"Vertical Flanking" by Stephen Barton had its release date on April 8, 2014. With this song being around four minutes long, at 4:18, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 18 in the song's album "Titanfall". In this album, this song's track order is #14. Furthermore, we believe that the track originated from Canada. Based on our statistics, Vertical Flanking's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Vertical Flanking by Stephen Barton having a BPM of 148 with a half-time of 74 BPM and a double-time of 296 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Lost Treasures | Stephen Barton | C Major | 5 | 8B | 140 BPM | ||
| Tortured Metal | Johan Söderqvist, Patrik Andrén | F Minor | 5 | 4A | 104 BPM | ||
| Wandering in the Wastelands | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| The War Room | Doyle W. Donehoo | A♭ Major | 2 | 4B | 173 BPM | ||
| The Pelican Has Landed | Jeff Williams | A Major | 9 | 11B | 120 BPM | ||
| Inbound Part 3 | Joel Nielsen | E Major | 4 | 12B | 72 BPM | ||
| Combat Simulator Tier 4 | Sam Hulick | D Major | 3 | 10B | 161 BPM | ||
| Tonight, I Am The Law | Christopher Drake | D Minor | 2 | 7A | 100 BPM | ||
| Vigilante | Brian Reitzell | D Major | 2 | 10B | 120 BPM | ||
| Necessary | Pawel Blaszczak | D Major | 8 | 10B | 120 BPM | ||
| Detroit Marketplace | Michael McCann | B Major | 5 | 1B | 180 BPM | ||
| Breaching the Veil | Ed Harrison | B♭ Minor | 6 | 3A | 133 BPM | ||
| Don’t Stand In My Way | Petri Alanko | A♭ Major | 7 | 4B | 120 BPM | ||
| Coiled Strike | Oleksa Lozowchuk | E Major | 7 | 12B | 164 BPM | ||
| Start | Olivier Deriviere, London Contemporary Orchestra | F Major | 0 | 7B | 65 BPM | ||
| Induction | Audiomachine | D Major | 9 | 10B | 125 BPM | ||
| Beware the Faceless | Chris D'Ambrosio | B♭ Major | 3 | 6B | 156 BPM | ||
| Revenge | Sean Murray | D♭ Major | 6 | 3B | 114 BPM | ||
| Live, Die, Repeat (End Title) | Christophe Beck | C Minor | 2 | 5A | 80 BPM | ||
| Commies | Sean Murray | D♭ Major | 6 | 3B | 145 BPM | ||
| Prelude To A Lost Cause - Orchestral Version | Mikael Karlsson | F Major | 3 | 7B | 88 BPM | ||
| Marigny | Wilbert Roget, II | D Major | 5 | 10B | 129 BPM | ||
| Battleground | Avery Alexander | D♭ Minor | 7 | 12A | 110 BPM | ||
| ...and Other Things | Mick Gordon | D Major | 3 | 10B | 151 BPM | ||
| Boosted | Stephen Barton | D Major | 5 | 10B | 100 BPM |