"Visions of St Anne – Symphony for Orchestra: III. Lamentosa" by Roderick elms, BBC Concert Orchestra, Barry Wordsworth had its release date on November 15, 2024. This song is about six minutes long, preciously at 6:26, making this song fairly long compared to other songs. There are a total of 11 in the song's album "Roderick Elms: Visions of St Anne and Other Orchestral Works". In this album, this song's track order is #10. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Visions of St Anne – Symphony for Orchestra: III. Lamentosa's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Visions of St Anne – Symphony for Orchestra: III. Lamentosa by Roderick elms, BBC Concert Orchestra, Barry Wordsworth having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Want to find the BPM and music key for other songs? Check out our BPM and Key Finder page!
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
| Concerto for Violin and Orchestra (To the memory of my mother): I. Lento, ma non troppo | Ina Boyle, Esther Abrami, Vienna Radio Symphony Orchestra, Irene Delgado-Jiménez | A Minor | 2 | 8A | 80 BPM | ||
| The Kingdom, Op. 51, Part I. In the Upper Room: Men and brethren (Peter) | Edward Elgar, Richard Hickox, London Symphony Orchestra, David Wilson-Johnson, Roderick elms | B♭ Major | 2 | 6B | 86 BPM | ||
| Visions of St Anne – Symphony for Orchestra: III. Lamentosa | Roderick elms, BBC Concert Orchestra, Barry Wordsworth | G Major | 1 | 9B | 141 BPM | ||
| Keyboard Sonata in D Minor, R. 39 (Arr. for 2 Guitars by Volker Niehusmann) | Antonio Soler, Niehusmann Guitar Duo | A Minor | 2 | 8A | 86 BPM | ||
| Farewell | Eunike Tanzil, Deutsches Symphonie-Orchester Berlin, Anna Handler | B♭ Minor | 2 | 3A | 111 BPM | ||
| The Dream of Gerontius, Op. 38: Part II: I go before my Judge (The Soul of Gerontius, Chorus) | Edward Elgar, Felicity Palmer, Arthur Davies, Gwynne Howell, London Symphony Chorus, London Symphony Orchestra, Roderick elms, Richard Hickox | F♯ Minor | 0 | 11A | 139 BPM | ||
| 6 Hymn-Preludes: I. Darwall's 148th | Percy Whitlock, Roderick elms | B♭ Major | 1 | 6B | 104 BPM | ||
| Estrellita (Arr. Abril & Barrueco for Guitar) | Manuel Ponce, Alexandra Whittingham | D Major | 0 | 10B | 113 BPM | ||
| Consolation | Alain Lefèvre | D Major | 1 | 10B | 169 BPM | ||
| Tra Bo Dau (Arr. Huws for Harp) | Alis Huws | E♭ Major | 0 | 5B | 78 BPM | ||
| Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
| I Was Glad | Hubert Parry, Richard Hickox, London Symphony Orchestra, Roderick elms, London Symphony Chorus | B♭ Major | 2 | 6B | 63 BPM | ||
| Dreamscapes | Karin Schaupp, Tara Lynam | E Major | 2 | 12B | 145 BPM | ||
| Simple Truths | Christopher Sainsbury, Gerard Cousins | C Minor | 0 | 5A | 117 BPM | ||
| Vivaldi / Arr. Pujol: Guitar Concerto in D Major, RV 93: II. Largo | Antonio Vivaldi, Sharon Isbin, Lawrence Foster, Orchestre de Chambre de Lausanne | D Major | 1 | 10B | 104 BPM | ||
| Introduction & Variations on Favorite Airs from Bellini's "Norma", Op. 36: Var. 2, Andante con espressione | Elias Parish Alvars, Paola Perrucci | E♭ Major | 0 | 5B | 79 BPM | ||
| Momentum: Intermezzo | Peter Hope, Royal Northern Sinfonia, David Lloyd-Jones | E Minor | 2 | 9A | 104 BPM | ||
| Harp of Ages: II. Sister Juana's Hymn | Michael Daugherty, Andrew Litton, Colorado Symphony, Courtney Hershey Bress | A Minor | 1 | 8A | 75 BPM | ||
| Concierto de Aranjuez: II. Adagio | Joaquín Rodrigo, Raphaël Feuillâtre, Verbier Festival Chamber Orchestra, Gábor Takács-Nagy, Verbier Festival Orchestra | B Minor | 1 | 10A | 116 BPM | ||
| Byrd: Pavana Lachrymae (After Dowland's "Flow My Tears") | William Byrd, Shani Diluka | D Minor | 0 | 7A | 134 BPM | ||
| Luna - Solo Piano Version | Eunike Tanzil | F Major | 0 | 7B | 140 BPM | ||
| Moody Moves: II. Precocious Prelude | Roderick elms, The Aurora Ensemble | E♭ Major | 0 | 5B | 65 BPM | ||
| Florida Suite: II. By the River | Frederick Delius, English Northern Philharmonia, David Lloyd-Jones | G Major | 0 | 9B | 68 BPM | ||
| Petite Valse | Sidney Torch, Roderick elms, BBC Concert Orchestra, Barry Wordsworth | G Major | 0 | 9B | 67 BPM | ||
| Plymouth Suite: IV. Salix | Percy Whitlock, Roderick elms | G Major | 0 | 9B | 68 BPM |