"Снегурочка, пролог: Речитатив и ария Весны-Красны "В урочный час"" by Нина Терентьева, Александр Лазарев, Оркестр Большого театра had its release date on November 18, 2014. With this song being about 5 minutes long, at This song is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There is only one song in Римский-Корсаков: Снегурочка, so we believe that "Снегурочка, пролог: Речитатив и ария Весны-Красны "В урочный час"" is a single. Снегурочка, пролог: Речитатив и ария Весны-Красны "В урочный час" is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Снегурочка, пролог: Речитатив и ария Весны-Красны "В урочный час" by Нина Терентьева, Александр Лазарев, Оркестр Большого театра is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| The Dream of Gerontius, Op. 38, Pt. 1: IVa. Sanctus fortis, Sanctus Deus | Edward Elgar, David Butt Philip, The Orchestra Of Opera North, Martyn Brabbins | D♭ Major | 2 | 3B | 180 BPM | ||
| Gianni Schicchi: "Prima un avvertimento!" | Giacomo Puccini, Leo Nucci, Ewa Podles, Roberto Alagna, Ricardo Cassinelli, Barbara Frittoli, Barbara Guerrini, Giorgio Giorgetti, Enrico Fissore, Orazio Mori, Nicoletta Curiel, Coro Di Voci Bianchi "Guido Monaco" Di Prato, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Bruno Bartoletti | G Major | 1 | 9B | 151 BPM | ||
| Tosca, Act I: Sommo giubilo, Eccelenza! | Giacomo Puccini, Davide Giangregorio, Coro dell'Accademia Nazionale Di Santa Cecilia, Orchestra dell'Accademia Nazionale di Santa Cecilia, Daniel Harding | E♭ Minor | 3 | 2A | 135 BPM | ||
| Les Contes d'Hoffmann / Act 1: "Drig, drig, drig, maître Luther" | Jacques Offenbach, Robin Leggate, Urban Malmberg, Kurt Rydl, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | C Major | 4 | 8B | 138 BPM | ||
| Cavalleria rusticana: Brindisi. Viva il vino spumeggiante "Drinking Song" | Pietro Mascagni, Adriane Martino, Carlo Bergonzi, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan, Coro Del Teatro Alla Scala Di Milano | A♭ Major | 3 | 4B | 126 BPM | ||
| Suor Angelica: Sorelle in umiltà, mancaste alla quindena | Giacomo Puccini, Elizabeth Connell, Helen Walker, Doreen Walker, Enid Hartle, Marie McLaughlin, Isobel Buchanan, Miriam Bowen, The London Opera Chorus, National Philharmonic Orchestra, Richard Bonynge | D Major | 1 | 10B | 170 BPM | ||
| Spontini: La Vestale, Act III: "Qu’ai-je vu! Quels apprêts" (Licinius) | Gaspare Spontini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | E♭ Major | 3 | 5B | 150 BPM | ||
| L'elisir d'amore / Act II: "Una tenera occhiatina" | Gaetano Donizetti, Enzo Dara, Kathleen Battle, Metropolitan Opera Orchestra, James Levine | E Major | 2 | 12B | 113 BPM | ||
| Love blows as the wind blows: III Fill a glass with golden wine | George Butterworth, Jonathan Lemalu, Belcea Quartet | F Major | 0 | 7B | 87 BPM | ||
| Cavalleria rusticana: Part II: A casa, a casa (Men, Women, Turiddu, Lola) | Pietro Mascagni, Maria Callas, Giuseppe Di Stefano, Rolando Panerai, Anna Maria Canali, Ebe Ticozzi, Vittore Veneziani, Milan La Scala Chorus, Orchestra Del Teatro Alla Scala, Milano, Tullio Serafin | E♭ Major | 2 | 5B | 108 BPM | ||
| Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral": IV. (g) Allegro ma non tanto. "Freude, Tochter aus Elysium!" - | Ludwig van Beethoven, Herbert von Karajan, Chor der Gesellschaft der Musikfreunde Wien, Elisabeth Schwarzkopf, Ernst Haefliger, Marga Höffgen, Otto Edelmann, Philharmonia Orchestra | D Major | 2 | 10B | 113 BPM | ||
| Bellini: I puritani: "Suoni la tromba" (Giorgio, Riccardo) | Vincenzo Bellini, Dresdner Philharmonie, Riccardo Frizza | D Major | 5 | 10B | 136 BPM | ||
| Снегурочка, пролог: Речитатив и ария Весны-Красны "В урочный час" | Нина Терентьева, Александр Лазарев, Оркестр Большого театра | D♭ Major | 2 | 3B | 79 BPM | ||
| Andrea Chénier / Act 3: La mamma morta | Umberto Giordano, Montserrat Caballé, Leo Nucci, National Philharmonic Orchestra, Riccardo Chailly | B Minor | 1 | 10A | 79 BPM | ||
| Eugene Onegin, Op. 24, TH. 5 / Act II: Scene and Couplets. "Uzhel ya zasluzhil ot nasmyeshku etu?" | Pyotr Ilyich Tchaikovsky, Anne Sofie von Otter, Neil Shicoff, Michel Sénéchal, Thomas Allen, Staatskapelle Dresden, James Levine, MDR Leipzig Radio Chorus | E Minor | 2 | 9A | 78 BPM | ||
| Gounod: Faust, Act 2: "Allons, amis ! Point de vaines alarmes !" (Wagner, Méphistophélès, Chœur) | Charles Gounod, Michel Plasson, Chœur de l'Armée française, Choeur Du Capitole De Toulouse, José van Dam, Marc Barrard, Orchestre Du Capitole De Toulouse | F Major | 2 | 7B | 94 BPM | ||
| Lehár: Das Land des Lächelns, Act II: Tanzlied. "Im Salon zur blau'n Pagode" | Franz Lehár, Willi Boskovsky, Brigitte Lindner, Das Münchner Rundfunkorchester | B♭ Major | 1 | 6B | 73 BPM | ||
| Wagner: Tannnhäuser, Act 2: "Dort ist sie, nihe dich ihr ungestört" (Wolfram, Tannhäuser, Elisabeth) | Richard Wagner, Daniel Barenboim, Jane Eaglen, Peter Seiffert, Staatskapelle Berlin, Thomas Hampson | G Major | 4 | 9B | 113 BPM | ||
| Offenbach: Les Contes d'Hoffmann, Act I: "Va! pour Kleinzach" (Hoffmann, Nathanaël, Chorus) | Jacques Offenbach, Michael Spyres, Choeur de l'Opéra national du Rhin, Mario Montalbano, Marko Letonja, Orchestre Philharmonique De Strasbourg | G Major | 0 | 9B | 107 BPM | ||
| Beatrice di Tenda: Act I Scene 1: Ah! non pensar che pieno (Agnese, Filippo, Choir) | Vincenzo Bellini, Camille Capasso, Fabio Luisi, Paolo Gavanelli, Chorus of the German Opera House Berlin, German Opera House Berlin Orchestra | A♭ Major | 1 | 4B | 101 BPM | ||
| Thaïs / Acte Un: Voici le pain | Jules Massenet, Olivier Schock, Bernard Mansencal, Bruno Moga, Loïc Cassin, José Luis Victoria, Stefano Palatchi, Orchestre National Bordeaux Aquitaine, Yves Abel | D Major | 2 | 10B | 94 BPM | ||
| L'elisir d'amore / Act 2: "Silenzo!..."Le feste nuziale" | Gaetano Donizetti, Dominic Cossa, Spiro Malas, Dame Joan Sutherland, Maria Casula, Luciano Pavarotti, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | C Major | 2 | 8B | 95 BPM | ||
| Carmen, WD 31, Act I: Dans l'air nous suivons des yeux la fumee | Georges Bizet, Alexandrina Milcheva, Nikola Nikolov, Liliana Vassileva, Nicola Ghiuselev, Stefka Popangelova, Tsvetanka Arshinkova, Milen Paounov, Verter Vrachovsky, Pavel Gerdjikov, Georgi Genov, Sofia National Opera Chorus, Sofia National Opera Orchestra, Ivan Marinov | E Major | 1 | 12B | 78 BPM | ||
| Puccini : Manon Lescaut : Act 1 "Tra voi, belle" [Des Grieux] | Giacomo Puccini, José Cura, Plácido Domingo, Philharmonia Orchestra | C Major | 1 | 8B | 131 BPM | ||
| La Gioconda / Act 1: Maledici? sta ben | Amilcare Ponchielli, Sherrill Milnes, Regolo Romani, Montserrat Caballé, National Philharmonic Orchestra, Bruno Bartoletti | A Minor | 0 | 8A | 164 BPM |