"#4 (For Mori)" by Jack Nitzsche had its release date on 1972. The duration of This song is about 3 minutes long, at 3:08. Based on our data, This song appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 6 in the song's album "St. Giles Cripplegate". In this album, this song's track order is #2. Based on our statistics, #4 (For Mori)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With #4 (For Mori) by Jack Nitzsche having a BPM of 130 with a half-time of 65 BPM and a double-time of 260 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of E♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Dreamy | Roger Webb, De Wolfe Music | C Major | 3 | 8B | 117 BPM | ||
| Amarcord - Remastered 2021 | Nino Rota | G Minor | 0 | 6A | 75 BPM | ||
| Full Moon | Eden Ahbez | D Major | 1 | 10B | 68 BPM | ||
| Airport Love Theme #2 | Alfred Newman | E Major | 0 | 12B | 104 BPM | ||
| Theme from "Guess Who's Coming to Dinner" | Frank DeVol | E♭ Major | 4 | 5B | 184 BPM | ||
| Think Twice | Roger Webb, De Wolfe Music | E Major | 5 | 12B | 129 BPM | ||
| Head Hunter | Don Ralke | B♭ Major | 7 | 6B | 121 BPM | ||
| Safari to Kenya | Tak Shindo | F Major | 4 | 7B | 121 BPM | ||
| Surf Finger | Jack Nitzsche | C Minor | 7 | 5A | 112 BPM | ||
| Marooned | The Sound Breakers | A Major | 3 | 11B | 111 BPM | ||
| Au Pair Girls 11 | Roger Webb | A♭ Major | 1 | 4B | 149 BPM | ||
| Rosa Aurata | Nino Rota | F Major | 5 | 7B | 137 BPM | ||
| #4 (For Mori) | Jack Nitzsche | E♭ Major | 1 | 5B | 130 BPM | ||
| Love Is Blue | Tony Mottola | E Minor | 1 | 9A | 110 BPM | ||
| The Big Noise From Winnetka | Bob Crosby & The Bob Cats | A♭ Major | 2 | 4B | 132 BPM | ||
| Interlude | Bernard Herrmann | D Major | 1 | 10B | 132 BPM | ||
| Sleepy Time Gal | Jackie Davis | F Minor | 0 | 4A | 74 BPM | ||
| Notte di luna | Piero Umiliani | D♭ Major | 2 | 3B | 111 BPM | ||
| Cabana de Mel | Molly Lewis | A Minor | 4 | 8A | 77 BPM | ||
| You Better Move On | Andrew Oldham Orchestra | E Major | 9 | 12B | 111 BPM | ||
| African Waltz | Jack Nitzsche | B♭ Major | 8 | 6B | 123 BPM | ||
| Jungle Obsession | Nino Nardini, Roger Roger | F♯ Minor | 9 | 11A | 127 BPM | ||
| Assignment K 3 | Basil Kirchin, John Coleman | G Major | 3 | 9B | 160 BPM | ||
| Faccette Scintillanti | Nino Rota | A Minor | 4 | 8A | 172 BPM | ||
| Poolside Patter | Jack Fascinato | G Major | 6 | 9B | 78 BPM |