Various World Reknowed Orchestras And Conductors's ' "La Belle Helene - Prelude To Act 11" was released on its scheduled release date, January 1, 2006. With This song being less than two minutes long, at 1:55, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 1 out of 111 in A Treasury of Golden Classics by Various World Reknowed Orchestras And Conductors. In terms of popularity, La Belle Helene - Prelude To Act 11 is currently not that popular. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of La Belle Helene - Prelude To Act 11 by Various World Reknowed Orchestras And Conductors is Moderato (at a moderate speed), since this song has a tempo of 112 BPM. With that information, we can conclude that the song has a moderate tempo. The time signature for this track is 4/4.
The music key of this track is B Major. This also means that this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Eine Kleine Nachtmusik | Various World Reknowed Orchestras And Conductors | F♯ Minor | 1 | 11A | 143 BPM | ||
| La Fille Mal Gardée | Ferdinand Hérold, John Lanchberry, Orchestra of the Royal Opera House & Covent Garden | D Major | 1 | 10B | 91 BPM | ||
| Carmen Suite No. 1: III. Intermezzo, Interlude before Act III | Georges Bizet, Marc Soustrot, Aarhus Symphony Orchestra | D Major | 1 | 10B | 134 BPM | ||
| Fiocco - Allegro | Joseph-Hector Fiocco, Steven Staryk | G Major | 3 | 9B | 98 BPM | ||
| Hyacinth and english horn | Jalaapeno | A♭ Major | 0 | 4B | 56 BPM | ||
| Habanera from Carmen | Various World Reknowed Orchestras And Conductors | D Major | 0 | 10B | 109 BPM | ||
| Mother Tree | Saleh Sarabov, Saleh Sarab | A♭ Major | 3 | 4B | 110 BPM | ||
| Minkus / Arr. Lanchbery: Don Quixote: No. 12, Variation. Dryad's Mistresses - Remembrance of the Ball | Ludwig Minkus, John Lanchbery, Elizabethan Trust Melbourne Orchestra | G Major | 0 | 9B | 89 BPM | ||
| Coppélia, Tableau 1: Prélude - Mazurka | Léo Delibes, Orchestra Victoria, Barry Wordsworth | E♭ Major | 2 | 5B | 142 BPM | ||
| Billabong | Danke Timi Briggs | G Minor | 2 | 6A | 150 BPM | ||
| Hunting (Fast Polka), Op. 373 | Saint Petersburg Radio and TV Symphony Orchestra, Stanislav Gorkovenko | A Major | 3 | 11B | 167 BPM | ||
| Polovetsian Dances from Prince Igor: Introduzione | Alexander Borodin, George Szell, The Cleveland Orchestra | A Major | 1 | 11B | 83 BPM | ||
| Carmen, Act III: Entr'acte (arr. D. Sosin): Carmen: Entr'acte to Act III (arr. for flute and harp) | Donald Sosin, Georges Bizet, Nora Shulman, Judy Loman | E♭ Major | 1 | 5B | 76 BPM | ||
| Giselle, Act 2: No. 12 Ensemble Dance of the Wilis, Lead Wilis’ Variations, Myrtha’s Second, Variation, Lead Wilis and ensemble | Adolphe Adam, Tasmanian Symphony Orchestra, Nicolette Fraillon | A♭ Major | 1 | 4B | 129 BPM | ||
| Op. 66 - Panorama - Remastered 2024 | Tchaïkovsky, Bavarian Symphony Orchestra | D Major | 4 | 10B | 91 BPM | ||
| Hérold & Lanchbery: La fille mal gardée, Act 2: No. 29, Pas de deux | Ferdinand Hérold, John Lanchbery, Royal Liverpool Philharmonic Orchestra, Barry Wordsworth | G Major | 1 | 9B | 88 BPM | ||
| Don Quixote, Act III: Dream of Don Quixote | Ludwig Minkus, Valery Zhelobinsky, Sofia National Opera Orchestra, Boris Spassov | D Major | 2 | 10B | 176 BPM | ||
| Carmen Suite: VIII. Bolero (after G. Bizet): Carmen's Entrance and Habanera | Rodion Shchedrin, Ukrainian State Symphony Orchestra, Theodore Kuchar | D Major | 0 | 10B | 115 BPM | ||
| Bach's Minuet in G - Instrumental | Johann Sebastian Bach, Philadelphia Orchestra, Eugene Ormandy | A Major | 1 | 11B | 59 BPM | ||
| La Sylphide: Act II: Forest Scene: James and the Sylphide | Herman Severin Løvenskiold, Kim Sjøgren, Royal Danish Orchestra, David Garforth | B♭ Major | 0 | 6B | 120 BPM | ||
| Peer Gynt Suite No. 1, Op. 46: I. Morning Mood | Edvard Grieg, Utah Symphony Orchestra, Maurice Abravanel | E Major | 0 | 12B | 73 BPM | ||
| Two Melodies, Op. 53, for string Orchestra: Norsk (Norwegian). Allegro Risoluto | Edvard Grieg, WDR Sinfonieorchester Köln, Eivind Aadland | G Major | 1 | 9B | 102 BPM | ||
| Music for the Royal Fireworks, HWV 351: V. La Réjouissance. Allegro | George Frideric Handel, Pierre Boulez, New York Philharmonic | D Major | 5 | 10B | 113 BPM | ||
| La bayadère: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | A Major | 2 | 11B | 140 BPM | ||
| Louisen-Polka (Louisina Polka): Louisa's Polka [orch. I. Krejci] | Bedřich Smetana, Slovak Radio Symphony Orchestra, Robert Stankovsky | E♭ Major | 0 | 5B | 85 BPM |