"Suite in D Minor, HWV 437: III. Saraband" by George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw had its release date on September 1, 1992. This song is about six minutes long, preciously at 5:44, making this song fairly long compared to other songs. The track order of this song in Karol Teutsch, Orchestre Leopoldinum-wroclaw's "La grande sarabande de Handel" album is number 1 out of 10. On top of that, France appears to be the country where this track was created. Suite in D Minor, HWV 437: III. Saraband is average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Suite in D Minor, HWV 437: III. Saraband by George Frideric Handel, Karol Teutsch, Orchestre Leopoldinum-wroclaw to be Lento (slowly) because the track has a tempo of 60 BPM, a half-time of 30BPM, and a double-time of 120 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Adagio in D Minor, BWV 974: II. Adagio | Johann Sebastian Bach, Alexandre Tharaud | D Minor | 0 | 7A | 65 BPM | ||
| Études: No. 6 | Philip Glass, Víkingur Ólafsson | F Minor | 2 | 4A | 110 BPM | ||
| Stabat Mater (excerpt) - Alternate Version | The London Metropolitan Ensemble | F Minor | 1 | 4A | 121 BPM | ||
| Les pleurs | Monsieur de Sainte-Colombe, Jordi Savall, Christophe Coin | F♯ Major | 0 | 2B | 103 BPM | ||
| Concerto in D Minor, Op.7, No.4: I. Adagio | George Frideric Handel, Academy of Ancient Music, Richard Egarr | D♭ Minor | 0 | 12A | 75 BPM | ||
| Concerto Grosso In D Major, Op. 6, No. 1 : III. Largo | Arcangelo Corelli, Daniela Ruso, Anna Holbling, Ludovit Kanta, Quido Holbling, Capella Istropolitana | D Major | 1 | 10B | 78 BPM | ||
| Thaïs: Méditation | Jules Massenet, Bomsori, NFM Wrocław Philharmonic, Giancarlo Guerrero | D Major | 0 | 10B | 84 BPM | ||
| Lohengrin: Prelude | Richard Wagner, Slovak Philharmonic Orchestra, Michael Halasz | A Major | 0 | 11B | 65 BPM | ||
| Ode for St. Cecilia's Day, HWV 76: Overture | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
| Orfeo ed Euridice, Wq. 30: Dance of the Blessed Spirits. Melody / La plainte d'Orphée (Arr. Kempff for Piano) | Christoph Willibald Gluck, Wilhelm Kempff | D Minor | 0 | 7A | 165 BPM | ||
| Slavonic Dance for Four Hands in E Minor, Op. 72/2: Dumka (Allegretto grazioso) | Antonín Dvořák, Khatia Buniatishvili | C Major | 0 | 8B | 77 BPM | ||
| Piano Concerto No. 5 in E-Flat Major, Op. 73 "Emperor": II. Adagio un poco mosso | Ludwig van Beethoven, Glenn Gould, Leopold Stokowski, American Symphony Orchestra | B Major | 0 | 1B | 61 BPM | ||
| Satie / Arr. Barker & Balsom: 3 Gymnopédies: No. 3, Lent et grave | Erik Satie, Alison Balsom, Guy Barker, Guy Barker Orchestra | A Minor | 2 | 8A | 78 BPM | ||
| Violin Concerto, 2nd mvt. (Arr. Gelgotas) | Philip Glass, Mari Samuelsen, Konzerthausorchester Berlin, Jonathan Stockhammer | C Minor | 2 | 5A | 86 BPM | ||
| Le carnaval des animaux, R. 125: Le cygne | Camille Saint-Saëns, Mischa Maisky, Orpheus Chamber Orchestra | C Major | 0 | 8B | 83 BPM | ||
| Dido & Aeneas, Z. 626: When I Am Laid in Earth "Dido's Lament" (Transcr. L. Stokowski) | Henry Purcell, Timothy Walden, Bournemouth Symphony Orchestra, José Serebrier | E Major | 0 | 12B | 76 BPM | ||
| Variations on an Original Theme, Op. 36 "Enigma": 9. Nimrod. Adagio (Arr. Parkin) | Edward Elgar, Sheku Kanneh-Mason, Ashok Klouda, Caroline Dearnley, Hannah Roberts, Josephine Knight, Ben Davies | B♭ Major | 1 | 6B | 90 BPM | ||
| Concert Grosso for String Orchestra "Palladio": Allegretto | Karl Jenkins, Ara Malikian | D Minor | 4 | 7A | 88 BPM | ||
| 6 Concerts transcrits en sextuor, Sixième concert: I. La poule | Jean-Philippe Rameau, Karol Teutsch, Orchestre Leopoldinum-wroclaw | G Minor | 2 | 6A | 107 BPM | ||
| Music for the Royal Fireworks, HWV 351: III. La Paix. Largo alla Siciliana | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 1 | 10B | 60 BPM | ||
| Serenade for Strings in E Major, Op. 22, B. 52: II. Tempo di valse | Antonín Dvořák, Prague Chamber Orchestra, Petr Skvor | A Major | 1 | 11B | 0 BPM | ||
| Thaïs: Méditation | Jules Massenet, Arabella Steinbacher, Orchestre Philharmonique de Monte-Carlo, Lawrence Foster | D Major | 0 | 10B | 91 BPM | ||
| Keyboard Sonata in F Minor, Kk. 466: Keyboard Sonata in F Minor, K.466/L.118/P.501: Andante | Domenico Scarlatti, Yevgeny Sudbin | B♭ Minor | 0 | 3A | 83 BPM | ||
| Couperin, F: Second livre de pièces de clavecin, Sixième ordre: V. Les baricades mistérieuses | François Couperin, György Cziffra | A Major | 6 | 11B | 200 BPM | ||
| Pavane | Gabriel Fauré, Die 12 Cellisten der Berliner Philharmoniker | F♯ Minor | 1 | 11A | 76 BPM |