continuo) | Johann Sebastian Bach, Lisa Batiashvili, François Leleux, Chamber Orchestra of the Bavarian Radio, Radoslaw Szulc | D Major | 0 | 10B | 102 BPM | ||
| Serse, HWV 40, Act I: Ombra mai fu (Arr. for Cello and Piano) | George Frideric Handel, Raphaela Gromes, Julian Riem | F Major | 2 | 7B | 172 BPM | ||
| Cello Concerto In B Flat: 2. Andante grazioso | Luigi Boccherini, Jian Wang, Camerata Salzburg | B♭ Major | 1 | 6B | 137 BPM | ||
| Le Carnaval des Animaux: Aquarium | Camille Saint-Saëns, Irena Grafenauer, Martha Argerich, Nelson Freire, Gidon Kremer, Isabelle van Keulen, Tabea Zimmermann, Mischa Maisky, Georg Maximilian Hörtnagel, Edith Salmen-Weber | A Minor | 0 | 8A | 134 BPM | ||
| Suite Lyrique: 1. Prelude | John Rutter, Catrin Finch, Sinfonia Cymru | A Minor | 1 | 8A | 108 BPM | ||
| Ancient Airs & Dances, Suite III, P. 172: I. Italiana (Anonymous) | Ottorino Respighi, Filarmonica della Scala, Riccardo Chailly | B♭ Major | 1 | 6B | 172 BPM | ||
| Piano Concerto No. 2 in F Major, Op. 102: II. Andante | Dmitri Shostakovich, Yuja Wang, Boston Symphony Orchestra, Andris Nelsons | F Major | 1 | 7B | 104 BPM | ||
| Radiant Moments | Veridia | F Major | 0 | 7B | 178 BPM | ||
| Flute Sonata, Op. 15, "La Flûte de Pan": Pan et les oiseaux, Op. 15 | Jules Mouquet, Marc Grauwels, Brussels Philharmonic, Andre Vandernoot | C Minor | 0 | 5A | 142 BPM | ||
| En Aranjuez Con Tu Amor | Joaquín Rodrigo, Alfredo Garcia Segura, Fernando Lima | A Minor | 1 | 8A | 110 BPM | ||
| The Gadfly Suite, Op. 97a: Romance | Dmitri Shostakovich, Nemanja Radulović, Deutsches Symphonie-Orchester Berlin, Michail Jurowski | D♭ Major | 1 | 3B | 135 BPM | ||
| Symphonie espagnole, Op. 21: I. Allegro non troppo | Édouard Lalo, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim | D Minor | 1 | 7A | 75 BPM | ||
| Auf Flügeln des Gesanges, Op. 34, No. 2 | Felix Mendelssohn, Mischa Maisky, Sergio Tiempo | D Major | 0 | 10B | 92 BPM |