Luigi Denza, Rudolf Schock, FFB Orchestra, Frank Fox's ' "Funiculì, Funiculà" was released on its scheduled release date, 2008. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Funiculì, Funiculà's duration is considered a little bit shorter than the average duration of a typical track. The song is number 14 out of 20 in Die schönsten Opernarien by Rudolf Schock, Tschuschke, Hans, Napoli MandolinOrchestra. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Funiculì, Funiculà is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Funiculì, Funiculà by Luigi Denza, Rudolf Schock, FFB Orchestra, Frank Fox is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Turandot - Nesum dorma | Virtuosi Di Praga, Alberto Jelmoni | D Major | 2 | 10B | 79 BPM | ||
| Ti adoro | Michele Centonze, Robin Smith, Luciano Pavarotti, Stefano "Tellus" Nanni, Bulgarian Symphony Orchestra | A Major | 7 | 11B | 77 BPM | ||
| H.M.S. Pinafore, Act II: He Is an Englishman | Gilbert & Sullivan Society of Houston | A Major | 3 | 11B | 59 BPM | ||
| Feniculi, Fenicula | Luigi Denza, Prophecy Guitar Duo | A Major | 3 | 11B | 129 BPM | ||
| Funiculi-Funicula | Luigi Denza, Italian Mandoline Orchestra, Bruno Bertone, Dieter Schnerring, Hans Zimmermann | A♭ Major | 4 | 4B | 126 BPM | ||
| Pagliacci / Act 1: "Recitar!...Vesti la giubba" | Ruggero Leoncavallo, Luciano Pavarotti, National Philharmonic Orchestra, Giuseppe Patanè | E Major | 2 | 12B | 83 BPM | ||
| A Luna Mezzo Mare | Conjunto Itálico (Salvatore) | C Major | 4 | 8B | 131 BPM | ||
| Lakme: Sous le dome Epais (The Flower Duet) | Lesley Garrett, Philharmonia Orchestra, Andrew Greenwood | E♭ Major | 3 | 5B | 74 BPM | ||
| Pagliacci, Act I: "Recitar! Vesti la giubba" (Canio) | Ruggero Leoncavallo, Orchestra dell'Accademia Nazionale di Santa Cecilia, Francesco Molinari-Prandelli, Mario del Monaco | E Major | 2 | 12B | 89 BPM | ||
| Funiculi Funicula | Wally Stott, Sergio Franchi, Giuseppe Turco, Luigi Denza, Orchestra Sergio Franchi, Sergio Franchi, Wally Stott & His Orchestra | D Major | 6 | 10B | 88 BPM | ||
| Carmen Suite No. 1: VI. Les toréadors (Act I Prelude. Allegro giocoso) – I. Andante moderato (Fate Motive) | Georges Bizet, Deutsches Symphonie-Orchester Berlin, Ferenc Fricsay | D Minor | 4 | 7A | 125 BPM | ||
| Funiculi, funicula | Luigi Denza, Harry Macdonough, Lambert Murphy, John McCormack, Reinald Werrenrath | G Major | 2 | 9B | 77 BPM | ||
| Don Giovanni, K. 527, Act II: Canzonetta. Deh, vieni alla finestra | Wolfgang Amadeus Mozart, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | D Major | 0 | 10B | 135 BPM | ||
| Rossini: Il Barbiere di Siviglia, Act I: "Largo al factotum" (Figaro) | Gioachino Rossini, Michael Spyres, Marko Letonja, Orchestre Philharmonique De Strasbourg | C Major | 3 | 8B | 134 BPM | ||
| Gianni Schicchi: "Oh! mio babbino caro" | Giacomo Puccini, Renata Tebaldi, Orchestra del Maggio Musicale Fiorentino, Lamberto Gardelli | A♭ Major | 2 | 4B | 178 BPM | ||
| Don Pasquale / Act 3: "Com'è gentil...tornami a dir" | Gaetano Donizetti, Juan Diego Flórez, Andrea Menafra, Rossella Perrone, Giulio Patara, Coro Sinfonico di Milano Giuseppe Verdi, Orchestra Sinfonica di Milano Giuseppe Verdi, Riccardo Frizza | A Major | 1 | 11B | 67 BPM | ||
| Tosca, Act I: Recondita armonia | Giacomo Puccini, Luciano Pavarotti, National Philharmonic Orchestra, Nicola Rescigno | F Major | 2 | 7B | 83 BPM | ||
| Torna a Surriento | Ernesto de Curtis, Luciano Pavarotti, Emerson Buckley, Symphony Orchestra Of Emilia Romagna "Arturo Toscanini" | E Minor | 1 | 9A | 96 BPM | ||
| Marechiare | Francesco Paolo Tosti, Luciano Pavarotti, National Philharmonic Orchestra, Giancarlo Chiaramello | C Major | 2 | 8B | 132 BPM | ||
| Carmen Suite No. 2: 2. Habanera | Georges Bizet, Orchestre de Paris, Semyon Bychkov | D Major | 0 | 10B | 134 BPM | ||
| Lakmé / Act 1: Viens, Mallika, ... Dôme épais (Flower Duet) - Excerpt | Léo Delibes, Anna Netrebko, Elina Garanca, SWR Symphony Orchestra, Marco Armiliato | G Minor | 1 | 6A | 93 BPM | ||
| Nabucco: Va, pensiero, sull'ali dorate (Chorus of the Hebrew Slaves) | Renato Cellini, Robert Shaw | A♭ Major | 1 | 4B | 168 BPM | ||
| Caro mio ben | Tomasso Giordani, Luciano Pavarotti, Philharmonia Orchestra, Piero Gamba | F Major | 1 | 7B | 85 BPM | ||
| Il barbiere di Siviglia (the Barber of Seville), Act I: Cavatina. Largo al factotum della citta | Gioachino Rossini, Peter Mattei, Royal Stockholm Philharmonic Orchestra, Lawrence Renes | C Major | 3 | 8B | 100 BPM | ||
| Marcha Radetzky, Op.228 | Johann Strauss II, Inma Shara | A Major | 5 | 11B | 107 BPM |