Jane Rutter's 'Nocturne, Op. 15 No. 2' had a release date set for January 1, 1989. The duration of This song is about 3 minutes long, at 3:28. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 13 in the song's album "Nocturnes and Preludes for Flute (Jane Rutter plays Debussy and Chopin)". In this album, this song's track order is #3. Furthermore, we believe that the track originated from Australia. Nocturne, Op. 15 No. 2 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Nocturne, Op. 15 No. 2 by Jane Rutter having a BPM of 76 with a half-time of 38 BPM and a double-time of 152 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Letters in Minor | Vival Aldo | G Major | 1 | 9B | 96 BPM | ||
| Vent De Nuit | Jorisu Kanzaki | G Major | 1 | 9B | 96 BPM | ||
| スカボロー・フェア | イギリス民謡, 宮田 大, Yasuji Ohagi | E Minor | 1 | 9A | 123 BPM | ||
| Sonata for Violin & Harp, Op. 113 (Version for Flute & Harp): II. Adagio | Louis Spohr, András Adorján, Marielle Nordmann | A Major | 1 | 11B | 72 BPM | ||
| Clarinet Quintet No. 3, Op. 23: Adagio | Carl Baermann, Michael Collins, Michael McHale | D♭ Major | 0 | 3B | 128 BPM | ||
| Suite from The Victorian Kitchen Garden: I. Prelude | Paul Reade, Emma Johnson, Philip Ellis, BBC Concert Orchestra | B♭ Major | 0 | 6B | 93 BPM | ||
| Cello and Lark | Christoph Otto Beyer, Mellow Melange, Ingo Höricht | G Major | 1 | 9B | 96 BPM | ||
| Theme from “Schindler’s List” | Cocomi, 東 亮汰, 田原綾子, Haruma Sato | D Minor | 0 | 7A | 92 BPM | ||
| Night Sky (Flute and Guitar Duet) | Mathew Joseph, Nicola Hayden | C Major | 1 | 8B | 115 BPM | ||
| Whispering Pines | Slumber Strings | A♭ Major | 2 | 4B | 148 BPM | ||
| Flute Folies | Marin Marias, Jane Rutter | E♭ Major | 2 | 5B | 77 BPM | ||
| Nocturne, Op. 15 No. 2 | Jane Rutter | B♭ Major | 1 | 6B | 76 BPM | ||
| Mediterranean Breeze | Gabriel Aldana | A Minor | 2 | 8A | 120 BPM | ||
| 12 Etudes, Op. 6: No. 2 | Mats Bergström | G Major | 1 | 9B | 96 BPM | ||
| Cinq nuances in B Minor: III. Idyllico | Marc Berthomieu, Dejan Gavric, Silke Aichhorn | B♭ Major | 0 | 6B | 80 BPM | ||
| Graceful Ghost Rag | Valérie Milot, William Bolcom | E♭ Minor | 0 | 2A | 93 BPM | ||
| 普契尼:親愛的爸爸(姜尼.史基基) | Deniel and Carey Domb | A Major | 0 | 11B | 171 BPM | ||
| A Quiet Place (Triptych II) | Amalia Tortajada Zanón, Andrea González Caballero, Celia Ruiz Artacho, Clarice Assad | C Major | 2 | 8B | 73 BPM | ||
| Danza del Matador | Antonio Martinez Cortés | B Minor | 2 | 10A | 146 BPM | ||
| Open Light | SerenAria | G Major | 1 | 9B | 96 BPM | ||
| Canção pequena | Michael Cohen, Alex Klein, Rita Costanzi | E♭ Minor | 0 | 2A | 70 BPM | ||
| Green Eyes | Ray Norris | A Minor | 2 | 8A | 113 BPM | ||
| 「白雪姫」Ⅴ.愛のファーストキス | 五十嵐紅トリオ | A♭ Major | 2 | 4B | 73 BPM | ||
| 6 Pieces for Harp Solo: No. 2, Scherzetto | Jacques Ibert, Ellen Bødtker | D♭ Major | 2 | 3B | 85 BPM | ||
| Symphony | Valen Rosset | G Major | 1 | 9B | 96 BPM |