Sam Pinkerton's 'Calling You Out' had a release date set for November 12, 2013. The duration of This song is about 3 minutes long, at 3:06. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 11 in An Introduction by Sam Pinkerton. In terms of popularity, Calling You Out is currently not that popular. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Calling You Out by Sam Pinkerton is Moderato (at a moderate speed), since this song has a tempo of 117 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
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| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Mother Tongue | Joshua Moss | G Major | 2 | 9B | 120 BPM | ||
| Untold | Daniel Gidlund | E♭ Major | 4 | 5B | 120 BPM | ||
| Chandelier Love | Nathan Reich | E♭ Major | 3 | 5B | 112 BPM | ||
| Spirit Cold | Tall Heights | B Major | 7 | 1B | 78 BPM | ||
| Alone (feat. Sam Pinkerton) | The Devil Music Co., Marshall Mckellar, Sam Pinkerton | C Major | 3 | 8B | 132 BPM | ||
| Hallucinate | Oliver Riot | G Major | 3 | 9B | 82 BPM | ||
| After Dark | Oliver Daldry | F Major | 6 | 7B | 152 BPM | ||
| Hwy 18 | Mark Diamond | A Major | 2 | 11B | 136 BPM | ||
| Tonight | Joshua Hyslop | D Major | 3 | 10B | 135 BPM | ||
| Up There | Isobel Knight, The Nest Eggs | E Major | 1 | 12B | 127 BPM | ||
| Calling You Out | Sam Pinkerton | A♭ Major | 3 | 4B | 117 BPM | ||
| Sans Souci | Pêtr Aleksänder | C Major | 3 | 8B | 81 BPM | ||
| Incarnation Song | Chris and Thomas | C Minor | 4 | 5A | 166 BPM | ||
| Bridges - Acoustic | Aisha Badru | D♭ Major | 3 | 3B | 171 BPM | ||
| I Am Not in Love Anymore | Liza Anne | E Minor | 6 | 9A | 88 BPM | ||
| Mass (Re-Imagined) | Phoria | G Minor | 1 | 6A | 120 BPM | ||
| Lilac Hem | J. Tillman | A♭ Major | 1 | 4B | 132 BPM | ||
| Earnestly Yours (feat. Ren Ford) | Keaton Henson, Ren Ford | A♭ Minor | 1 | 1A | 131 BPM | ||
| Mama's Tears | Corey Kilgannon | D♭ Major | 2 | 3B | 140 BPM | ||
| High Altitude | Davis John Patton | B Major | 3 | 1B | 158 BPM | ||
| Some Things Are Better Left Unsaid, Yes? | Corey Kilgannon | F Major | 4 | 7B | 122 BPM | ||
| Mountain Twin | Joel Porter | D Major | 3 | 10B | 107 BPM | ||
| The One Who Truly Loves Me | Lilla Vargen | E Major | 2 | 12B | 71 BPM | ||
| Negotiations | Morten Myklebust | A Major | 2 | 11B | 137 BPM | ||
| Quintana | Slow Meadow | B Minor | 1 | 10A | 120 BPM |