On May 1, 1994, the song "Chhotki Nandiya" was released by Bijli Rani, Rekha Rani. This song is about six minutes long, preciously at 5:40, making this song fairly long compared to other songs. The track order of this song in Bijli Rani, Rekha Rani's "Kahan Jaaiba Chhaila" album is number 3 out of 8. On top of that, India appears to be the country where this track was created. In terms of popularity, Chhotki Nandiya is currently unknown. The overall tone is very danceable, especially with its high energy, which produces more of a euphoric, cheerful, or happy vibe.
We consider the tempo marking of Chhotki Nandiya by Bijli Rani, Rekha Rani to be Andante (at a walking pace) because the track has a tempo of 98 BPM, a half-time of 49BPM, and a double-time of 196 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
A♭ Minor is the music key of this track. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Chham Chham Tor Payal | Satish Das | B Minor | 8 | 10A | 140 BPM | ||
| Lage Bimari Payse Ki - Hindi | Parmod Kumar | C Minor | 7 | 5A | 132 BPM | ||
| Ye Hum Se Na Hoga | Ram Shankar | F♯ Major | 4 | 2B | 122 BPM | ||
| Kurban Kyun Na Jaun Darbar | Baldev Krishna (Jagadhari Wale) | E♭ Minor | 8 | 2A | 115 BPM | ||
| Aadu Aadu Pant - 1 | Prakash Mali | D♭ Major | 8 | 3B | 95 BPM | ||
| Kan Kan Su Gunje Jay Jay Rajasthan | Prakash Mali | B♭ Minor | 7 | 3A | 87 BPM | ||
| Mukti Ka Koi To Jatan Karale | Sarvesh Mishra | C Minor | 4 | 5A | 86 BPM | ||
| Jai Jai Durga Mahrani | Bharat Sharma Vyas | D♭ Major | 5 | 3B | 148 BPM | ||
| Ganpati Aayo Baapa | Pamela Jain, Vikram Thakor | D♭ Major | 4 | 3B | 141 BPM | ||
| Hare Hare Dubhiya | Sharda Sinha | F♯ Major | 4 | 2B | 102 BPM | ||
| Saat Samunder Paar Se | Gopal Rai | F Major | 5 | 7B | 89 BPM | ||
| Chamke Mori Mathwa Ki | Bijli Rani | G Minor | 6 | 6A | 84 BPM | ||
| Rama Rama Peer Mhara | Gopal Bajaj | E♭ Minor | 7 | 2A | 134 BPM | ||
| Aajhu Ke Raati | Anurag Anand | B♭ Minor | 4 | 3A | 163 BPM | ||
| Ma Durga Bhawani Mamta Rani | Dukalu Yadav | C Minor | 8 | 5A | 164 BPM | ||
| Aabe Ke Nahi Bata O - CG Song | Aagar Anand, Lata Ghritlahare | B Minor | 9 | 10A | 128 BPM | ||
| Jekar Nath Bholenath | Kalpana Patowary | D♭ Major | 1 | 3B | 66 BPM | ||
| Khatu Shyam | Sanjay Mittal | D♭ Major | 10 | 3B | 90 BPM | ||
| Ghun Gao Sareer Tumai Aasha Mai | Soniya Studio, Ramrati kushwaha, Dileep Ahirwar, Ramrati | F Minor | 8 | 4A | 138 BPM | ||
| Sat Ke Sandeshiya | Gorelal Burman, Shantilal Shah | G Major | 5 | 9B | 125 BPM | ||
| Sabariu Zhinu Zhinu Vage | Jashvant Rathva, Tulsi Tarabada, Satish Tarabada | F♯ Major | 7 | 2B | 57 BPM | ||
| uthe Toh Nahi Re Desh Hamaro | Prakash Mali | A♭ Major | 4 | 4B | 86 BPM | ||
| Angna Main Kuiyaan Raja | Deshraj Patairiya, Urmila Pandey | F Minor | 7 | 4A | 76 BPM | ||
| Naihar Mein Bichhilaai Paiyan | Madan Rai | F♯ Minor | 5 | 11A | 160 BPM | ||
| Dabe Paon Aiha Nazariya Bachake | Bharat Sharma Vyas | B Minor | 6 | 10A | 170 BPM |