"Medley: From New Faces/Love Is A Simple Thing/I'm In Love With Miss Logan/Monotonous/Bal Petit Bal/Boston Beguine" by Don Shirley had its release date on April 19, 2011. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 76 in the song's album "The Ultimate Piano Jazz Collection". In this album, this song's track order is #40. Furthermore, we believe that the track originated from United States. Medley: From New Faces/Love Is A Simple Thing/I'm In Love With Miss Logan/Monotonous/Bal Petit Bal/Boston Beguine is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Medley: From New Faces/Love Is A Simple Thing/I'm In Love With Miss Logan/Monotonous/Bal Petit Bal/Boston Beguine by Don Shirley having a BPM of 72 with a half-time of 36 BPM and a double-time of 144 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 5/4.
G Minor is the music key of this track. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Solace - The Sting/Soundtrack Version (Piano Version) | Marvin Hamlisch | F Major | 2 | 7B | 107 BPM | ||
| Day-Break, Op. 26 "Sunrise" (Arr. for Jazz Trio) | Frank Dupree, Jakob Krupp, Meinhard Jenne | E♭ Major | 1 | 5B | 112 BPM | ||
| Hymne a L' Amour | Larry Fuller Trio | C Major | 2 | 8B | 172 BPM | ||
| Autumn Leaves-Barney Kessel | Various Artists | G Major | 1 | 9B | 131 BPM | ||
| My Old Flame | Frank Morgan | A♭ Major | 0 | 4B | 113 BPM | ||
| Stockholm | Noar Silen | B♭ Major | 0 | 6B | 98 BPM | ||
| Blue Bolero | Abdullah Ibrahim | C Major | 2 | 8B | 131 BPM | ||
| Harlem | Paul Bley | B♭ Major | 0 | 6B | 98 BPM | ||
| This Can't be Love | Conal Fowkes, John Gill | B♭ Major | 2 | 6B | 96 BPM | ||
| Moonlight Sonata | David Hazeltine, George Mraz, Jason Brown | F♯ Minor | 1 | 11A | 76 BPM | ||
| Prelude No. 1 In C Major (From "The Well-Tempered Clavier", BWV 846) | Jacques Loussier Trio | C Major | 2 | 8B | 150 BPM | ||
| Distant Conversations | Alec Carrilo | B♭ Major | 0 | 6B | 98 BPM | ||
| Evening Song | Jakob Bro | E Major | 0 | 12B | 118 BPM | ||
| Dreaming In Van Gogh Colors | Jim Pearce | E Minor | 3 | 9A | 131 BPM | ||
| Still Crazy After All These Years | Brad Mehldau Trio | G Major | 2 | 9B | 150 BPM | ||
| First Gymnopedie | Yusef Lateef | G Major | 4 | 9B | 79 BPM | ||
| Love Walked In | Marc Hemmeler, Ray Brown | C Major | 1 | 8B | 116 BPM | ||
| Dorothy | Dr. John | C Major | 3 | 8B | 133 BPM | ||
| Permit Yourself | Letsee | E♭ Major | 1 | 5B | 128 BPM | ||
| Morning Has Broken | Larry Goldings, Harry Allen | E Minor | 0 | 9A | 71 BPM | ||
| Hey There | Eddie Heywood | E♭ Major | 1 | 5B | 91 BPM | ||
| Cry Me A River | Ray Brown Trio | C Minor | 1 | 5A | 108 BPM | ||
| Romance / Hommage à Milhaud | Enrico Pieranunzi, André Ceccarelli, Diego Imbert | B♭ Major | 2 | 6B | 109 BPM | ||
| Lullaby - Live | Don Shirley Trio | A♭ Major | 2 | 4B | 74 BPM | ||
| The Hammer Song | Don Shirley | F Major | 3 | 7B | 78 BPM |