Rucha Birari's ' "Lal Bauni Darja Rokha" was released on its scheduled release date, January 1, 1999. Since This song is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Rucha Birari's "Kanher Ni Kanbai" album is number 1 out of 9. On top of that, India appears to be the country where this track was created. The popularity of Lal Bauni Darja Rokha is currently unknown right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Lal Bauni Darja Rokha by Rucha Birari to be Presto (very, very fast) because the track has a tempo of 193 BPM, a half-time of 96BPM, and a double-time of 386 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song has a musical key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Naam Sagun Samarth V-2 | Mandar Apte | G Minor | 4 | 6A | 135 BPM | ||
| Mazya Ambabaila Ho Sajavin Ga | Sanika Abhang | C Minor | 6 | 5A | 127 BPM | ||
| Mavaji Muj Par | BAPS Swaminarayan Sanstha | A♭ Major | 4 | 4B | 106 BPM | ||
| Bolya Shri Hari Re | BAPS Swaminarayan Sanstha | F Minor | 4 | 4A | 116 BPM | ||
| Zala Zala Aanand | Vitthal Umap | G Major | 7 | 9B | 80 BPM | ||
| Chellidaru Bandarava | Basavaraj Narendra | E♭ Minor | 7 | 2A | 162 BPM | ||
| Datta Datta Mhanta Nitya | Poornima Kulkarni | B♭ Minor | 8 | 3A | 80 BPM | ||
| Raja Rani Agarbatti | Shakuntala Jadhav, Nanda Bhamare, Sanchita Morajkar, Shraddha Salavi, Geeta Golambare, Sunita Shelar, Madhuri Karmarkar, Pramila Sawant, Nitin Pawar | F Major | 6 | 7B | 100 BPM | ||
| Vaikuntam Nundi Digivachina | A. Ramadevi | G Minor | 7 | 6A | 141 BPM | ||
| Deva Tujhya Muralichya Payi | Surykant Shinde | E♭ Minor | 9 | 2A | 97 BPM | ||
| Nirakar Sakar | Arti Anklikar Tikekar | D Major | 6 | 10B | 88 BPM | ||
| Darshan De Majala | Mandar Apte | B Minor | 6 | 10A | 125 BPM | ||
| Shreeharim Shraye | Sri Ganapathy Sachchidananda Swamiji | E Major | 9 | 12B | 137 BPM | ||
| Ja Re Jare Ja Tu Pakhara | Yuvraj Pradhan | D♭ Minor | 6 | 12A | 155 BPM | ||
| Ame To Tara | Nidhi Dholakia | B♭ Minor | 4 | 3A | 144 BPM | ||
| Aanand Jhaya Maale Aanand Jhaya | Sanjay Chandne, Rucha Birari, Ishwar Mali | C Major | 3 | 8B | 84 BPM | ||
| Tule Pahle Kouni Dekh | Dinesh Bhasinge | B Major | 8 | 1B | 100 BPM | ||
| ARJUN GEETA | NIDHI DHOLKIYA-NITIN DEVKA | E♭ Major | 6 | 5B | 140 BPM | ||
| Lalbagchya Raja Darshan De Tu Amhar | Shakuntala Jadhav | A♭ Minor | 7 | 1A | 80 BPM | ||
| Cheluvi Cheluvi Yendu | Shamita Malnad | B Major | 3 | 1B | 149 BPM | ||
| Kannada Naadige | K. Yuvaraj | F♯ Minor | 6 | 11A | 143 BPM | ||
| Jatakata | Nihal | F♯ Minor | 6 | 11A | 142 BPM | ||
| Satya Karmat | SHIVANI BURDE | C Major | 7 | 8B | 77 BPM | ||
| Yogiyanche Yogi Shankar Maharaj | Anuradha Gaikwad | F♯ Major | 6 | 2B | 120 BPM | ||
| Datt Datt Aise Lagale Dhyan | Mahesh Hiremath, Shubhangi Joshi | F Major | 6 | 7B | 125 BPM |